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Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1513473840
Category : Music
Languages : en
Pages : 49
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Book Description
In this book, multi-instrumentalist and music historian Rob MacKillop explores an unexpected aspect of the 5-string banjo repertoire with slower, expressive, and even sentimental qualities. Drawing upon various 19th and 20th century resources, MacKillop offers 27 engaging international melodies in gDGBD or gCGBD tuning that can be played on any 5-string banjo, whether old or modern, with either fingertips or picks. In contrast to the hard-driving bluegrass “Dueling Banjos” approach, the Barnes and Mullins Banjo School of the 1920s advises: “To obtain the best possible tone from the instrument, a delicate “touch” and diligent practice are required. One essential point…is to employ lightness and grace with every movement.” Written in both standard notation and tablature. Online audio is available for each arrangement.
Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1513473840
Category : Music
Languages : en
Pages : 49
Get Book
Book Description
In this book, multi-instrumentalist and music historian Rob MacKillop explores an unexpected aspect of the 5-string banjo repertoire with slower, expressive, and even sentimental qualities. Drawing upon various 19th and 20th century resources, MacKillop offers 27 engaging international melodies in gDGBD or gCGBD tuning that can be played on any 5-string banjo, whether old or modern, with either fingertips or picks. In contrast to the hard-driving bluegrass “Dueling Banjos” approach, the Barnes and Mullins Banjo School of the 1920s advises: “To obtain the best possible tone from the instrument, a delicate “touch” and diligent practice are required. One essential point…is to employ lightness and grace with every movement.” Written in both standard notation and tablature. Online audio is available for each arrangement.
Author: Karen Linn
Publisher: University of Illinois Press
ISBN: 9780252064333
Category : Music
Languages : en
Pages : 212
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Book Description
Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo's use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.
Author: Tony Trischka
Publisher: Oak Publications
ISBN: 1783235047
Category : Music
Languages : en
Pages : 127
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Book Description
Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.
Author: Ken Perlman
Publisher: Centerstream Publications
ISBN: 9780931759338
Category : Music
Languages : en
Pages : 0
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Book Description
(Banjo). A complete guide for beginning and advanced banjo players! From Ken Perlman, here is a brilliant teaching guide that is destined to become the handbook on how to play the banjo. The style is easy to learn, and covers the instruction itself, basic right and left-hand positions, simple chords, and fundamental clawhammer techniques; the brush, the 'bumm-titty' strum, pull-offs, and slides. For the advanced player, there is instruction on more complicated picking, double thumbing, quick slides, fretted pull-offs, harmonics, improvisation, and more. The book includes more than 40 fun-to-play banjo tunes.
Author: Art Rosenbaum
Publisher:
ISBN:
Category : Banjo
Languages : en
Pages : 0
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Book Description
Art Rosenbaum is one of America's foremost performers and teachers of traditional five-string banjo playing. He has a long-time interest in the myriad old-time tunings that give breadth and richness to mountain and old-time banjo picking, and has learned first-hand from old-timers in the South and Midwest. Pete Seeger (whose pioneering book How to Play the Five-String Banjo gave Art his start in the 1950s) praised the inclusion of 23 tunings in Art's 1968 Oak Publications book Old-Time Mountain Banjo. This book and 2-DVD set doubles (plus one!) that number of tunings. Art groups the tunings into families and shows how they can be used, with various picking styles, in playing banjo tunes and string band music and in song accompaniment. Experienced players will broaden their knowledge of unusual and interesting tunings and styles, and novice players can get started with common tunings for easy pieces like Cripple Creek and Shout Lulu, the first tunes many old-timers learned.
Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1619118319
Category : Music
Languages : en
Pages : 88
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Book Description
Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1619118157
Category : Music
Languages : en
Pages : 56
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Book Description
Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th- century composer Giovanni Bottesini; the “Paganini of bass”, with contemporary studies by Gilbert Isbin; one of the leading European composers for guitar, lute and bass. These 33 studies will help build not just your technique, but reading abilities and overall musicianship. The material is intended for serious bass students and can be played on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre, Isbin's studies bring in elements of classical, jazz and world music. All the studies are written in standard bass clef notation as well as tablature. Includes access to online audio recorded by Rob MacKillop for each study.
Author: Tim Jumper
Publisher: Oak Publications
ISBN: 1783234784
Category : Music
Languages : en
Pages : 288
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Book Description
Over 200 great songs arranged for the five-string banjo complete with lyrics for each song. Includes folk songs, sentimental favourites, song of the sea, fiddle tunes, and much more.
Author: Catherine Tackley (nee Parsonage)
Publisher: Routledge
ISBN: 1351544756
Category : Music
Languages : en
Pages : 322
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Book Description
As a popular music, the evolution of jazz is tied to the contemporary sociological situation. Jazz was brought from America into a very different environment in Britain and resulted in the establishment of parallel worlds of jazz by the end of the 1920s: within the realms of institutionalized culture and within the subversive underworld. Tackley (nParsonage) demonstrates the importance of image and racial stereotyping in shaping perceptions of jazz, and leads to the significant conclusion that the evolution of jazz in Britain was so much more than merely an extension or reflection of that in America. The book examines the cultural and musical antecedents of the genre, including minstrel shows and black musical theatre, within the context of musical life in Britain in the late nineteenth and early twentieth centuries. Tackley is particularly concerned with the public perception of jazz in Britain and provides close analysis of the early European critical writing on the subject. The processes through which an evolution took place are considered by looking at the methods of introducing jazz in Britain, through imported revue shows, sheet music, and visits by American musicians. Subsequent developments are analysed through the consideration of modernism and the Jazz Age as theoretical constructs and through the detailed study of dance music on the BBC and jazz in the underworld of London. The book concludes in the 1930s by which time the availability of records enabled the spread of 'hot' music, affecting the live repertoire in Britain. Tackley therefore sheds entirely new light on the development of jazz in Britain, and provides a deep social and cultural understanding of the early history of the genre.
Author: Catherine Tackley (n? Parsonage)
Publisher: Routledge
ISBN: 1351544748
Category : Music
Languages : en
Pages : 455
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Book Description
As a popular music, the evolution of jazz is tied to the contemporary sociological situation. Jazz was brought from America into a very different environment in Britain and resulted in the establishment of parallel worlds of jazz by the end of the 1920s: within the realms of institutionalized culture and within the subversive underworld. Tackley (n?Parsonage) demonstrates the importance of image and racial stereotyping in shaping perceptions of jazz, and leads to the significant conclusion that the evolution of jazz in Britain was so much more than merely an extension or reflection of that in America. The book examines the cultural and musical antecedents of the genre, including minstrel shows and black musical theatre, within the context of musical life in Britain in the late nineteenth and early twentieth centuries. Tackley is particularly concerned with the public perception of jazz in Britain and provides close analysis of the early European critical writing on the subject. The processes through which an evolution took place are considered by looking at the methods of introducing jazz in Britain, through imported revue shows, sheet music, and visits by American musicians. Subsequent developments are analysed through the consideration of modernism and the Jazz Age as theoretical constructs and through the detailed study of dance music on the BBC and jazz in the underworld of London. The book concludes in the 1930s by which time the availability of records enabled the spread of 'hot' music, affecting the live repertoire in Britain. Tackley therefore sheds entirely new light on the development of jazz in Britain, and provides a deep social and cultural understanding of the early history of the genre.
