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Author: Simon Smith
Publisher:
ISBN: 9780719091582
Category : History
Languages : en
Pages : 243
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Book Description
Considering a wide range of early modern texts, performances and artworks, the essays in this collection demonstrate how attention to the senses illuminates the literature, art and culture of early modern England. The volume responds to burgeoning interest in the senses from both literary scholars and cultural historians, arguing that early modern ideas about the senses resonate significantly through texts, performances and artworks of the period, even as these art forms themselves provide invaluable suggestions about the place of the senses in early modern culture. Examining canonical and less familiar literary works alongside early modern texts ranging from medical treatises to conduct manuals via puritan polemic and popular ballads, the collection offers a new view of the senses in early modern England. This book offers dedicated essays on each of the five senses, each relating works of art to particular cultural moments, whilst elsewhere the volume considers the senses collectively in various cultural contexts. It also pursues the sensory experiences that early modern subjects encountered through the very acts of engaging with texts, performances and artworks. Authors discussed at length include George Chapman, Sir John Davies, John Donne, Robert Herrick, Ben Jonson, William Shakespeare and Mary Wroth; art forms including drama, poetry, prose, music, dance, pomanders and painting are all the subject of at least one dedicated chapter. This book will appeal to scholars of early modern literature and culture, to those working in sensory studies, and to anyone interested in the art and life of early modern England.
Author: Simon Smith
Publisher:
ISBN: 9780719091582
Category : History
Languages : en
Pages : 243
Get Book Here
Book Description
Considering a wide range of early modern texts, performances and artworks, the essays in this collection demonstrate how attention to the senses illuminates the literature, art and culture of early modern England. The volume responds to burgeoning interest in the senses from both literary scholars and cultural historians, arguing that early modern ideas about the senses resonate significantly through texts, performances and artworks of the period, even as these art forms themselves provide invaluable suggestions about the place of the senses in early modern culture. Examining canonical and less familiar literary works alongside early modern texts ranging from medical treatises to conduct manuals via puritan polemic and popular ballads, the collection offers a new view of the senses in early modern England. This book offers dedicated essays on each of the five senses, each relating works of art to particular cultural moments, whilst elsewhere the volume considers the senses collectively in various cultural contexts. It also pursues the sensory experiences that early modern subjects encountered through the very acts of engaging with texts, performances and artworks. Authors discussed at length include George Chapman, Sir John Davies, John Donne, Robert Herrick, Ben Jonson, William Shakespeare and Mary Wroth; art forms including drama, poetry, prose, music, dance, pomanders and painting are all the subject of at least one dedicated chapter. This book will appeal to scholars of early modern literature and culture, to those working in sensory studies, and to anyone interested in the art and life of early modern England.
Author: Mark Robson
Publisher: Manchester University Press
ISBN: 1526130637
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
In The sense of Early Modern writing, Mark Robson pursues the relation between the concept of the ‘early modern’ and modernity, tracing the complex interactions of post-Romantic, philosophical aesthetics and early modern rhetoric and poetics. The book therefore questions the status of what we now think of as literary texts in a period prior to the emergence of literature as a category. In this way, Robson argues for an attention to the classical notion of aisthesis, that is, for the crucial dimension of perception and response in reading and thinking -- and its rhetorical determination -- to be taken into account. Robson’s theoretically-informed approach, drawing in particular on the work of Jacques Derrida and Paul de Man, fundamentally challenges the idea that critical theory is of little relevance in the reading of early modern texts. The sense of Early Modern writing includes readings of both familiar and unfamiliar texts by Shakespeare, Sidney, Jonson, Hester Pulter and others, and considers topics such as ears, eyes, tongues, hands and voices, in order to ask: How should we read early modern texts? The book will therefore be of interest to all students and researchers in early modern or Renaissance studies, as well as to those thinking through the theories and histories of literature, aesthetics and rhetoric.
Author: Annette Kern-Stähler
Publisher: BRILL
ISBN: 9004315497
Category : History
Languages : en
Pages : 312
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Book Description
The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer
Author: Ernest B. Gilman
Publisher: University of Chicago Press
ISBN: 0226294110
Category : History
Languages : en
Pages : 309
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Book Description
During the seventeenth century, England was beset by three epidemics of the bubonic plague, each outbreak claiming between a quarter and a third of the population of London and other urban centers. Surveying a wide range of responses to these epidemics—sermons, medical tracts, pious exhortations, satirical pamphlets, and political commentary—Plague Writing in Early Modern England brings to life the many and complex ways Londoners made sense of such unspeakable devastation. Ernest B. Gilman argues that the plague writing of the period attempted unsuccessfully to rationalize the catastrophic and that its failure to account for the plague as an instrument of divine justice fundamentally threatened the core of Christian belief. Gilman also trains his critical eye on the works of Jonson, Donne, Pepys, and Defoe, which, he posits, can be more fully understood when put into the context of this century-long project to “write out” the plague. Ultimately, Plague Writing in Early Modern England is more than a compendium of artifacts of a bygone era; it holds up a distant mirror to reflect our own condition in the age of AIDS, super viruses, multidrug resistant tuberculosis, and the hovering threat of a global flu pandemic.
Author: Marília dos Santos Lopes
Publisher: Cambridge Scholars Publishing
ISBN: 1443894303
Category : Social Science
Languages : en
Pages : 325
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Book Description
Writing New Worlds analyses the different ways in which travel literature constituted a fundamental pillar in the production of knowledge in the modern era. The impressive frequency of publication and the widespread circulation of translations and editions account for the leading and essential contribution of travel literature for a better understanding and awareness about the dynamics and practices associated with decoding and making sense of the prose of the world. These texts, in some cases accompanied by illustrations, covered a broad and extensive panoply of languages, grammars and ways of seeing, translating and writing new worlds. In drawing special attention to internationally less-studied sources from Portugal and Germany, the book shows how authors, scholars and artists between the 15th and 17th centuries responded to the challenges of modernity, and explores the cultural dynamics involved in grasping and understanding the New.
Author: Elizabeth D. Harvey
Publisher: University of Pennsylvania Press
ISBN: 0812293630
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
This ground-breaking interdisciplinary collection explores the complex, ambiguous, and contradictory sense of touch in early modern culture. If touch is the sense that mediates between the body of the subject and the world, these essays make apparent the frequently disregarded lexicons of tactility that lie behind and beneath early modern discursive constructions of eroticism, knowledge, and art. For the early moderns, touch was the earliest and most fundamental sense. Frequently aligned with bodily pleasure and sensuality, it was suspect; at the same time, it was associated with the authoritative disciplines of science and medicine, and even with religious knowledge and artistic creativity. The unifying impulse of Sensible Flesh is both analytic and recuperative. It attempts to chart the important history of the sense of touch at a pivotal juncture and to understand how tactility has organized knowledge and defined human subjectivity. The contributors examine in theoretically sophisticated ways both the history of the hierarchical ordering of the senses and the philosophical and cultural consequences that derive from it. The essays consider such topics as New World contact, the eroticism of Renaissance architecture, the Enclosure Acts in England, plague, the clitoris and anatomical authority, Pygmalion, and the language of tactility in early modern theater. In exploring the often repudiated or forgotten sense of touch, the essays insistently reveal both the world of sensation that subtends early modern culture and the corporeal foundations of language and subjectivity.
Author: Kristine Steenbergh
Publisher: Cambridge University Press
ISBN: 1108495397
Category : History
Languages : en
Pages : 319
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Book Description
Explores how early modern Europeans responded to suffering and asks how they both described and practised compassion.
Author: Herbert Grabes
Publisher: Rodopi
ISBN: 9789042015258
Category : History
Languages : en
Pages : 218
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Book Description
While there is overwhelming evidence that nationalism reached its peak in the later nineteenth century, views about when precisely national thinking and sentiment became strong enough to override all other forms of collective unity differ considerably. When one looks for the historical moment when the concept of the nation became a serious - and subsequently victorious - competitor to the monarchic dynasty as the most effective principle of collective unity, one must, at least for England, go back as far as the sixteenth century. The decisive change occurred when a split between the dynastic ruler and "England" could be widely conceived of and intensely felt, a split that established the nation as an autonomous - and more precious - body. Whereas such a differentiation between king and country was still imperceptible under Henry VIII, it was already an historical reality during the reign of Queen Mary. That the most important factors in this radical change were the Reformation and the printing press is by now well known. The particular aim of this volume is to demonstrate the pivotal role of pamphleteering - and the growing importance of public opinion in a steadily widening sense - within the process of the historical emergence of the concept of the nation as a culturally and politically guiding force. When it came to the voicing of dissident opinions, above all under Queen Mary and later during the reign of King James and Charles I, the printed pamphlet proved to be a far superior form of communication. This does not mean that books played no role in the early development and dissemination of the concept of an English nation. Especially the compendious new English histories written at the time did much to support the growth of cultural identity.
Author: Tina Skouen
Publisher: Routledge
ISBN: 135140282X
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
The stigma of haste pervaded early modern English culture, more so than the so-called stigma of print. The period’s writers were perpetually short on time, but what does it mean for authors to present themselves as hasty or slow, or to characterize others similarly? This book argues that such classifications were a way to define literary value. To be hasty was, in a sense, to be irresponsible, but, in another sense, it signaled a necessary practicality. Expressions of haste revealed a deep conflict between the ideal of slow writing in classical and humanist rhetoric and the sometimes grim reality of fast printing. Indeed, the history of print is a history of haste, which carries with it a particular set of modern anxieties that are difficult to understand in the absence of an interdisciplinary approach. Many previous studies have concentrated on the period’s competing definitions of time and on the obsession with how to use time well. Other studies have considered time as a notable literary theme. This book is the first to connect ideas of time to writerly haste in a richly interdisciplinary manner, drawing upon rhetorical theory, book history, poetics, religious studies and early modern moral philosophy, which, only when taken together, provide a genuinely deep understanding of why the stigma of haste so preoccupied the early modern mind. The Value of Time in Early Modern English Literature surveys the period from ca 1580 to ca 1730, with special emphasis on the seventeenth century. The material discussed is found in emblem books, devotional literature, philosophical works, and collections of poetry, drama and romance. Among classical sources, Horace and Quintilian are especially important. The main authors considered are: Robert Parsons; Edmund Bunny; King James 1; Henry Peacham; Thomas Nash; Robert Greene; Ben Jonson; Margaret Cavendish; John Dryden; Richard Baxter; Jonathan Swift; Alexander Pope. By studying these writers’ expressions of time and haste, we may gain a better understanding of how authorship was defined at a time when the book industry was gradually taking the place of classical rhetoric in regulating writers’ activities.
Author: Jason Scott-Warren
Publisher: Polity
ISBN: 0745627528
Category : Language Arts & Disciplines
Languages : en
Pages : 335
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Book Description
When we engage with the writings of Shakespeare and his contemporaries, we encounter a culture radically unfamiliar to us at the start of the twenty-first century. The past is a foreign country, and so too are many of its texts. This readable and provocative book seeks to enhance our understanding of early modern literature by recovering the contexts in which it was originally produced and consumed. Taking us back to the courts, theatres and marketplaces of early modern England, Jason Scott-Warren reveals the varied ways in which literary texts dovetailed with everyday experience, unlocking the distinctive social practices, economic structures and modes of behaviour that gave them meaning. He shows how the periods most beguiling writings were conditioned by long-forgotten notions of knowledge, nationhood, sexuality and personal identity. Bringing an anthropologists eye to his materials, he offers richly detailed new readings of works from within and beyond the canon, covering a span that stretches from Erasmus and More to Milton and Behn. Resisting any notion of the period as merely transitional a staging post on the road leading from the medieval to the modern world Scott-Warren reveals the distinctiveness of its literary culture, and equips the reader for fresh encounters with its extraordinary textual legacy. Any undergraduate student of the period will find it an essential guide, while scholars will find its fresh approach invigorating.
