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Author: Yvor Winters
Publisher: Swallow Press
ISBN: 9780804010139
Category : American poetry
Languages : en
Pages : 0
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Book Description
As part of the ongoing effort of the Ohio University Press/Swallow Press to reintroduce the work of a number of significant twentieth-century poets to a new generation of readers, we are especially enthusiastic about publishing the selected poems of Yvor Winters, whose work and influence was so central to the development of the poetry list at Swallow Press. Yvor Winters (1900-1968) was a friend, colleague, and teacher to poets of several generations from Hart Crane and Allen Tate to J. V. Cunningham, Turner Cassity, and Edgar Bowers to Robert Hass, Philip Levine, and Robert Pinsky. His impact on mid-to-late twentieth-century poetry is profound. This stems in large part from his poetry, which was a reflection of his critical thinking about poetry, and which underwent substantive changes over his career as a poet. His collected poems won the Bollingen Prize in 1960.
Author: Yvor Winters
Publisher: Swallow Press
ISBN: 9780804010139
Category : American poetry
Languages : en
Pages : 0
Get Book Here
Book Description
As part of the ongoing effort of the Ohio University Press/Swallow Press to reintroduce the work of a number of significant twentieth-century poets to a new generation of readers, we are especially enthusiastic about publishing the selected poems of Yvor Winters, whose work and influence was so central to the development of the poetry list at Swallow Press. Yvor Winters (1900-1968) was a friend, colleague, and teacher to poets of several generations from Hart Crane and Allen Tate to J. V. Cunningham, Turner Cassity, and Edgar Bowers to Robert Hass, Philip Levine, and Robert Pinsky. His impact on mid-to-late twentieth-century poetry is profound. This stems in large part from his poetry, which was a reflection of his critical thinking about poetry, and which underwent substantive changes over his career as a poet. His collected poems won the Bollingen Prize in 1960.
Author: Yvor Winters
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 0
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Book Description
Author: Yvor Winters
Publisher: Swallow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Author: Yvor Winters
Publisher: Manchester : Carcanet New Press
ISBN:
Category : Poetry
Languages : en
Pages : 256
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Book Description
Author: Yvor Winters
Publisher: American Poets Project
ISBN:
Category : Fiction
Languages : en
Pages : 216
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Book Description
As critic and teacher, Yvor Winters was one of the most controversial and influential figures of his time. He criticized the likes of Eliot and Henry James, was called by the chair of his English department "a disgrace," and taught such major poets as Robert Pinsky and Philip Levine. As a poet, he created a moving body of work featuring natural and personal subjects and dramatic formal experiments. This volume presents the largest collection of his work.
Author: afterwards DARYUSH BRIDGES (Elizabeth)
Publisher:
ISBN:
Category :
Languages : en
Pages : 63
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Book Description
Author: Y. D. Winters
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Yvor Winters
Publisher:
ISBN:
Category : Reading
Languages : en
Pages : 152
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Book Description
Author: Yvor Winters
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 224
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Book Description
Author: Susan S. Smith
Publisher: State University of New York Press
ISBN: 1438420315
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
This book presents the poetry and letters of the American writer Adelaide Crapsey (1878–1914). Her best poetry deserves to be enjoyed by a larger audience, and her letters and newly discovered biographical materials reveal new charm and meaning in an intriguingly elusive character. Crapsey did not live to see any of her mature poetry published: she received notice that her first poem had been accepted for publication only a week before she died. Posthumous editions of her Verse (in 1915, 1922, and 1934), however, brought her recognition and respect. Carl Sandburg paid her a poetic tribute. American critic Yvor Winters praised her as "a minor poet of great distinction" and felt that her poems remained "in their way honest and acutely perceptive." Her best work is compressed, terse, related in this respect to the work of another American poet who won posthumous recognition, Emily Dickinson. Crapsey is best known as the inventor of the cinquain, a poem of five short lines of unequal length: one-stress, two-stress, three-stress, four-stress, and one-stress. The cinquain is one of the few modern verse forms developed in English, and its brevity and characteristic thought pattern seem to have been influenced by Japanese forms. Crapsey's indebtedness to Japanese poetry and her relation to Imagism have long been subjects for debate. As Winters notes, the work of Crapsey "achieves more effectively than did almost any of the Imagists the aims of Imagism." The critical introduction by Professor Susan Sutton Smith examines these problems. Much of Crapsey's poetry is reticent, withdrawn, and private, and she believed strongly in the individual's right to privacy. Whatever new biographical materials reveal of her and of her relations with family and friends, however, shows a charming and courageous woman. Her courage and humor show especially well in her correspondence with her friend Esther Lowenthal and in the letters with her friend Jean Webster McKinney, author of Daddy Long-Legs, who died soon after Crapsey.
