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Author: Christian Delage
Publisher: Routledge
ISBN: 1136330674
Category : History
Languages : en
Pages : 248
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Book Description
The Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civil and criminal trials? This book takes up the diversity and complexity of these idiosyncratic and, in strict terms, generally extra-legal medial situations. Drawing on a fascinating diversity of public trials and filmic responses, from the Trial of the Gang of Four to the Gacaca local courts of Rwanda to the filmic symbolism of 9-11, from Soviet era show trials to Nazi People's Courts leading international scholars address the theatrical, political, filmic and symbolic importance of show trials in making history, legitimating regimes and, most surprising of all, in attempting to heal trauma through law and through film. These essays will be of considerable interest to those working on international criminal law, transitional justice, genocide studies, and the relationship between law and film.
Author: Christian Delage
Publisher: Routledge
ISBN: 1136330674
Category : History
Languages : en
Pages : 248
Get Book Here
Book Description
The Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civil and criminal trials? This book takes up the diversity and complexity of these idiosyncratic and, in strict terms, generally extra-legal medial situations. Drawing on a fascinating diversity of public trials and filmic responses, from the Trial of the Gang of Four to the Gacaca local courts of Rwanda to the filmic symbolism of 9-11, from Soviet era show trials to Nazi People's Courts leading international scholars address the theatrical, political, filmic and symbolic importance of show trials in making history, legitimating regimes and, most surprising of all, in attempting to heal trauma through law and through film. These essays will be of considerable interest to those working on international criminal law, transitional justice, genocide studies, and the relationship between law and film.
Author: Max M. Houck
Publisher: Academic Press
ISBN: 0128498773
Category : Law
Languages : en
Pages : 462
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Book Description
The Science of Crime Scenes, Second Edition offers a science-based approach to crime scenes, emphasizing that understanding is more important than simply knowing. Without sacrificing technical details, the book adds significantly to the philosophy and theory of crime scene science. This new edition addresses the science behind the scenes and demonstrates the latest methods and technologies with updated figures and images. It covers the philosophy of the crime scene, the personnel involved at a scene (including the media), the detection of criminal traces and their reconstruction, and special crime scenes, such as mass disasters and terroristic events. Written by an international trio of authors with decades of crime scene experience, this book is the next generation of crime scene textbooks. This volume will serve both as a textbook for forensic programs, and as an excellent reference for forensic practitioners and crime scene technicians with science backgrounds. - Includes in-depth coverage of disasters and mass murder, terror crime scenes and CBRN (Chemical, biological, radioactive and nuclear) – topics not covered in any other text - Includes an instructor site with lecture slides, images and links to resources for teaching and training
Author: Sam Baltrusis
Publisher: Rowman & Littlefield
ISBN: 1493049879
Category : History
Languages : en
Pages : 257
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Book Description
Does a murder psychically imprint itself on a blood-stained crime scene? Sam Baltrusis revisits the haunts associated with the most horrific homicides in Massachusetts, including the Lady of the Dunes mystery in Provincetown to the Lizzie Borden case in Fall River. Using a paranormal lens, Baltrusis delves into the ghastly tales of murder and madness to uncover the truth behind some of the Bay State's most bone-chilling crimes.
Author: National Institute of Justice (U.S.). Technical Working Group on Crime Scene Investigation
Publisher:
ISBN:
Category : Crime scene searches
Languages : en
Pages : 64
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Book Description
This is a guide to recommended practices for crime scene investigation. The guide is presented in five major sections, with sub-sections as noted: (1) Arriving at the Scene: Initial Response/Prioritization of Efforts (receipt of information, safety procedures, emergency care, secure and control persons at the scene, boundaries, turn over control of the scene and brief investigator/s in charge, document actions and observations); (2) Preliminary Documentation and Evaluation of the Scene (scene assessment, "walk-through" and initial documentation); (3) Processing the Scene (team composition, contamination control, documentation and prioritize, collect, preserve, inventory, package, transport, and submit evidence); (4) Completing and Recording the Crime Scene Investigation (establish debriefing team, perform final survey, document the scene); and (5) Crime Scene Equipment (initial responding officers, investigator/evidence technician, evidence collection kits).
Author: Raul Sutton
Publisher: John Wiley & Sons
ISBN: 1118687442
Category : Social Science
Languages : en
Pages : 218
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Book Description
Crime Scene Management is an accessible introduction to the common forms of evidence that may be encountered at a scene of crime and the techniques used for recovery of that evidence. The book is clearly focused on the techniques for handling crime scenes from the role of the first officer attending through to the specialist personnel who may be called to deal with specific evidence types. Clearly structured to enhance student understanding, methods covered include, DNA-rich samples, fingerprints, toolmarks and footwear impressions. Later chapters move on to consider examples of specialised scenes such as arson and vehicle crime. The content of each chapter can be tested with self-assessment questions to reinforce student understanding. Written for undergraduate students studying forensic science courses, Crime Scene Management will also be of interest to scene of crime officers, police officers and legal professionals as well as students taking courses in criminalistics and law. Focuses on the crime scene and on the science underpinning the gathering of evidence at the scene Written in conjunction with experienced practitioners Supplementary website to include figures from the book and further references Suitable for delivery in a modular course. Chapters written by a team consisting of experts and academics to ensure an accessible and well-informed text.
Author: B. J. Daniels
Publisher:
ISBN: 9780373202706
Category : Cowboys
Languages : en
Pages : 248
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Book Description
After Hudson Savage betrayed her, Dana Cardwell hoped never again to lay eyes on the seductive cowboy. And she didn't. Until a bunch of old bones showed up on her family ranch. Suddenly he was back in her life in a big way--to investigate a decades-old crime.
Author: Max Allan Collins
Publisher: Simon and Schuster
ISBN: 0743455975
Category : Fiction
Languages : en
Pages : 324
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Book Description
Meet the little known and even less understood heroes of police work in Las Vegas -- the forensic investigators. Led by veteran Gil Grissom, the remarkable team assigned to the Criminalistics Bureau's graveyard shift -- including Catherine Willows, Warrick Brown, Nick Stokes, and Sara Sidle -- must combine cutting-edge scientific methods and old-fashioned savvy as they work to untangle the evidence behind the yellow police tape. While Nick and Catherine investigate a newly discovered fifteen-year-old murder, Grissom and the rest of the team must uncover the indentity of a cold-blooded killer -- one whose execution-style, "double-tap" signature has provoked the interest of FBI agent Rick Culpepper.
Author: Michael J. Palmiotto
Publisher: CRC Press
ISBN: 1466570512
Category : Law
Languages : en
Pages : 317
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Book Description
Criminal investigators need broad knowledge of such topics as criminal law, criminal procedure, and investigative techniques. The best resource for these professionals will distill the needed information into one practical volume. Written in an accessible style, the fourth edition of Criminal Investigation maintains the same reader friendly approac
Author: Jillian Peterson
Publisher: Abrams
ISBN: 1647002273
Category : True Crime
Languages : en
Pages : 189
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Book Description
"Groundbreaking." ―Rachel Louise Snyder, bestselling author of No Visible Bruises An examination of the phenomenon of mass shootings in America and an urgent call to implement evidence-based strategies to stop these tragedies Winner of the 2022 Minnesota Book Award Using data from the writers’ groundbreaking research on mass shooters, including first-person accounts from the perpetrators themselves, The Violence Project charts new pathways to prevention and innovative ways to stop the social contagion of violence. Frustrated by reactionary policy conversations that never seemed to convert into meaningful action, special investigator and psychologist Jill Peterson and sociologist James Densley built The Violence Project, the first comprehensive database of mass shooters. Their goal was to establish the root causes of mass shootings and figure out how to stop them by examining hundreds of data points in the life histories of more than 170 mass shooters—from their childhood and adolescence to their mental health and motives. They’ve also interviewed the living perpetrators of mass shootings and people who knew them, shooting survivors, victims’ families, first responders, and leading experts to gain a comprehensive firsthand understanding of the real stories behind them, rather than the sensationalized media narratives that too often prevail. For the first time, instead of offering thoughts and prayers for the victims of these crimes, Peterson and Densley share their data-driven solutions for exactly what we must do, at the individual level, in our communities, and as a country, to put an end to these tragedies that have defined our modern era.
Author: Shohini Chaudhuri
Publisher: Edinburgh University Press
ISBN: 1474400434
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
A ground-breaking comparative analysis of cinematic images of atrocity, combining critical perspectives on contemporary film and human rights.A few days after 9/11, US Vice-President Dick Cheney invoked the need for the USA to work the dark side in its global War on Terror. Cinema of the Dark Side explores how contemporary cinema treats state-sponsored atrocity, evoking multiple landscapes of state terror. Investigating the ethical potential of cinematic atrocity images, this book argues that while films help to create and confirm normative perceptions about atrocities, they can also disrupt those perceptions and build alternative ones. Asserting a crucial distinction between morality and ethics, it proposes a new conceptualisation of human rights cinema, one that repositions human rights morality within an ethical framework that reflects upon the causes and contexts of violence. It builds upon theories of embodied perception to offer a new perspective on the ethics of spectatorship, providing readers with fresh insights into how we respond to atrocity images and the ethical issues at stake.Covering a diverse spectrum of 21st century cinema, this book deals with documentary and fictional representations of atrocity such as state-sanctioned torture, genocide, enforced disappearance, deportation, and apartheid. It features close analysis of contemporary films, including Zero Dark Thirty, Standard Operating Procedure, Hotel Rwanda, Sometimes in April, Nostalgia for the Light, Chronicle of an Escape, Children of Men, District 9, Waltz With Bashir, and Paradise Now.
