The Sanskrit Drama in Its Origin, Development, Theory & Practice PDF Download
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Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
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Book Description
![The Sanskrit Drama in Its Origin, Development, Theory [and] Practice PDF](https://books.google.com/books/content/images/frontcover/cXNRngEACAAJ?fife=w80-h100)
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category :
Languages : en
Pages : 405
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Book Description
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 420
Get Book Here
Book Description
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category :
Languages : en
Pages : 405
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Book Description
Author: Īndū Shekhar
Publisher: Brill Archive
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: Arthur Berriedale Keith
Publisher:
ISBN: 9788120815308
Category : Sanskrit drama
Languages : en
Pages : 0
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Book Description
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Goodwin Robert E.
Publisher: Motilal Banarsidass
ISBN: 8194137454
Category : Literary Collections
Languages : en
Pages : 240
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Book Description
The 'Playworld of Sanskrit Drama' is the 'poetic universe' (kavyasam) posited by Anandavardhana and other poeticians. Each of the seven plays studied here - works of Bhasa, Kalidasa, Sudraka, and Visakhadatta- provides us with a different angle of approach to the crucial issues of kavya, and their fundamental ambivalence, which cannot be understood or even delineated by the conventional approach to Indian aesthetics.
Author: Montgomery Schuyler
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 136
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Book Description
Author: Ernest Philip Horrwitz
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 224
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Book Description
Author: Robert E. Goodwin
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120815896
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
The `Playworld of Sanskrit Drama` is the `poetic universe` (kavyasam) posited by Anandavardhana and other poeticians. Each of the seven plays studied here - works of Bhasa, Kalidasa, Sudraka, and Visakhadatta- provides us with a different angle of approach to the crucial issues of kavya, and their fundamental ambivalence, which cannot be understood or even delineated by the conventional approach to Indian aesthetics.
