The Polyphony of Saint Martial and Santiago de Compostela: Edition

The Polyphony of Saint Martial and Santiago de Compostela: Edition PDF Author: Theodore Karp
Publisher:
ISBN: 9780520047440
Category : Music
Languages : en
Pages :

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The Polyphony of Saint Martial and Santiago de Compostela: Edition

The Polyphony of Saint Martial and Santiago de Compostela: Edition PDF Author: Theodore Karp
Publisher:
ISBN: 9780520047440
Category : Music
Languages : en
Pages :

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Book Description


The Polyphony of Saint Martial and Santiago de Compostela: Text

The Polyphony of Saint Martial and Santiago de Compostela: Text PDF Author: Theodore Karp
Publisher:
ISBN:
Category : History
Languages : en
Pages : 268

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Book Description
Theodore Karp proposes a fundamental reinterpretation of two major repertories of twelfth-century sacred music, that associated with the long-destroyed abbey of Saint Martial de Limoges and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the celebrated School of Notre Dame. Scholars have disagreed about the rules for transcribing this early medieval music. Karp's commentary in Volume One, along with an edition of the music in Volume Two, offers a new set principles for the understanding of its harmony, rhythm, notation, and text underlay. Professor Karp's interpretation, though likely to prove controversial, is scrupulously and convincingly defended. The transcriptions themselves will be welcomed by performing musicians, to whom an important repertory now becomes readily available.

The Saint Martial Polyphony. Texture and tonality. a contribution to research in the development of polyphonic style in the Middle Ages. [Mit NOtenbeisp.]

The Saint Martial Polyphony. Texture and tonality. a contribution to research in the development of polyphonic style in the Middle Ages. [Mit NOtenbeisp.] PDF Author: Jens Bonderup
Publisher:
ISBN:
Category :
Languages : da
Pages : 172

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The Saint Martial Polyphony

The Saint Martial Polyphony PDF Author: Jens Bonderup
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 180

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Book Description


The Polyphony of Saint Martial and Santiago de Compostela: Edition

The Polyphony of Saint Martial and Santiago de Compostela: Edition PDF Author: Theodore Karp
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 256

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Book Description


A Performer's Guide to Medieval Music

A Performer's Guide to Medieval Music PDF Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618

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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.

Performance Practice

Performance Practice PDF Author: Roland Jackson
Publisher: Routledge
ISBN: 113676769X
Category : Music
Languages : en
Pages : 552

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Book Description
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.

Embellishing the Liturgy

Embellishing the Liturgy PDF Author: Alejandro Enrique Planchart
Publisher: Taylor & Francis
ISBN: 1351940732
Category : Music
Languages : en
Pages : 614

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Book Description
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.

Harvard Dictionary of Music

Harvard Dictionary of Music PDF Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968

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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Musical Notation in the West

Musical Notation in the West PDF Author: James Grier
Publisher: Cambridge University Press
ISBN: 1009038230
Category : Music
Languages : en
Pages : 287

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Book Description
Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.