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Author: Michael Nunn
Publisher: Oberon Books
ISBN: 9781849430500
Category : Performing Arts
Languages : en
Pages : 158
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Book Description
Michael Nunn and William Trevitt, aka the Ballet Boyz, are pioneers in making modern dance accessible and entertaining through their celebrated stage and television work. They met at the Royal Ballet School and went on to become leading dancers with The Royal Ballet. In 2001 they set up their own company, Ballet Boyz, and established themselves as one of the most original and dynamic partnerships in modern dance: revolutionising programming formats; commissioning new choreography; collaborating with a wide range of cutting-edge talents and building a following through their regular television appearances on the BBC, Channel 4 and Sky Arts. To celebrate 10 years as the Ballet Boyz, Nunn and Trevitt have hand-picked images from their company and personal archives to provide a unique and intimate insight into one of dance's most prolific, enduring and exciting partnerships.
Author: Michael Nunn
Publisher: Oberon Books
ISBN: 9781849430500
Category : Performing Arts
Languages : en
Pages : 158
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Book Description
Michael Nunn and William Trevitt, aka the Ballet Boyz, are pioneers in making modern dance accessible and entertaining through their celebrated stage and television work. They met at the Royal Ballet School and went on to become leading dancers with The Royal Ballet. In 2001 they set up their own company, Ballet Boyz, and established themselves as one of the most original and dynamic partnerships in modern dance: revolutionising programming formats; commissioning new choreography; collaborating with a wide range of cutting-edge talents and building a following through their regular television appearances on the BBC, Channel 4 and Sky Arts. To celebrate 10 years as the Ballet Boyz, Nunn and Trevitt have hand-picked images from their company and personal archives to provide a unique and intimate insight into one of dance's most prolific, enduring and exciting partnerships.
Author: Sarah C. Woodcock
Publisher: Sinclair Stevenson
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
Author: Gillian Lynne
Publisher: Random House
ISBN: 1448162181
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
London during the Blitz was a time of hardship, heroism and hope. For Gillian Lynne – a budding ballerina – it was also a time of great change as she was evacuated from war-torn London to a crumbling mansion, where dance classes took place in the faded ballroom. Life was hard, but her talent and dedication shone through and an astonishing journey ensued, which saw Gillian dancing a triumphant debut in Swan Lake, performing in the West End with doodlebugs falling and touring a devastated Europe entertaining the troops. A Dancer in Wartime paints a vivid and moving picture of what life was really like during the hard years of the Blitz and brings to life a lost world.
Author: Michael Powell
Publisher: MacMillan Publishing Company
ISBN: 9780380378128
Category : Fiction
Languages : en
Pages : 260
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Book Description
Author: Zoë Anderson
Publisher: Faber & Faber
ISBN: 057126090X
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
This book is a perceptive and critical account of the first 75 years of The Royal Ballet, tracing the company's growth, and its great cultural importance - an indispensable book for all lovers of ballet. In 1931, Ninette de Valois started a ballet company with just six dancers. Within twenty years, The Royal Ballet - as it became - was established as one of the world's great companies. It has produced celebrated dancers, from Margot Fonteyn to Darcey Bussell, and one of the richest repertoires in ballet. The company danced through the Blitz, won an international reputation in a single New York performance and added to the glamour of London's Swinging Sixties. It has established a distinctive English school of ballet, a pure classical style that could do justice to the 19th-century repertory and to new British classics. Leading dance critic, Zoë Anderson, vividly portrays the extraordinary personalities who created the company and the dancers who made such an impact on their audiences. She looks at the bad times as well as the good, examining the controversial directorships of Norman Morrice and Ross Stretton and the criticism fired at the company as the Royal Opera House closed for redevelopment.
Author: Sarah Crompton
Publisher: Bloomsbury Publishing
ISBN: 1849435111
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
Sadler’s Wells is the world’s leading Dance House. Sadler’s Wells has developed new audiences for dance, this powerful and emotive art, for performances shown within its theatre spaces and outside – in fact around the world. What makes Sadler’s Wells different is its determination to nurture world class artists like Akram Khan, Sylvie Guillem, Wayne McGregor, Matthew Bourne, Jasmin Vardimon, the Ballet Boyz and Hofesh Shechter, using its unique vision, style and creativity to put together choreographers, dancers, lighting and stage designers, composers and other artists to make dance that is wildly exciting, new and different. Sadler’s Wells Dance House looks at the making of some of the most iconic dance works of this century and into the mix of dancers, choreographers and creators Sadler’s Wells has helped inspire. Including insightful analysis of this phenomenon by Sarah Crompton, arts editor in chief and dance critic for the Sunday Telegraph, and colour photographs of many of those works, Sadler’s Wells Dance House gives a clear view both of the creative process of the Sadler’s Wells artists and of the role this legendary theatre has played in remaking and reshaping dance for the 21st century. Selected as a 'Illustrated Book of the Week' by the Daily Mail (May 2013)
Author: Peter Wright
Publisher: Bloomsbury Publishing
ISBN: 1783197196
Category : Biography & Autobiography
Languages : en
Pages : 713
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Book Description
Peter Wright has been a dancer, choreographer, teacher, producer and director in the theatre as well as in television for over 70 years. In Wrights & Wrongs, Peter offers his often surprising views of today's dance world, lessons learned – and yet to learn – from a lifetime's experience of ballet, commercial theatre and television. Peter started his career in wartime, with the Kurt Jooss company. He has worked with such greats as Pina Bausch, Margot Fonteyn, Rudolf Nureyev, Marcia Haydée, Richard Cragun, Monica mason, Karen Kain, Miyako Yoshida and Carlos Acosta - as well as today's generation of starts including Alina Cajocaru, Marianela Nunez, Natalia Osipova and Lauren Cuthbertson. While now regarded as part of the British ballet establishment, for many years Peter developed his career outside London, particularly in Germany with John Cranko's Stuttgart Ballet. That distance gives him a unique and unrivalled view on ballet companies. His close association with choreographers Frederick Ashton, Ninette de Valois, founder of the Royal Ballet, Kenneth MacMillan and David Bintley gives Peter an authoritative perspective on British ballet. Wrights and Wrongs includes black-and-white photographs from Wright's career, and as Exeunt magazine comments: 'Anyone with an interest in British ballet will find plenty to occupy them in Wright's book... the many dramas and delights of his life in dance spring forth from the page with brio.'
Author: Sarah Crompton
Publisher: Oberon Books
ISBN: 9781849430623
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
Sadler’s Wells is the world’s leading Dance House. Sadler’s Wells has developed new audiences for dance, this powerful and emotive art, for performances shown within its theatre spaces and outside – in fact around the world. What makes Sadler’s Wells different is its determination to nurture world class artists like Akram Khan, Sylvie Guillem, Wayne McGregor, Matthew Bourne, Jasmin Vardimon, the Ballet Boyz and Hofesh Shechter, using its unique vision, style and creativity to put together choreographers, dancers, lighting and stage designers, composers and other artists to make dance that is wildly exciting, new and different. Sadler’s Wells Dance House looks at the making of some of the most iconic dance works of this century and into the mix of dancers, choreographers and creators Sadler’s Wells has helped inspire. Including insightful analysis of this phenomenon by Sarah Crompton, arts editor in chief and dance critic for the Sunday Telegraph, and colour photographs of many of those works, Sadler’s Wells Dance House gives a clear view both of the creative process of the Sadler’s Wells artists and of the role this legendary theatre has played in remaking and reshaping dance for the 21st century. Selected as a 'Illustrated Book of the Week' by the Daily Mail (May 2013)
Author: Tyrone Guthrie
Publisher: U of Minnesota Press
ISBN: 0816653607
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
“A New Theatre should attract an audience far greater than just the theater world; in fact, it should be of interest to everyone in search of a book that is readable, keenly observant, and witty.” —New York Times “Guthrie’s writing as usual is fresh, witty, sometimes caustic, and always invigorating.” —Library Journal After a long and storied career as one of Britain’s great stage directors, Sir Tyrone Guthrie had become disillusioned with the artistic standards and financial compromises found in the commercial theater of Broadway and London’s West End. He discovered that outside of New York most of America did not have access to professional theater. To remedy this problem Guthrie and his colleagues proposed starting a nonprofit, repertory theater company in a city far removed from Broadway. Scouting and pitching his idea to several major U.S. cities, Guthrie finally found a home for his theater in Minneapolis. A New Theatre chronicles how a coalition of local Minneapolis businesses and philanthropic leaders worked with Guthrie to create the Guthrie Theatre in the early 1960s. In his amusing and personable style, Guthrie welcomes readers on a tour of one of the most dynamic young theatrical institutions in the world, exploring its years of planning, Ralph Rapson’s design of the original building and the thrust stage, the first productions and their receptions, as well as discussing his larger views of theater’s future and its role in society. Sir Tyrone Guthrie (1900-1971) was managing director of the Old Vic and Sadler’s Wells and helped found the Stratford Festival of Canada and the Guthrie Theater in Minnesota. Joe Dowling is Artistic Director for the Guthrie Theater.
Author: Jessica Moore
Publisher: HarperCollins
ISBN: 0062955276
Category : Poetry
Languages : en
Pages : 174
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Book Description
“moore provides a blueprint for how to veer outside of fixed expectations and still remain unflinching in her love for herself.” — The Mantle “We Want Our Bodies Back is a lyric encyclopedia, a psalm book, a conflagration of fire and fierce black joy. And jessica Care moore is the 21st Century poet warrior America desperately needs.” — Tracy K. Smith, U.S. Poet Laureate “Our plump, perfect, shea-buttered bodies. Our sun-scarred sinewy selves. Our stout tree-trunks, our walls. Our muscled forearms, our thick thighs, our phenomenal asses. Our weary hands. Forever, black women have shouldered the weight of the same world that denies their power and sway. The inimitable jessica Care moore—who has spent her life singing the most forceful notes of our soundtrack—is calling an end to that now. If We Want Our Bodies Back empowers you, it was meant to. If this book frightens you, it should.” — Patricia Smith, poet, playwright, author of Incendiary Art “jessica Care moore is my hero. Powerful, beautiful, excellent and unapologetically Black. She is who I want to be when I grow up. Her writing allows us to be seen for who we truly are.” — Talib Kweli, rapper, entrepreneur, and activist "There are many times that jessica Care moore's work has made me spend hours figuring out how much of her work would be socially acceptable to steal. I really wish she had put this out while I was writing my last album." — Boots Riley, director, emcee, Sorry to Bother You “Imbued with heartache, anger, celebration, and rejuvenation, the poems in We Want Our Bodies Back reflect the sui generis funktified flyness that jessica Care moore has exemplified as an independent artist, activist, publisher, and curator for nearly a quarter-century. Perhaps the premier resistance writer in America today, moore furnishes luminous poetic signposts for our treacherous journey through the gloomy landscapes of 21st century America.” — Tony Bolden, author of Afro-Blue: Improvisations in African American Poetry and Culture “We Want Our Bodies Back is a soaring resistance/upright bass/instrument of war. Here are poems that seek out my pain. A soldier allowed their childhood, a people returned to their Detroit. In a time of cobalt-imperialism, someone is still writing songs about God. Yes, revolution is exhausting, but we make countries; you and I.” — Tongo Eisen Martin, author, Heaven is All Goodbyes
