Author: Kelley Rees
Publisher:
ISBN:
Category : Classical drama
Languages : en
Pages : 96
Book Description
The So-called Rule of Three Actors in the Classical Greek Drama ...
The Rule of Three Actors in the Classical Greek Drama ...
Author: Kelley Rees
Publisher:
ISBN:
Category : Greek drama
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Greek drama
Languages : en
Pages : 116
Book Description
The So-called Rule of Three Actors in the Classical Greek Drama
Author: Kelley Rees
Publisher:
ISBN:
Category : Classical drama
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : Classical drama
Languages : en
Pages : 96
Book Description
Classical Greek Theatre
Author: Clifford Ashby
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
The So-Called Rule of Three Actors in the Classical Greek Drama
Author: Kelley Rees
Publisher: Legare Street Press
ISBN: 9781019868133
Category :
Languages : en
Pages : 0
Book Description
This groundbreaking study of ancient Greek drama challenges the conventional wisdom that only three actors ever appeared on stage at a time. Rees argues that there is ample evidence to suggest that the 'rule of three' was not an ironclad law, and that many productions likely featured more than three actors. Drawing on a wide range of textual and archaeological evidence, Rees offers readers a fresh and provocative interpretation of one of the foundational texts of Western literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781019868133
Category :
Languages : en
Pages : 0
Book Description
This groundbreaking study of ancient Greek drama challenges the conventional wisdom that only three actors ever appeared on stage at a time. Rees argues that there is ample evidence to suggest that the 'rule of three' was not an ironclad law, and that many productions likely featured more than three actors. Drawing on a wide range of textual and archaeological evidence, Rees offers readers a fresh and provocative interpretation of one of the foundational texts of Western literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Greek Theatre and Its Drama
Author: Roy Caston Flickinger
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 482
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 482
Book Description
The Greek Theater and Its Drama
Author: Roy Caston Flickinger
Publisher:
ISBN:
Category : Greek drama
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Greek drama
Languages : en
Pages : 444
Book Description
The Greek theater and its drama
Author: Roy C. Flickinger
Publisher: Good Press
ISBN:
Category : Drama
Languages : en
Pages : 294
Book Description
"The Greek theater and its drama" by Roy C. Flickinger. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Publisher: Good Press
ISBN:
Category : Drama
Languages : en
Pages : 294
Book Description
"The Greek theater and its drama" by Roy C. Flickinger. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Four Plays of Menander
Author: Menander (of Athens.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 354
Book Description
Collected Studies
Author: Joseph Shatzmiller
Publisher: CUP Archive
ISBN:
Category : History
Languages : en
Pages : 386
Book Description
In Collected Studies (Volume 1): The Jews of Provence, Joseph Shatzmiller, the foremost expert on Provençal Judaism, offers a comprehensive overview of the medieval history of the Jews in Provence. Through an analysis of community regulations, tax distribution, rabbinic leadership, and everyday life, Shatzmiller provides a rich and powerful mosaic of Jewish society in Provence. This masterful work sheds light on the diverse experiences of Jews in the region, from their interactions with Christian neighbors to their internal conflicts and struggles. With its insightful analysis and meticulous research, The Jews of Provence is an essential read for anyone interested in the history of Jewish communities in medieval Europe. "The collection of studies that these four volumes offer is the result of more than sixty years of commitment to scholarship. Like many colleagues, I relied in the beginning on printed material in books that dealt with law, religion, and secular literature. Then, as a disciple of George Duby, I discovered the world of archives and hand-written Latin manuscripts. The present collection relies, to a great extent, on previously unknown information discovered during years of search in the archives of Southern France, mostly on those of the county of Provence. They are situated in the cities of Marseille and Aix-en-Provence as well as the town of Digne. The legal registers of the High Middle Ages (1250-1350) as well as those produced by the counties' administration introduce us to the ordinary people of the region, to their daily life and to their preoccupations; their names are spelled out, the dates are recorded and the localities in which they were active are designated. At times these documents encourage us to endorse information found in contemporary literary sources and to overcome our hesitation and excessive caution concerning their value as historical evidence." - Joseph Shatzmiller
Publisher: CUP Archive
ISBN:
Category : History
Languages : en
Pages : 386
Book Description
In Collected Studies (Volume 1): The Jews of Provence, Joseph Shatzmiller, the foremost expert on Provençal Judaism, offers a comprehensive overview of the medieval history of the Jews in Provence. Through an analysis of community regulations, tax distribution, rabbinic leadership, and everyday life, Shatzmiller provides a rich and powerful mosaic of Jewish society in Provence. This masterful work sheds light on the diverse experiences of Jews in the region, from their interactions with Christian neighbors to their internal conflicts and struggles. With its insightful analysis and meticulous research, The Jews of Provence is an essential read for anyone interested in the history of Jewish communities in medieval Europe. "The collection of studies that these four volumes offer is the result of more than sixty years of commitment to scholarship. Like many colleagues, I relied in the beginning on printed material in books that dealt with law, religion, and secular literature. Then, as a disciple of George Duby, I discovered the world of archives and hand-written Latin manuscripts. The present collection relies, to a great extent, on previously unknown information discovered during years of search in the archives of Southern France, mostly on those of the county of Provence. They are situated in the cities of Marseille and Aix-en-Provence as well as the town of Digne. The legal registers of the High Middle Ages (1250-1350) as well as those produced by the counties' administration introduce us to the ordinary people of the region, to their daily life and to their preoccupations; their names are spelled out, the dates are recorded and the localities in which they were active are designated. At times these documents encourage us to endorse information found in contemporary literary sources and to overcome our hesitation and excessive caution concerning their value as historical evidence." - Joseph Shatzmiller