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Author: Emmanuel Le Roy Ladurie
Publisher: Wiley-Blackwell
ISBN: 9780631170273
Category : History
Languages : en
Pages : 336
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Book Description
In this second volume of the History of France series, Emmanuel Le Roy Ladurie provides a masterful account of the early modern period combining a compelling narrative with broad analysis of events and wider comparisons with European history.
Author: Emmanuel Le Roy Ladurie
Publisher: Wiley-Blackwell
ISBN: 9780631170273
Category : History
Languages : en
Pages : 336
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Book Description
In this second volume of the History of France series, Emmanuel Le Roy Ladurie provides a masterful account of the early modern period combining a compelling narrative with broad analysis of events and wider comparisons with European history.
Author: Rebecca Ard Boone
Publisher: BRILL
ISBN: 9004162143
Category : History
Languages : en
Pages : 213
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Book Description
Claude de Seyssel's important political treatise, "The Monarchy of France" (1515) illuminates the link between warfare, the state, and the social order in the Renaissance. In his effort to describe a state capable of conquest and expansion, Seyssel envisioned a new social and political order with radical implications for the French monarchy.
Author: Kathleen Wellman
Publisher: Yale University Press
ISBN: 0300178859
Category : History
Languages : en
Pages : 449
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Book Description
Tells the history of the French Renaissance through the lives of its most prominent queens and mistresses.
Author: Ian Littlewood
Publisher: Rough Guides
ISBN: 9781858288260
Category : History
Languages : en
Pages : 422
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Book Description
Provides a concise overview of France's history, from its beginnings to the present day (2002) by use of time-lines, sidebars, illustrations, and quotes.
Author: Marnie Hughes-Warrington
Publisher: Routledge
ISBN: 1134482604
Category : History
Languages : en
Pages : 402
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Book Description
Fifty Key Thinkers on History is an essential guide to the most influential historians, theorists and philosophers of history. The entries offer comprehensive coverage of the long history of historiography ranging from ancient China, Greece and Rome, through the Middle Ages to the contemporary world. This third edition has been updated throughout and features new entries on Machiavelli, Ranajit Guha, William McNeil and Niall Ferguson. Other thinkers who are introduced include: Herodotus Bede Ibn Khaldun E. H. Carr Fernand Braudel Eric Hobsbawm Michel Foucault Edward Gibbon Each clear and concise essay offers a brief biographical introduction; a summary and discussion of each thinker’s approach to history and how others have engaged with it; a list of their major works and a list of resources for further study.
Author: John W. F. Allison
Publisher:
ISBN: 019829865X
Category : Administrative law
Languages : en
Pages : 301
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Book Description
The development of an autonomous English public law has been accompanied by persistent problems - a lack of systematic principles, dissatisfaction with judicial procedures, and uncertainty about the judicial role. It has provoked an ongoing debate on the very desirability of the distinctionbetween public and private law. In this debate, a historical and comparative perspective has been lacking. A Continental Distinction in the Common Law introduces such a perspective. It compares the recent emergence of a significant English distinction with the entrenchment of the traditional Frenchdistinction. It explains how persistent problems of English public law are related to fundamental differences between the English and French legal and political traditions, differences in their conception of the state administration, their approach to law, their separation of powers, and theirjudicial procedures in public-law cases. The author argues that a satisfactory distinction between public and private law depends on a particular legal and political context, a context which was evident in late nineteenth-century France and is absent in twentieth-century England. He concludes byidentifying the far-reaching theoretical, institutional, and procedural changes required to accommodate English public law.
Author: Jonathan Patterson
Publisher:
ISBN: 0198716516
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Why did people talk so much about avarice in late Renaissance France, nearly a century before Moliere's famous comedy, L'Avare? As wars and economic crises ravaged France on the threshold of modernity, avarice was said to be flourishing as never before. Yet by the late sixteenth century, a number of French writers would argue that in some contexts, avaricious behaviour was not straightforwardly sinful or harmful. Considerations of social rank, gender, object pursued, time, and circumstance led some to question age-old beliefs. Traditionally reviled groups (rapacious usurers, greedy lawyers, miserly fathers, covetous women) might still exhibit unmistakable signs of avarice -- but perhaps not invariably, in an age of shifting social, economic and intellectual values. Across a large, diverse corpus of French texts, Jonathan Patterson shows how a range of flexible genres nourished by humanism tended to offset traditional condemnation of avarice and avares with innovative, mitigating perspectives, arising from subjective experience. In such writings, an avaricious disposition could be re-described as something less vicious, excusable, or even expedient. In this word history of avarice, close readings of well-known authors (Marguerite de Navarre, Ronsard, Montaigne), and of their lesser-known contemporaries are connected to broader socio-economic developments of the late French Renaissance (c.1540-1615). The final chapter situates key themes in relation to Moliere's L'Avare. As such, Representing Avarice in Late Renaissance France newly illuminates debates about avarice within broader cultural preoccupations surrounding gender, enrichment and status in early modern France.
Author: Benno Teschke
Publisher: Verso
ISBN: 9781859846933
Category : Despotism
Languages : en
Pages : 332
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Book Description
The Treaty of Westphalia in 1648 is widely interpreted as the foundation of modern international relations. Benno Teschke exposes this as a myth. In the process he provides a fresh re-interpretation of the making of modern international relations from the eighth to the eighteenth century. Inspired by the groundbreaking historical work of Robert Brenner, Teschke argues that social property relations provide the key to unlocking the changing meaning of international across the medieval, early modern, and modern periods. He traces how the long-term interaction of class conflict, economic development, and international rivalry effected the formation of the modern system of states. Yet instead of identifying a breakthrough to interstate modernity in the so-called long sixteenth century or in the period of intensified geopolitical competition during the seventeenth century, Teschke shows that geopolitics remained governed by dynastic and absolutist political communities, rooted in feudal property regimes. The Myth of 1648 argues that the onset of specifically modern international relations only began with the conjunction of the rise of capitalism and modern state-formation in England. Thereafter, the English model caused the restructuring of the old regimes of the Continent. This was a long-term process of socially uneven development, not completed until World War I.
Author: Peter Linehan
Publisher: Routledge
ISBN: 1136500057
Category : History
Languages : en
Pages : 766
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Book Description
This groundbreaking collection brings the Middle Ages to life and conveys the distinctiveness of this diverse, constantly changing period. Thirty-eight scholars bring together one medieval world from many disparate worlds, from Connacht to Constantinople and from Tynemouth to Timbuktu. This extraordinary set of reconstructions presents the reader with a vivid re-drawing of the medieval past, offering fresh appraisals of the evidence and modern historical writing. Chapters are thematically linked in four sections: identities beliefs, social values and symbolic order power and power-structures elites, organizations and groups. Packed full of original scholarship, The Medieval World is essential reading for anyone studying medieval history.
Author: Emily-Jan Anderson
Publisher: Cambridge Scholars Publishing
ISBN: 1527551814
Category : Art
Languages : en
Pages : 325
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Book Description
This interdisciplinary publication brings together new research on medieval and renaissance art, culture and the critical history by established scholars, early career academics and postgraduate students from the University of Glasgow, Queen’s University Belfast, University College Cork, the University of Aberdeen and the University of Warwick. The majority of the articles featured are based on papers given at Gloss, a postgraduate conference on medieval and renaissance art and culture, held at the University of Glasgow, 29 June 2007, organised by Emily Jane Anderson with Sandra Cardarelli and Joanne Anderson; and/or at the International Medieval Congress, University of Leeds, 9–12 July 2007 (sessions 218, 318 and 518 organised by Emily Jane Anderson and Dr Jill Farquhar). Additional papers by John Richards (University of Glasgow) and Flavio Boggi (University College Cork), which were not given in Glasgow or Leeds, have been added. An introduction to the papers is provided by Robert Gibbs, Emeritus Professor of Pre-Humanist Art History and Codicology at the University of Glasgow, who moderated one of the Leeds sessions, as did John Richards. The papers are historical and art historical in focus and concern art production (wall and panel painting, sculpture, architecture, manuscript illumination and textiles), material and visual culture and literature in various European cities and locales in the 14th and 15th centuries and later criticism associated with these subject areas. There is an emphasis on the transmission and translation of workshop style, the traditional concept of artistic centres and peripheries, the consideration of art works in context, art production and the workshop system, the medieval city, notions of progression and transition pertaining to medieval and renaissance art production, Petrarch and Humanism, Panofsky and the critical history, art theory and practice, patronage, commerce, religion and politics.
