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Author: Gareth Dylan Smith
Publisher: Routledge
ISBN: 9781472464989
Category : Music
Languages : en
Pages : 0
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Book Description
19 Musical listening: teaching studio production in an academic institution -- 20 Popular music and Modern Band principles -- Part IV Careers, entrepreneurship and marketing -- 21 Professional songwriting: creativity, the creative process and tensions between higher education songwriting and industry practice in the UK -- 22 Popular music pedagogy: dual perspectives on DIY musicianship -- 23 Towards a framework for creativity in popular music degrees -- 24 Re-Mixing Popular Music Marketing Education -- 25 University music education in Colombia: the multidimensionality of teaching and training -- 26 Popular music entrepreneurship in higher education: facilitating group creativity and spin-off formation through internship programmes -- 27 Teaching music industry in challenging times: addressing the neoliberal employability agenda in higher education at a time of music-industrial turbulence -- Part V Social and critical issues -- 28 Popular music meta-pedagogy in music teacher education -- 29 A place in the band: negotiating barriers to inclusion in a rock band setting -- 30 Teaching the devil's music: some intersections of popular music, education and morality in a faith-school setting -- 31 Social justice and popular music education: building a generation of artists impacting social change -- 32 Popular music and (r)evolution of the classroom space: Occupy Wall Street in the music school -- 33 Popular music education, participation and democracy: some Nordic perspectives -- 34 Feral Pop: the participatory power of improvised popular music -- 35 Epistemological and sociological issues in popular music education -- Index.
Author: Gareth Smith
Publisher: Taylor & Francis
ISBN: 1317042018
Category : Music
Languages : en
Pages : 511
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Book Description
Popular music is a growing presence in education, formal and otherwise, from primary school to postgraduate study. Programmes, courses and modules in popular music studies, popular music performance, songwriting and areas of music technology are becoming commonplace across higher education. Additionally, specialist pop/rock/jazz graded exam syllabi, such as RockSchool and Trinity Rock and Pop, have emerged in recent years, meaning that it is now possible for school leavers in some countries to meet university entry requirements having studied only popular music. In the context of teacher education, classroom teachers and music-specialists alike are becoming increasingly empowered to introduce popular music into their classrooms. At present, research in Popular Music Education lies at the fringes of the fields of music education, ethnomusicology, community music, cultural studies and popular music studies. The Routledge Research Companion to Popular Music Education is the first book-length publication that brings together a diverse range of scholarship in this emerging field. Perspectives include the historical, sociological, pedagogical, musicological, axiological, reflexive, critical, philosophical and ideological.
Author: Gareth Dylan Smith
Publisher: Routledge
ISBN: 9781472464989
Category : Music
Languages : en
Pages : 0
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Book Description
19 Musical listening: teaching studio production in an academic institution -- 20 Popular music and Modern Band principles -- Part IV Careers, entrepreneurship and marketing -- 21 Professional songwriting: creativity, the creative process and tensions between higher education songwriting and industry practice in the UK -- 22 Popular music pedagogy: dual perspectives on DIY musicianship -- 23 Towards a framework for creativity in popular music degrees -- 24 Re-Mixing Popular Music Marketing Education -- 25 University music education in Colombia: the multidimensionality of teaching and training -- 26 Popular music entrepreneurship in higher education: facilitating group creativity and spin-off formation through internship programmes -- 27 Teaching music industry in challenging times: addressing the neoliberal employability agenda in higher education at a time of music-industrial turbulence -- Part V Social and critical issues -- 28 Popular music meta-pedagogy in music teacher education -- 29 A place in the band: negotiating barriers to inclusion in a rock band setting -- 30 Teaching the devil's music: some intersections of popular music, education and morality in a faith-school setting -- 31 Social justice and popular music education: building a generation of artists impacting social change -- 32 Popular music and (r)evolution of the classroom space: Occupy Wall Street in the music school -- 33 Popular music education, participation and democracy: some Nordic perspectives -- 34 Feral Pop: the participatory power of improvised popular music -- 35 Epistemological and sociological issues in popular music education -- Index.
Author: Kent Cleland
Publisher: Taylor & Francis
ISBN: 1000357457
Category : Education
Languages : en
Pages : 517
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Book Description
The Routledge Companion to Aural Skills Pedagogy offers a comprehensive survey of issues, practice, and current developments in the teaching of aural skills. The volume regards aural training as a lifelong skill that is engaged with before, during, and after university or conservatoire studies in music, central to the holistic training of the contemporary musician. With an international array of contributors, the volume captures diverse perspectives on aural-skills pedagogy, and enables conversation between different regions. It addresses key new developments such as the use of technology for aural training and the use of popular music. This book will be an essential resource and reference for all university and conservatoire instructors in aural skills, as well as students preparing for teaching careers in music.
Author: Andrew King
Publisher: Taylor & Francis
ISBN: 1317415132
Category : Music
Languages : en
Pages : 477
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Book Description
The Routledge Companion to Music, Technology, and Education is a comprehensive resource that draws together burgeoning research on the use of technology in music education around the world. Rather than following a procedural how-to approach, this companion considers technology, musicianship, and pedagogy from a philosophical, theoretical, and empirically-driven perspective, offering an essential overview of current scholarship while providing support for future research. The 37 chapters in this volume consider the major aspects of the use of technology in music education: Part I. Contexts. Examines the historical and philosophical contexts of technology in music. This section addresses themes such as special education, cognition, experimentation, audience engagement, gender, and information and communication technologies. Part II. Real Worlds. Discusses real world scenarios that relate to music, technology, and education. Topics such as computers, composition, performance, and the curriculum are covered here. Part III. Virtual Worlds. Explores the virtual world of learning through our understanding of media, video games, and online collaboration. Part IV. Developing and Supporting Musicianship. Highlights the framework for providing support and development for teachers, using technology to understand and develop musical understanding. The Routledge Companion to Music, Technology, and Education will appeal to undergraduate and post-graduate students, music educators, teacher training specialists, and music education researchers. It serves as an ideal introduction to the issues surrounding technology in music education.
Author: Zack Moir
Publisher: Bloomsbury Publishing
ISBN: 1350049425
Category : Education
Languages : en
Pages : 507
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Book Description
The Bloomsbury Handbook of Popular Music Educationdraws together current thinking and practice on popular music education from empirical, ethnographic, sociological and philosophical perspectives. Through a series of unique chapters from authors working at the forefront of music education, this book explores the ways in which an international group of music educators each approach popular music education. Chapters discuss pedagogies from across the spectrum of formal to informal learning, including “outside” and “other” perspectives that provide insight into the myriad ways in which popular music education is developed and implemented. The book is organized into the following sections: - Conceptualizing Popular Music Education - Musical, Creative and Professional Development - Originating Popular Music - Popular Music Education in Schools - Identity, Meaning and Value in Popular Music Education - Formal Education, Creativities and Assessment Contributions from academics, teachers, and practitioners make this an innovative and exciting volume for students, teachers, researchers and professors in popular music studies and music education.
Author: Jonathan R. Kladder
Publisher: Taylor & Francis
ISBN: 1000628779
Category : Music
Languages : en
Pages : 101
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Book Description
Commercial and Popular Music in Higher Education brings together working examples of pedagogy in emerging areas of popular and commercial music to offer practical insights and provide a theoretical framework for today’s music educators. Written by a diverse group of experts, the eight chapters address a range of contemporary contexts, including digital instrument ensembles, digital audio workstations, hip hop courses, pop vocal performance, rock bands, studio production, and more. Considering both the challenges and the benefits of integrating commercial and popular music into teaching, the contributors explore how doing so can enhance student learning. The authors show how a constructivist approach to music pedagogy enables student-led, real-world learning in higher education, and consider how diversity, equity, and inclusion intersect with teaching popular music performance. Compiling experiences and expert resources, this book provides a vital framework for all instructors teaching commercial and popular music.
Author: David James Elliott
Publisher:
ISBN: 0190265183
Category : Education
Languages : en
Pages : 571
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Book Description
The Oxford Handbook of Philosophical and Qualitative Assessment in Music Education offers critical perspectives on a wide range of conceptual and practical issues in music education assessment and evaluation as these apply to music education in schools and community settings.
Author: Richard Ashley
Publisher: Routledge
ISBN: 1351761935
Category : Music
Languages : en
Pages : 718
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Book Description
WINNER OF THE SOCIETY OF MUSIC THEORY’S 2019 CITATION OF SPECIAL MERIT FOR MULTI-AUTHORED VOLUMES The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication. A diverse range of global scholars—music theorists, musicologists, pedagogues, neuroscientists, and psychologists—address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include: Music’s impact on physical and emotional health Music cognition in various genres Music cognition in diverse populations, including people with amusia and hearing impairment The relationship of music to learning and accomplishment in academics, sport, and recreation The broader sociological and anthropological uses of music Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music’s meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.
Author: Theodore Gracyk
Publisher: Routledge
ISBN: 1136821880
Category : Art
Languages : en
Pages : 672
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Book Description
The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.
Author: Wai-Chung Ho
Publisher: Taylor & Francis
ISBN: 1317078012
Category : Music
Languages : en
Pages : 213
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Book Description
While attention has been paid to various aspects of music education in China, to date no single publication has systematically addressed the complex interplay of sociopolitical transformations underlying the development of popular music and music education in the multilevel culture of China. Before the implementation of the new curriculum reforms in China at the beginning of the twenty-first century, there was neither Chinese nor Western popular music in textbook materials. Popular culture had long been prohibited in school music education by China’s strong revolutionary orientation, which feared ‘spiritual pollution’ by Western cultures. However, since the early twenty-first century, education reform has attempted to help students deal with experiences in their daily lives and has officially included learning the canon of popular music in the music curriculum. In relation to this topic, this book analyses how social transformation and cultural politics have affected community relations and the transmission of popular music through school music education. Ho presents music and music education as sociopolitical constructions of nationalism and globalization. Moreover, how popular music is received in national and global contexts and how it affects the construction of social and musical meanings in school music education, as well as the reformation of music education in mainland China, is discussed. Based on the perspectives of school music teachers and students, the findings of the empirical studies in this book address the power and potential use of popular music in school music education as a producer and reproducer of cultural politics in the music curriculum in the mainland.
