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Author: Gábor Gergely
Publisher:
ISBN: 9781032136714
Category : Motion picture industry
Languages : en
Pages : 0
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Book Description
"This Companion's guiding vision of Europe is that of a messy place or idea that emerges from multiple images from multiple perspectives and multiple positions. To adopt Italo Calvino's phrase, European cinema is the product of a 'collection of voices' coming together as a 'multiple discovery' of various Europes and cinemas. Europe is imprecisely circumscribed, in a permanent state of transition, transformation and contestation, deployed in the service of varied interests, in shifting contexts of power, never self-same, nor reducible to something fixed, legible, or knowable. Film scholarship in and/or about Europe published in English has paid far greater attention to some issues than others. French, Italian and German cinema have been centred as Europe's core cinemas. This book is not intended to make up for this historic bias in one swoop. It is offered instead as a way of engaging with European cinema that attends to questions of European colonial, racialized and gendered power, seeks to decentre Europe itself (not merely its putative centres) and interrogate Europe's various conceptualizations from a variety of viewpoints. This Companion embraces messiness by refusing to impose any other prior interpretation on Europe or its cinema. This book asks - rather than prescribes - what European cinema tells us about Europe. This latter is understood with an open mind as the broad, complex and heterogeneous community/ies produced in and by European films. This large and flexible label takes in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Individual films (e.g., Vincent Deutre's Orlando Ferito, 2013), film movements (e.g., Neo-Queer Cinema), filmmakers (e.g., Fred Zinnemann), stars (e.g., Omar Sharif), scholarship (e.g., Hungarian film historiography), representations and identities (e.g., German queer of colour cinema), audiences (e.g., Bulgarian viewers of Stephan Komandarev's films), production practices (e.g., Moroccan film funding), genres (e.g., the Giallo) and much else are analysed in their context(s) so as to construct an image of Europe as it emerges from Europe's film corpus"--
Author: Gábor Gergely
Publisher:
ISBN: 9781032136714
Category : Motion picture industry
Languages : en
Pages : 0
Get Book Here
Book Description
"This Companion's guiding vision of Europe is that of a messy place or idea that emerges from multiple images from multiple perspectives and multiple positions. To adopt Italo Calvino's phrase, European cinema is the product of a 'collection of voices' coming together as a 'multiple discovery' of various Europes and cinemas. Europe is imprecisely circumscribed, in a permanent state of transition, transformation and contestation, deployed in the service of varied interests, in shifting contexts of power, never self-same, nor reducible to something fixed, legible, or knowable. Film scholarship in and/or about Europe published in English has paid far greater attention to some issues than others. French, Italian and German cinema have been centred as Europe's core cinemas. This book is not intended to make up for this historic bias in one swoop. It is offered instead as a way of engaging with European cinema that attends to questions of European colonial, racialized and gendered power, seeks to decentre Europe itself (not merely its putative centres) and interrogate Europe's various conceptualizations from a variety of viewpoints. This Companion embraces messiness by refusing to impose any other prior interpretation on Europe or its cinema. This book asks - rather than prescribes - what European cinema tells us about Europe. This latter is understood with an open mind as the broad, complex and heterogeneous community/ies produced in and by European films. This large and flexible label takes in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Individual films (e.g., Vincent Deutre's Orlando Ferito, 2013), film movements (e.g., Neo-Queer Cinema), filmmakers (e.g., Fred Zinnemann), stars (e.g., Omar Sharif), scholarship (e.g., Hungarian film historiography), representations and identities (e.g., German queer of colour cinema), audiences (e.g., Bulgarian viewers of Stephan Komandarev's films), production practices (e.g., Moroccan film funding), genres (e.g., the Giallo) and much else are analysed in their context(s) so as to construct an image of Europe as it emerges from Europe's film corpus"--
Author: Gábor Gergely
Publisher: Routledge
ISBN: 1000512290
Category : Social Science
Languages : en
Pages : 485
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Book Description
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe. The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus. The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.
Author: Rob Stone
Publisher: Routledge
ISBN: 1317420586
Category : Social Science
Languages : en
Pages : 522
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Book Description
The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty-three world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.
Author: Daniel Biltereyst
Publisher: Routledge
ISBN: 1317353951
Category : Social Science
Languages : en
Pages : 589
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Book Description
The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema’s business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries. With contributions from leading scholars in the field, The Routledge Companion to New Cinema History enlarges and refines our understanding of cinema’s place in the social history of the twentieth century.
Author: Paisley Livingston
Publisher: Routledge
ISBN: 1135982740
Category : Philosophy
Languages : en
Pages : 868
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Book Description
The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento. Each chapter includes a section of annotated further reading and is cross-referenced to related entries. The Routledge Companion to Philosophy and Film is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.
Author: Anikó Imre
Publisher: Routledge
ISBN: 1135872643
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.
Author: Kristin Hole
Publisher: Taylor & Francis
ISBN: 1317408055
Category : Social Science
Languages : en
Pages : 513
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Book Description
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.
Author: Yannis Tzioumakis
Publisher: Routledge
ISBN: 1317392450
Category : Performing Arts
Languages : en
Pages : 763
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Book Description
The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.
Author: Paul McDonald
Publisher: Routledge
ISBN: 1000451852
Category : Social Science
Languages : en
Pages : 741
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Book Description
Bringing together 49 chapters from leading experts in media industries research, this major collection offers an authoritative overview of the current state of scholarship while setting out proposals for expanding, re-thinking and innovating the field. Media industries occupy a central place in modern societies, producing, circulating, and presenting the multitude of cultural forms and experiences we encounter in our daily lives. The chapters in this volume begin by outlining key conceptual and critical perspectives while also presenting original interventions to prompt new lines of inquiry. Other chapters then examine the impact of digitalization on the media industries, intersections formed between industries or across geographic territories, and the practices of doing media industries research and teaching. General ideas and arguments are illustrated through specific examples and case studies drawn from a range of media sectors, including advertising, publishing, comics, news, music, film, television, branded entertainment, live cinema experiences, social media, and music video. Making a vital and significant contribution to media research, this volume is essential reading for students and academics seeking to understand and evaluate the work of the media industries. Chapter 10 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Author: Bridget Elliott
Publisher: Routledge
ISBN: 0429627408
Category : Art
Languages : en
Pages : 452
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Book Description
Scholarly interest in Art Deco has grown rapidly over the past fifty years, spanning different academic disciplines. This volume provides a guide to the current state of the field of Art Deco research by highlighting past accomplishments and promising new directions. Chapters are presented in five sections based on key concepts: migration, public culture, fashion, politics, and Art Deco’s afterlife in heritage restoration and new media. The book provides a range of perspectives on and approaches to these issues, as well as to the concept of Art Deco itself. It highlights the slipperiness of Art Deco yet points to its potential to shed new light on the complexities of modernity.
