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Author: Tom Mole
Publisher: Princeton University Press
ISBN: 0691202923
Category : History
Languages : en
Pages : 334
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Book Description
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Author: Tom Mole
Publisher: Princeton University Press
ISBN: 0691202923
Category : History
Languages : en
Pages : 334
Get Book Here
Book Description
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Author: Jalal Uddin Khan
Publisher: Cambridge Scholars Publishing
ISBN: 1443875074
Category : Literary Criticism
Languages : en
Pages : 495
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Book Description
Perspectives: Romantic, Victorian, and Modern Literature is an up-to-date explication of various popular and classic subjects and authors arranged chronologically. The book, composed of thirteen essays, examines Blake; Coleridge; Byron; Shelley; Keats; Victorian medievalism; the Victorian reaction to British India; (Ben) Jonsonian elements in Yeats; Yeats and Maud Gonne; the treatment of the Irish civil war and Irish nationalism in Yeats; and the treatment of the Spanish civil war in the selected works of modern fiction and nonfiction. Marked by an originality of approach and a freshness and simplicity, the book takes note of contemporary theoretical, interdisciplinary and cultural discourse drawn from literature, history, politics and religion as necessary. However, it is far from being unnecessarily outweighed by the loaded clichés, oft-repeated jargon and overused euphemisms of modern literary or critical theory. The result is, regardless of its specialized treatment of otherwise commonplace or well-known texts or topics, that the overall discussion is as lucid, introductory and expository as it is deep and scholarly, making the book easily accessible and understandable to non-specialist readers, in addition to specialist researchers and academics.
Author: Nell Stevens
Publisher: Vintage Canada
ISBN: 0735274207
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
History meets memoir in two irresistible true-life romances--one set in 19th century Rome, one in present-day Paris and London--linked by a bond between women writers a hundred years apart. In 2013, graduate student Nell Stevens toils away on a dissertation about artistic and literary circles in nineteenth-century Rome. Bored with academia and thrown off after falling for a soulful American screenwriter living in Paris, she finds herself drawn to the biography of English novelist Elizabeth Gaskell who, in 1857, left her dull minister husband behind in England and set off with her daughters on a transformative trip to Rome. There she met a dazzling group of artists and writers, including the American critic Charles Eliot Norton. Seventeen years her junior, Norton was Gaskell's one true love. They could not be together--the affair would have been an unthinkable breach. But by his side in Rome, Mrs. Gaskell knew she had reached the "tip-top point" of her life. Could this indomitable Victorian author help modern-day Nell salvage her foundering pursuit of love, family and a writing career? History meets memoir in this vibrant, witty, and hugely original literary chronicle of two women, each charting a way of life beyond the rules of her time.
Author: Andrew Radford
Publisher: Routledge
ISBN: 1351902474
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
In tracing those deliberate and accidental Romantic echoes that reverberate through the Victorian age into the beginning of the twentieth century, this collection acknowledges that the Victorians decided for themselves how to define what is 'Romantic'. The essays explore the extent to which Victorianism can be distinguished from its Romantic precursors, or whether it is possible to conceive of Romanticism without the influence of these Victorian definitions. Romantic Echoes in the Victorian Era reassesses Romantic literature's immediate cultural and literary legacy in the late nineteenth century, showing how the Victorian writings of Matthew Arnold, Wilkie Collins, the Brontës, the Brownings, Elizabeth Gaskell, Charles Dickens, Gerard Manley Hopkins, Thomas Hardy, and the Rossettis were instrumental in shaping Romanticism as a cultural phenomenon. Many of these Victorian writers found in the biographical, literary, and historical models of Chatterton, Coleridge, Byron, Shelley, Keats, and Wordsworth touchstones for reappraising their own creative potential and artistic identity. Whether the Victorians affirmed or revolted against the Romanticism of their early years, their attitudes towards Romantic values enriched and intensified the personal, creative, and social dilemmas described in their art. Taken together, the essays in this collection reflect on current critical dialogues about literary periodisation and contribute to our understanding of how these contemporary debates stem from Romanticism's inception in the Victorian age.
Author: Axel Nissen
Publisher: UPNE
ISBN: 9781555535902
Category : Fiction
Languages : en
Pages : 300
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Book Description
Novel excerpts, stories, and travel writing exemplifying a resistance to the "domestic ideology" of the later 19th century. Cf. Introduction. With critical commentary.
Author: James Vinson
Publisher: Saint James Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Author: James Holt McGavran
Publisher:
ISBN: 9780820334875
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
These essays document and examine the transformation of children's literature during the Romantic period, and trace Romanticism's influence on Victorian children's literature using a variety of critical approaches, including neo-historicist, feminist, mythic, reader-response, and formalist.
Author: Pamela Norris
Publisher: Harry N. Abrams
ISBN: 9781468312652
Category : Poetry
Languages : en
Pages : 0
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Book Description
SOUND THE DEEP WATERS is a beautiful anthology of poetry and art by women from the Victorian Age. Divided into four sections: Love's Bitter Sweets, Moments of Delight, Dreams and Realities, and Last Songs, this gift-sized book contains works by poets such as Christina Rossetti, Emily Jane Bronte, and Elizabeth Barrett Browning and is illustrated with Pre-Raphaelite images. Pamela Norris has skillfully selected paintings and poems that put the reader into the heart of the Victorian world, and the result is a lovely selection that can serve as an introduction to Romantic poetry, or as a keepsake for readers who already appreciate the poetry of the era.
Author: Jane Austen
Publisher: Penguin
ISBN: 0593113187
Category : Cooking
Languages : en
Pages : 338
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Book Description
Puffin Plated: A Book-to-Table Reading Experience A deluxe, full-color hardback edition of the perennial Jane Austen classic featuring a selection of recipes for tea-time treats by the one and only Martha Stewart! Have your book and eat it, too, with this clever edition of a classic novel, featuring delicious recipes from celebrity chefs. In this edition of Jane Austen's regency classic Pride and Prejudice, plan a fancy tea party or book club gathering with recipes for sweet confections and pastries. From maple glazed scones and delicate sugar and spice cake, to berry tartlets and French macaroons. Bring your friends and family together with a good meal and a good book! Book includes full, unabridged text of Jane Austen's Pride and Prejudice, interspersed with recipes, food photography, and special food artwork.
Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
