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Author: David Brown
Publisher: Clarendon Press
ISBN: 0191520691
Category : Religion
Languages : en
Pages : 411
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Book Description
Tradition and revelation are often seen as opposites: tradition is viewed as being secondary and reactionary to revelation which is a one-off gift from God. Drawing on examples from Christian history, Judaism, Islam, and the classical world, this book challenges these definitions and presents a controversial examination of the effect history and cultural development has on religious belief: its narratives and art. David Brown pays close attention to the nature of the relationship between historical and imaginative truth, and focuses on the way stories from the Bible have not stood still but are subject to imaginative 'rewriting'. This rewriting is explained as a natural consequence of the interaction between religion and history: God speaks to humanity through the imagination, and human imagination is influenced by historical context. It is the imagination that ensures that religion continues to develop in new and challenging ways.
Author: David Brown
Publisher: Clarendon Press
ISBN: 0191520691
Category : Religion
Languages : en
Pages : 411
Get Book Here
Book Description
Tradition and revelation are often seen as opposites: tradition is viewed as being secondary and reactionary to revelation which is a one-off gift from God. Drawing on examples from Christian history, Judaism, Islam, and the classical world, this book challenges these definitions and presents a controversial examination of the effect history and cultural development has on religious belief: its narratives and art. David Brown pays close attention to the nature of the relationship between historical and imaginative truth, and focuses on the way stories from the Bible have not stood still but are subject to imaginative 'rewriting'. This rewriting is explained as a natural consequence of the interaction between religion and history: God speaks to humanity through the imagination, and human imagination is influenced by historical context. It is the imagination that ensures that religion continues to develop in new and challenging ways.
Author: Richard Matthew Pollard
Publisher: Cambridge University Press
ISBN: 110717791X
Category : Art
Languages : en
Pages : 377
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Book Description
A comprehensive, innovative study of how medieval people envisioned heaven, hell, and purgatory - images and imaginings that endure today.
Author: Matthew W. Maguire
Publisher: Harvard University Press
ISBN: 9780674021884
Category : History
Languages : en
Pages : 310
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Book Description
Maguire uncovers a history of French thought that casts the imagination as a dominant faculty in our experience of the world. Original and thought-provoking, this book will interest a range of readers across intellectual history, political theory, literary and cultural studies, and the history of religious thought.
Author: Martin Bressani
Publisher: Routledge
ISBN: 1317179315
Category : Architecture
Languages : en
Pages : 809
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Book Description
Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.
Author: KristinB. Aavitsland
Publisher: Routledge
ISBN: 1351563149
Category : Art
Languages : en
Pages : 370
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Book Description
The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programme of the cycle has remained mysterious, and an adequate analysis of the Vita Humana cycle as a whole has so far been lacking. Kristin B. Aavitsland covers this gap in the scholarship on Roman art circa 1300, and also presents the first interpretative discussion of the frescoes that is up-to-date with the architectural investigations undertaken in the monastery around 2000. Aavitsland proposes a rationale behind the conception of the fresco cycle, thereby providing a key for understanding its iconography and shedding new light on thirteenth-century Cistercian culture.
Author: Cristina Scarlat
Publisher: Editura Lumen
ISBN: 9731662766
Category :
Languages : en
Pages : 346
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Book Description
Author: Bernard Heuvelmans
Publisher: Routledge
ISBN: 1317847016
Category : Reference
Languages : en
Pages : 423
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Book Description
First published in 2003. From Part One: ‘Our ignorance of the marine world is much greater still. It is such that I do not hesitate to claim that, in the ocean, everything is still possible! Faced with the immensity of Neptune's realm, a certain degree of gullibility is preferable to blind incredulity. If it was claimed tomorrow that a real mermaid had been captured – not just an ugly manatee, but a creature boasting Marilyn Monroe's bust and the tail of a coelacanth - the attitude of the zoologist who wished to see it would be much more scientifically justifiable that that of his colleague who would merely shrug the news away. The sea covers more than three fifths of the surface of the globe, but our ships cross it only along rather narrow and fixed paths.’ This book looks at the science behind the stories.
Author: Nicholas Paul
Publisher: JHU Press
ISBN: 1421404257
Category : History
Languages : en
Pages : 297
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Book Description
Its unprecedented multidisciplinary and cross-cultural approach points the way to a complete reevaluation of the place of the crusades in medieval and modern societies.
Author: HarrietM.Sonnede Torrens
Publisher: Routledge
ISBN: 1351539647
Category : Art
Languages : en
Pages : 447
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Book Description
Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
Author: Robert Allan Maxwell
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 408
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Book Description
The Art of Medieval Urbanism examines the role of monumental sculpture and architecture in the medieval cityscape, offering a pathbreaking interpretation of the relationships among art, architecture, and the history of urbanism. In the first study of its kind, Robert Maxwell shifts attention away from the great Gothic cities of the later Middle Ages to focus on the urban context of art making in the earlier Romanesque era. Maxwell concentrates on Parthenay, a flourishing town in eleventh- and twelfth-century Aquitaine. Exploring Parthenay's exceptionally well-preserved structures, the author charts two centuries of urban development in southwestern France. Drawing on the methods of historical anthropology, Maxwell brings the monumental arts into dialogue with courtly romance literature, the iconography of seals and coins, history writing, and contemporary mythologies of place to show how the urban experience inflected the invention of history, aristocratic self-fashioning, and urban identity. Maxwell's interdisciplinary approach shows that medieval urbanism should be understood as a fabric of constructed identities of history, self, and place grounded in the monumental arts. The Art of Medieval Urbanism offers a fresh model for urban studies and proposes a new approach to the study of medieval art by restoring an urban dimension to our view of Romanesque production.
