The Roman Years of a South Carolina Artist

The Roman Years of a South Carolina Artist PDF Author: Caroline Carson
Publisher: Univ of South Carolina Press
ISBN: 9781570035005
Category : Art
Languages : en
Pages : 332

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Book Description
In both locales she created for herself the life of an artist and southern expatriate." "From Italy, Carson wrote hundreds of discursive letters to her younger son in America. Gathered in this collection, these narratives offer intimate insights into the emotional life of a mature woman, the accomplishments of an artist determined both to perfect her craft and sell her work, and the intellectual and social pursuits of a well-educated, vivacious American living abroad."

Sojourns in Charleston, South Carolina, 1865–1947

Sojourns in Charleston, South Carolina, 1865–1947 PDF Author: Jennie Holton Fant
Publisher: Univ of South Carolina Press
ISBN: 1611179408
Category : History
Languages : en
Pages : 426

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Book Description
Travelers' accounts of the people, culture, and politics of the Southern coastal region after the Civil War Charleston is one of the most intriguing of American cities, a unique combination of quaint streets, historic architecture, picturesque gardens, and age-old tradition, embroidered with a vivid cultural, literary, and social history. It is a city of contrasts and controversy as well. To trace a documentary history of Charleston from the postbellum era into the twentieth century is to encounter an ever-shifting but consistently alluring landscape. In this collection, ranging from 1865 to 1947, correspondents, travelers, tourists, and other visitors describe all aspects of the city as they encounter it. Sojourns in Charleston begins after the Civil War, when northern journalists flocked south to report on the "city of desolation" and ruin, continues through Reconstruction, and then moves into the era when national magazine writers began to promote the region as a paradise. From there twentieth-century accounts document a wide range of topics, from the living conditions of African Americans to the creation of cultural institutions that supported preservation and tourism. The most recognizable of the writers include author Owen Wister, novelist William Dean Howells, artist Norman Rockwell, Boston poet Amy Lowell, novelist and Zionist leader Ludwig Lewisohn, poet May Sarton, novelist Glenway Wescott on British author Somerset Maugham in the lowcountry, and French philosopher and writer Simone de Beauvoir. Their varied viewpoints help weave a beautiful tapestry of narratives that reveal the fascinating and evocative history that made this great city what it is today.

Dealing Art on Both Sides of the Atlantic, 1860-1940

Dealing Art on Both Sides of the Atlantic, 1860-1940 PDF Author: Lynn Catterson
Publisher: BRILL
ISBN: 9004342982
Category : Art
Languages : en
Pages : 338

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Book Description
Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus by examining the functionaries who participate in the art market–agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts.

Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks

Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks PDF Author:
Publisher: BRILL
ISBN: 9004431047
Category : Art
Languages : en
Pages : 596

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Book Description
On the basis of extensive archival research, the essays in this volume examine the minutiae of object transaction in the late nineteenth-century art market within its social network and broader historical context.

Music and the Southern Belle

Music and the Southern Belle PDF Author: Candace Bailey
Publisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276

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Book Description
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.

Classical Art from Carolina Collections

Classical Art from Carolina Collections PDF Author: Charles R. Mack
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 73

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Book Description


An American Painter in Venice

An American Painter in Venice PDF Author: Rosella Mamoli Zorzi
Publisher: BRILL
ISBN: 9004529152
Category : Art
Languages : en
Pages : 242

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Book Description
A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.

Civil War Canon

Civil War Canon PDF Author: Thomas J. Brown
Publisher: UNC Press Books
ISBN: 1469620960
Category : History
Languages : en
Pages : 375

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Book Description
In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.

The Art of Forgetting

The Art of Forgetting PDF Author: Harriet I. Flower
Publisher: Univ of North Carolina Press
ISBN: 0807877468
Category : History
Languages : en
Pages : 424

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Book Description
Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D. Flower explores Roman memory sanctions against the background of Greek and Hellenistic cultural influence and in the context of the wider Mediterranean world. Combining literary texts, inscriptions, coins, and material evidence, this richly illustrated study contributes to a deeper understanding of Roman political culture.

Carrying the Torch

Carrying the Torch PDF Author: Nancy Whipple Grinnell
Publisher: UPNE
ISBN: 1611684951
Category : Biography & Autobiography
Languages : en
Pages : 225

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Book Description
Maud Howe Elliott (1854Ð1948), the daughter of Julia Ward Howe, was a Pulitzer PrizeÐwinning writer and a tireless supporter of the arts, particularly in her adopted city of Newport, Rhode Island. An art historian and the author of over twenty works of fiction and nonfiction, including countless articles and short stories, Elliott is perhaps best known for co-writing a biography of her motherÑa major figure in the political and cultural world of New England, a womanÕs suffrage leader, and a leading progressive political voice. Elliott sought to enhance community and regional life by founding the Art Association of Newport in 1912 (now the Newport Art Museum), which she saw as the culmination of her life's work.