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Author: Charles G. Rosenberg
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 106
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Book Description
Author: Charles G. Rosenberg
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 106
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Book Description
Author: Charles G. Rosenberg
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 0
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Book Description
Author: Francis Marion Crawford
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 320
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Book Description
Author: Leo Melitz
Publisher: New York : Dodd, Mead
ISBN:
Category : Operas
Languages : en
Pages : 408
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Book Description
Author: Gustave Kobbé
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 1048
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Book Description
Author: Giorgio Bagnoli
Publisher: Simon and Schuster
ISBN: 0671870424
Category : Opera
Languages : en
Pages : 408
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Book Description
Covering a broad range of styles, this comprehensive volume includes entries for more than 450 operas that have been performed over the last four centuries. Organized from A to Z for easy reference, it's a complete guide that's certain to inform and entertain any opera buff. 500 photos.
Author: Paul Hofmann
Publisher: Macmillan
ISBN: 9780805055979
Category : Social Science
Languages : en
Pages : 276
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Book Description
Wends his way through the city streets, stopping to chat with mail carriers and construction workers, or lingers over a cappuccino, letting his thoughts wander back into the city's history and half a century of personal experience there, one follows closely behind and listens to the voices of the city - past and present - rise up in his lucid prose. Hofmann speaks from the very heart of Rome.
Author: Susan Vandiver Nicassio
Publisher: University of Chicago Press
ISBN: 9780226579719
Category : History
Languages : en
Pages : 372
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Book Description
In the first section, the author reviews Roman life in the late 18th and 19th centuries, paying considerable attention to how Puccini's own prejudices shaped his story and how Sardou (the French playwright) reinterpreted the historical realities that the opera treats. In the second section, she looks at how Rome circa 1800 was viewed through the eyes of a painter, a singer, and a policeman (the occupations of the opera's three main characters). The third section gives a scene-by-scene analysis of the opera. An appendix shows the parallels (and discrepancies) between the play and the opera.
Author: Julie Anne Sadie
Publisher: Univ of California Press
ISBN: 9780520214149
Category : Music
Languages : en
Pages : 596
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Book Description
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.
Author: Luca Della Libera
Publisher: Taylor & Francis
ISBN: 1000589552
Category : Music
Languages : en
Pages : 248
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Book Description
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career. Using archival research, Luca Della Libera provides an overview of Scarlatti’s life and activities in Rome, addresses his connections with the institutions and patrons of the city, and analyses his Roman repertoire in comparison to the sacred music of other contemporary composers, demonstrating its unique characteristics. An appendix includes transcriptions of the archival sources connected with Scarlatti’s activity in Rome. The first major publication in English to address the sacred music repertoire of one of the major composers of the Italian Baroque, this book offers new insights into Scarlatti’s work and a valuable resource for researchers in musicology and early modern studies.
