The Roman Noir in Post-war French Culture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Roman Noir in Post-war French Culture PDF full book. Access full book title The Roman Noir in Post-war French Culture by Claire Gorrara. Download full books in PDF and EPUB format.
Author: Claire Gorrara
Publisher: Oxford Studies in Modern European Culture
ISBN: 9780199246090
Category : Fiction
Languages : en
Pages : 160
Get Book Here
Book Description
All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.
Author: Claire Gorrara
Publisher: Oxford Studies in Modern European Culture
ISBN: 9780199246090
Category : Fiction
Languages : en
Pages : 160
Get Book Here
Book Description
All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.
Author: Cécile Cottenet
Publisher: Routledge
ISBN: 1317192877
Category : Literary Criticism
Languages : en
Pages : 277
Get Book Here
Book Description
By way of a case study of one of the oldest French book agencies, Agence Hoffman, this book analyzes the role played by French literary agents in the importation of US fiction and literature into France in the years following World War II. It sheds light on the material conditions of the circulation of texts across the Atlantic between 1944 and 1955, exploring the fine mechanisms of agents’ negotiations which allowed texts, and ideas, to cross borders. While providing comparative insights into the history of publishing in France and in the United States in the immediate aftermath of the war, this book aims at foregrounding the role of the book agent, an all-too often neglected intermediary in the field of book history. Grounded in archival work conducted both in France and the United States, this study is based on previously unexamined correspondence. Considering the concept of mediation as central in the field of print culture, this book addresses the dearth of scholarship on literary agents on both sides of the Atlantic, and intersects with the current scholarship on transatlantic, internationalm and transnational cultural and trade networks, as evidenced by the recently emerged field of sociology of translation in Europe.
Author: Neil Archer
Publisher: Berghahn Books
ISBN: 0857457713
Category : Performing Arts
Languages : en
Pages : 204
Get Book Here
Book Description
The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context – liberty, identity and citizenship, masculinity, femininity, border-crossing – followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.
Author:
Publisher: BRILL
ISBN: 9004358188
Category : Language Arts & Disciplines
Languages : en
Pages : 190
Get Book Here
Book Description
Influential author of highly unconventional crime fiction, screenwriter, and occasional film director, Sébastien Japrisot was one of those rare contemporary writers in France able to establish an international reputation for himself. Although Japrisot’s novels in particular continue to be read and studied across the world, this volume is the first ever academic study of Japrisot’s work in the fields of both literature and cinema. Through a combination of thematic and text-specific studies, this volume takes in, and examines the legacy of, Japrisot’s work from his youthful writings under his real name, Jean-Baptiste Rossi, to his crime fiction and screen writings of the 1960s and 1970s, concluding with his final novel Un long dimanche de fiançailles (A Very Long Engagement). It is both an essential introduction to Japrisot and a valuable academic assessment of his work’s importance in the field of contemporary French literature and film.
Author: Margaret-Anne Hutton
Publisher: Routledge
ISBN: 1317132696
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.
Author: Anne Grydehøj
Publisher: University of Wales Press
ISBN: 1786837196
Category : Literary Criticism
Languages : en
Pages : 258
Get Book Here
Book Description
This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).
Author: Colin Davis
Publisher: Routledge
ISBN: 1351025201
Category : Education
Languages : en
Pages : 599
Get Book Here
Book Description
Literary trauma studies is a rapidly developing field which examines how literature deals with the personal and cultural aspects of trauma and engages with such historical and current phenomena as the Holocaust and other genocides, 9/11, climate catastrophe or the still unsettled legacy of colonialism. The Routledge Companion to Literature and Trauma is a comprehensive guide to the history and theory of trauma studies, including key concepts, consideration of critical perspectives and discussion of future developments. It also explores different genres and media, such as poetry, life-writing, graphic narratives, photography and post-apocalyptic fiction, and analyses how literature engages with particular traumatic situations and events, such as the Holocaust, the Occupation of France, the Rwandan genocide, Hurricane Katrina and transgenerational nuclear trauma. Forty essays from top thinkers in the field demonstrate the range and vitality of trauma studies as it has been used to further the understanding of literature and other cultural forms across the world. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Andrew Spicer
Publisher: Manchester University Press
ISBN: 1526141361
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
Author: Alastair Phillips
Publisher: Bloomsbury Publishing
ISBN: 0857716484
Category : History
Languages : en
Pages : 135
Get Book Here
Book Description
"Du rififi chez les hommes" (1955), directed by the exiled American film director Jules Dassin, recounts the nail-biting tale of a Parisian gangster heist gone wrong. Famed for its extended dialog free robbery sequence, it is both a classic French film noir and one of the greatest, most influential crime films. In this lively companion to the film, Alastair Phillips reveals Dassin's role as a director of socially conscious Hollywood film noir and argues that his seminal contribution to the regeneration of the thriller in post war France therefore uniquely complicated relations between French genre cinema and American mass culture. Phillips also examines the film's innovative narrative construction and use of sound, its performance style and mise-en-scene, and discusses the film's legacy, showing how even today, the term 'Rififi' remains a byword for both criminal glamor and the enduring virtues of French popular classical film making.
Author: David Platten
Publisher: Rodopi
ISBN: 9401207178
Category : Literary Criticism
Languages : en
Pages : 262
Get Book Here
Book Description
For 150 years the French public and literati have enjoyed a love affair with crime fiction. This book investigates the nature of this relationship and how through periods of dramatic social and political change in France it has flourished. It challenges the conventional view of a popular genre feeding a niche market, depicting crime fiction instead as a field of creative endeavour, which has gradually matured into one of considerable literary fertility. By inviting us to share secrets and crack codes, creating suspense and (at times) not shirking from presenting horrific events in graphic language, the crime story brings into play the intellect and emotions of its readership. This book explores both this intrinsic literary value of the crime novel and its extrinsic witness to historical events and cultural trends, arguing that these apparently distinct aspects are in fact dynamic, interrelated parts of the same whole. This blend of cultural history with literary analysis allows for the discussion of themes such as politics, memory, the urban environment and youth cultures, mixed with case studies of major French crime writers, including Gaston Leroux, Georges Simenon, Jean-Patrick Manchette, Daniel Pennac and Fred Vargas.
