Author: Brock Helander
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
Presents discographies and biographical information on rock musicians who were popular during the 1950s, including Elvis Presley, Jerry Lee Lewis, Bo Diddley, and The Platters.
The Rockin' '50s
Author: Brock Helander
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
Presents discographies and biographical information on rock musicians who were popular during the 1950s, including Elvis Presley, Jerry Lee Lewis, Bo Diddley, and The Platters.
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
Presents discographies and biographical information on rock musicians who were popular during the 1950s, including Elvis Presley, Jerry Lee Lewis, Bo Diddley, and The Platters.
Honkers and Shouters
Author: Arnold Shaw
Publisher: Macmillan Publishing Company
ISBN: 9780020617402
Category : Music
Languages : en
Pages : 555
Book Description
Publisher: Macmillan Publishing Company
ISBN: 9780020617402
Category : Music
Languages : en
Pages : 555
Book Description
Time Passages
Author: George Lipsitz
Publisher: U of Minnesota Press
ISBN: 9781452905785
Category : Mass media
Languages : en
Pages : 330
Book Description
Publisher: U of Minnesota Press
ISBN: 9781452905785
Category : Mass media
Languages : en
Pages : 330
Book Description
I Don't Sound Like Nobody
Author: Albin Zak
Publisher: University of Michigan Press
ISBN: 0472035126
Category : Music
Languages : en
Pages : 325
Book Description
A definitive study of the most important decade in post-World War II popular music history
Publisher: University of Michigan Press
ISBN: 0472035126
Category : Music
Languages : en
Pages : 325
Book Description
A definitive study of the most important decade in post-World War II popular music history
Let's Rock!
Author: Richard Aquila
Publisher: Rowman & Littlefield
ISBN: 1442269375
Category : Music
Languages : en
Pages : 369
Book Description
Rock & roll was one of the most important cultural developments in post–World War II America, yet its origins are shrouded in myth and legend. Let’s Rock! reclaims the lost history of rock & roll. Based on years of research, as well as interviews with Bo Diddley, Pat Boone, and other rock & roll pioneers, the book offers new information and fresh perspectives about Elvis, the rise of rock & roll, and 1950s America. Rock & roll is intertwined with the rise of a post–World War II youth culture, the emergence of African Americans in society, the growth of consumer culture, technological change, the expansion of mass media, and the rise of a Cold War culture that endorsed traditional values to guard against communism. Richard Aquila’s book demonstrates that early rock & roll was not as rebellious as common wisdom has it. The new sound reflected the conservatism and conformity of the 1950s as much as it did the era’s conflict. Rock & roll supported centrist politics, traditional values, and mainstream attitudes toward race, gender, class, and ethnicity. The musical evidence proves that most teenagers of the 1950s were not that different from their parents and grandparents when it came to basic beliefs, interests, and pastimes. Young and old alike were preoccupied by the same concerns, tensions, and insecurities. Rock & roll continues to permeate the fabric of modern life, and understanding the music’s origins reminds us of the common history we all share. Music lovers who grew up during rock & roll’s early years as well as those who have come to it more recently will find Let’s Rock an exciting historical and musical adventure.
Publisher: Rowman & Littlefield
ISBN: 1442269375
Category : Music
Languages : en
Pages : 369
Book Description
Rock & roll was one of the most important cultural developments in post–World War II America, yet its origins are shrouded in myth and legend. Let’s Rock! reclaims the lost history of rock & roll. Based on years of research, as well as interviews with Bo Diddley, Pat Boone, and other rock & roll pioneers, the book offers new information and fresh perspectives about Elvis, the rise of rock & roll, and 1950s America. Rock & roll is intertwined with the rise of a post–World War II youth culture, the emergence of African Americans in society, the growth of consumer culture, technological change, the expansion of mass media, and the rise of a Cold War culture that endorsed traditional values to guard against communism. Richard Aquila’s book demonstrates that early rock & roll was not as rebellious as common wisdom has it. The new sound reflected the conservatism and conformity of the 1950s as much as it did the era’s conflict. Rock & roll supported centrist politics, traditional values, and mainstream attitudes toward race, gender, class, and ethnicity. The musical evidence proves that most teenagers of the 1950s were not that different from their parents and grandparents when it came to basic beliefs, interests, and pastimes. Young and old alike were preoccupied by the same concerns, tensions, and insecurities. Rock & roll continues to permeate the fabric of modern life, and understanding the music’s origins reminds us of the common history we all share. Music lovers who grew up during rock & roll’s early years as well as those who have come to it more recently will find Let’s Rock an exciting historical and musical adventure.
The B Side
Author: Ben Yagoda
Publisher: Riverhead Books
ISBN: 1594634092
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
Publisher: Riverhead Books
ISBN: 1594634092
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
Supremely American
Author: Nicholas E. Tawa
Publisher: Scarecrow Press
ISBN: 9780810852952
Category : Music
Languages : en
Pages : 354
Book Description
This is a study of the way in which popular words and music relate to American life. The question of what popular song was, and why it came into existence, as well as how each song fitted within the context of the larger 20th century society are considered and explained clearly and fruitfully. The author also offers insight into why musical styles were seen to change as they did during this time period.
Publisher: Scarecrow Press
ISBN: 9780810852952
Category : Music
Languages : en
Pages : 354
Book Description
This is a study of the way in which popular words and music relate to American life. The question of what popular song was, and why it came into existence, as well as how each song fitted within the context of the larger 20th century society are considered and explained clearly and fruitfully. The author also offers insight into why musical styles were seen to change as they did during this time period.
Buddy Holly
Author: Ellis Amburn
Publisher: Macmillan
ISBN: 0312145578
Category : Biography & Autobiography
Languages : en
Pages : 465
Book Description
The tragic, bittersweet story of the founder of rock 'n' roll, Buddy Holly presents the most revealing and enduring biography yet of one of America's greatest music heroes. "In illuminating the scope of Holly's influence . . . that inspired musicians from Paul McCartney to Keith Richards, this book shines".--Entertainment Weekly. of photos.
Publisher: Macmillan
ISBN: 0312145578
Category : Biography & Autobiography
Languages : en
Pages : 465
Book Description
The tragic, bittersweet story of the founder of rock 'n' roll, Buddy Holly presents the most revealing and enduring biography yet of one of America's greatest music heroes. "In illuminating the scope of Holly's influence . . . that inspired musicians from Paul McCartney to Keith Richards, this book shines".--Entertainment Weekly. of photos.
Retro
Author: Elizabeth E. Guffey
Publisher: Reaktion Books
ISBN: 1861894767
Category : Social Science
Languages : en
Pages : 200
Book Description
Bell-bottoms are in. Bell-bottoms are out. Bell-bottoms are back in again. Fads constantly cycle and recycle through popular culture, each time in a slightly new incarnation. The term “retro” has become the buzzword for describing such trends, but what does it mean? Elizabeth Guffey explores here the ambiguous cultural meanings of the term and reveals why some trends just never seem to stay dead. Drawing upon a wealth of original research and entertaining anecdotal material, Guffey unearths the roots of the term “retro” and chronicles its evolving manifestations in culture and art throughout the last century. Whether in art, design, fashion, or music, the idea of retro has often meant a reemergence of styles and sensibilities that evoke touchstones of memory from the not-so-distant past, ranging from the drug-induced surrealism of psychedelic art to the political expression of 1970s afros. Guffey examines how and why the past keeps coming back to haunt us in a variety of forms, from the campy comeback of art nouveau nearly fifty years after its original decline, to the infusion of art deco into the kitschy glamor of pop art, to the recent popularity of 1980s vogue. She also considers how advertisers and the media have employed the power of such cultural nostalgia, using recycled television jingles, familiar old advertising slogans, and famous art to sell a surprising range of products. An engrossing, unprecedented study, Retro reveals the surprising extent to which the past is embedded in the future.
Publisher: Reaktion Books
ISBN: 1861894767
Category : Social Science
Languages : en
Pages : 200
Book Description
Bell-bottoms are in. Bell-bottoms are out. Bell-bottoms are back in again. Fads constantly cycle and recycle through popular culture, each time in a slightly new incarnation. The term “retro” has become the buzzword for describing such trends, but what does it mean? Elizabeth Guffey explores here the ambiguous cultural meanings of the term and reveals why some trends just never seem to stay dead. Drawing upon a wealth of original research and entertaining anecdotal material, Guffey unearths the roots of the term “retro” and chronicles its evolving manifestations in culture and art throughout the last century. Whether in art, design, fashion, or music, the idea of retro has often meant a reemergence of styles and sensibilities that evoke touchstones of memory from the not-so-distant past, ranging from the drug-induced surrealism of psychedelic art to the political expression of 1970s afros. Guffey examines how and why the past keeps coming back to haunt us in a variety of forms, from the campy comeback of art nouveau nearly fifty years after its original decline, to the infusion of art deco into the kitschy glamor of pop art, to the recent popularity of 1980s vogue. She also considers how advertisers and the media have employed the power of such cultural nostalgia, using recycled television jingles, familiar old advertising slogans, and famous art to sell a surprising range of products. An engrossing, unprecedented study, Retro reveals the surprising extent to which the past is embedded in the future.
Listening Devices
Author: Jens Gerrit Papenburg
Publisher: Bloomsbury Publishing USA
ISBN: 1501346725
Category : Music
Languages : en
Pages : 345
Book Description
From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term “listening device.” In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its “other”-a history of non-listening. The book proposes “listening device” as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.
Publisher: Bloomsbury Publishing USA
ISBN: 1501346725
Category : Music
Languages : en
Pages : 345
Book Description
From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term “listening device.” In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its “other”-a history of non-listening. The book proposes “listening device” as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.