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Author: Wing Chung Ng
Publisher: University of Illinois Press
ISBN: 0252097092
Category : Music
Languages : en
Pages : 289
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Book Description
Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs. In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.
Author: Wing Chung Ng
Publisher: University of Illinois Press
ISBN: 0252097092
Category : Music
Languages : en
Pages : 289
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Book Description
Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs. In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.
Author: Bell Yung
Publisher: Cambridge University Press
ISBN: 9780521305068
Category : Music
Languages : en
Pages : 230
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Book Description
This book examines Cantonese opera, one of the grandest of the traditional musical theatres in China.
Author: Daniel L. Ferguson
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 356
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Book Description
Author: Jian Ming Luo
Publisher: Routledge
ISBN: 1000594998
Category : Business & Economics
Languages : en
Pages : 90
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Book Description
Cultural tourism is an experiential tourism based on searching for and participating in new and deep cultural experiences. This book enhances the tourism literature by testing the tourist attitude toward related issues of Cantonese Opera as a cultural product of the Greater Bay Area. This book starts with a general introduction to the background of Cantonese Opera. Chapter 2 is a historical review of Cantonese Opera development in the GBA. Chapter 3 introduces the concept of the Cantonese Opera as a cultural product. Chapter 4 discusses the related Cantonese Opera on tourism development in the GBA. Chapter 5 describes the trends of modernisation and integration of Cantonese Opera in the GBA. Lastly, Chapter 6 is a case study in Macau. This book focuses on Cantonese Opera and cultural tourism. This means tourism practitioners and arts administrators should be the primary source of market and while people in the rest of the world who are interested in Cantonese Opera and cultural tourism should find this book useful. This book is a valuable resource not only for social science researchers, but also for those in related fields, for example, arts administrators and tourism officers, among many others. This book could serve as a text for an advanced level undergraduate course for students in many of the arts administration and tourism fields. Additionally, this book is a valuable resource for teaching graduate students not only in tourism, but also in related fields. Furthermore, government or practitioners can improve the management of city and tourism service using this book.
Author: William C. Hu
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 193
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Book Description
Author: Guangdong Federation of Literary and Art Circles
Publisher:
ISBN: 9781844646821
Category : Operas, Chinese
Languages : en
Pages : 120
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Book Description
The Guangdong-Hong Kong-Macao Greater Bay Area Culture: Three Treasures of Lingnan Series is a set of brief and illustrated introductions to three traditional art forms -- Guangdong opera, Lingnan school of painting and Guangdong music -- in south China. We hope these three riveting books, including Love on the Stage, Beauty of Colors and Cadence of Strings, can attract more overseas readers who love Chinese and Lingnan culture to explore further their artistic and unique charm and history. Beauty of Colors: A Little History of Lingnan School of Painting tells the history, development and influence of the Lingnan School of painting. It also introduces masters of the school including Gao Jianfu, Gao Qifeng, Chen Shuren and so on. The status of Lingnan Painting in China can also be found in this book. Since the beginning of reform and opening up in 1978 and with the rise of China's economy, Chinese culture has become more and more influential in the world. As an important part of Chinese culture, Lingnan culture plays a key role and it manifests itself most notably in art, Cantonese opera, architecture and food. More and more young people of the overseas Chinese need to know the root and development of culture of their parents and ancestors. Moreover, foreigners who are interested in Chinese culture and history also want to learn this remarkable and robust culture.
Author: Ooh Chye Tan
Publisher:
ISBN: 9789810784959
Category : Operas, Chinese
Languages : en
Pages : 114
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Book Description
Author: Annette Ke-Lee Hu
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 640
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Book Description
Author: Nancy Yunhwa Rao
Publisher: University of Illinois Press
ISBN: 0252099001
Category : Performing Arts
Languages : en
Pages : 434
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Book Description
Awards: Irving Lowens Award, Society for American Music (SAM), 2019 Music in American Culture Award, American Musicological Society (AMS), 2018 Certificate of Merit for Best Historical Research in Recorded Country, Folk, Roots, or World Music, Association for Recorded Sound Collections (ARSC), 2018 Outstanding Achievement in Humanities and Cultural Studies: Media, Visual, and Performance Studies, Association for Asian American Studies (AAAS), 2019 The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
Author: April Liu
Publisher:
ISBN: 9781773270234
Category : Art
Languages : en
Pages : 208
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Book Description
For more than 100 years, Vancouver has been home to a vibrant and thriving Cantonese opera scene. As a performance art carried out by transient troupes, it is an ephemeral medium that rarely leaves a trace in the historic records. However, an extraordinary treasure trove of early 20th-century Cantonese opera costumes, props, and stage dressings made its way to the Museum of Anthropology in Vancouver, BC. In the first book-length study of this little known collection, April Liu retraces the arduous journeys of early Cantonese opera troupes who began arriving along the west coast of North America during the mid-19th century. A close examination of the costumes and props reveal the moving songs, stories, performances, and ritual practices of early Chinese migrant communities who struggled to make a home in a foreign and often hostile land.
