The Representation of Parisian Speech in the Cinema of the 1930s PDF Download
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Author: Michaël Abecassis
Publisher: Peter Lang
ISBN: 9783039102600
Category : Foreign Language Study
Languages : en
Pages : 420
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Book Description
This study is based on an analysis of videos and transcripts of five films Fric-frac, Circonstances atténuantes, Le Jour se lève, La Règle du jeu and Hôtel du Nord. These films are examples of planned and artificial language. The book looks at the evidential value of these data and assesses the extent to which stereotyped and scripted language can contribute to an understanding of spoken Parisian usage by looking at phonetics, syntax, discourse, lexis and pragmatics. By comparing traditional research carried out by scholars in the nineteenth century and earlier with Parisian data collected and analysed by twentieth-century researchers, the work attempts to identify the salient features that both script-writers and actors in these films considered to be characteristic of social-group differences at that time.
Author: Michaël Abecassis
Publisher: Peter Lang
ISBN: 9783039102600
Category : Foreign Language Study
Languages : en
Pages : 420
Get Book Here
Book Description
This study is based on an analysis of videos and transcripts of five films Fric-frac, Circonstances atténuantes, Le Jour se lève, La Règle du jeu and Hôtel du Nord. These films are examples of planned and artificial language. The book looks at the evidential value of these data and assesses the extent to which stereotyped and scripted language can contribute to an understanding of spoken Parisian usage by looking at phonetics, syntax, discourse, lexis and pragmatics. By comparing traditional research carried out by scholars in the nineteenth century and earlier with Parisian data collected and analysed by twentieth-century researchers, the work attempts to identify the salient features that both script-writers and actors in these films considered to be characteristic of social-group differences at that time.
Author: Dayna Oscherwitz
Publisher: Scarecrow Press
ISBN: 081087038X
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.
Author: Roberta Piazza
Publisher: John Benjamins Publishing
ISBN: 9027256152
Category : Language Arts & Disciplines
Languages : en
Pages : 328
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Book Description
This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of "telecinematic" discourse a hitherto virtually unexplored area of investigation in linguistics. The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic as it revolves around narrative as opposed to mimetic as referring to other non-narrative and non-fictional genres discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
Author: R. Anthony Lodge
Publisher: Cambridge University Press
ISBN: 0521821797
Category : Foreign Language Study
Languages : en
Pages : 306
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Book Description
This book examines the interlinked history of Parisian speech and the Parisian population.
Author: Wendy Ayres-Bennett
Publisher: Oxford University Press
ISBN: 0192634410
Category : Language Arts & Disciplines
Languages : en
Pages : 1057
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Book Description
This volume provides the first comprehensive reference work in English on the French language in all its facets. It offers a wide-ranging approach to the rich, varied, and exciting research across multiple subfields, with seven broad thematic sections covering the structures of French; the history of French; axes of variation; French around the world; French in contact with other languages; second language acquisition; and French in literature, culture, arts, and the media. Each chapter presents the state of the art and directs readers to canonical studies and essential works, while also exploring cutting-edge research and outlining future directions. The Oxford Handbook of the French Language serves both as a reference work for people who are curious to know more about the French language and as a starting point for those carrying out new research on the language and its many varieties. It will appeal to undergraduate and graduate students as well as established scholars, whether they are specialists in French linguistics or researchers in a related field looking to learn more about the language. The diversity of frameworks, approaches, and scholars in the volume demonstrates above all the variety, vitality, and vibrancy of work on the French language today.
Author: Christoph Gabriel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110548674
Category : Language Arts & Disciplines
Languages : en
Pages : 735
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Book Description
This handbook is structured in two parts: it provides, on the one hand, a comprehensive (synchronic) overview of the phonetics and phonology (including prosody) of a breadth of Romance languages and focuses, on the other hand, on central topics of research in Romance segmental and suprasegmental phonology, including comparative and diachronic perspectives. Phonetics and phonology have always been a core discipline in Romance linguistics: the wide synchronic variety of languages and dialects derived from spoken Latin is extensively explored in numerous corpus and atlas projects, and for quite a few of these varieties there is also more or less ample documentation of at least some of their diachronic stages. This rich empirical database offers excellent testing grounds for different theoretical approaches and allows for substantial insights into phonological structuring as well as into (incipient, ongoing, or concluded) processes of phonological change. The volume can be read both as a state-of-the-art report of research in the field and as a manual of Romance languages with special emphasis on the key topics of phonetics and phonology.
Author: Miriam A. Locher
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110431122
Category : Language Arts & Disciplines
Languages : en
Pages : 650
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Book Description
Pragmatics of Fiction provides systematic orientation in the emerging field of studying pragmatics with/in fictional data. It provides an authoritative and accessible overview of this versatile new field in its methodological and theoretical richness. Giving center stage to fictional language allows scholars to review key concepts in sociolinguistics such as genre, style, voice, stance, dialogue, participation structure or features of orality and literariness. The contributors explore language as one of the creative tools to craft story worlds and characters by drawing on concepts such as regional, social and ethnic language variation, as well as multilingualism. Themes such as emotion, taboo language or impoliteness in fiction receive attention just as the challenges of translation and dubbing, the creation of past and future languages, the impact of fictional language on language change or the fuzzy boundaries of narratives. Each contribution, written by a leading specialist, gives a succinct, representative and up-to-date overview of research questions, theories, methods and recent developments in the field.
Author: Kristina Bedijs
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110314754
Category : Language Arts & Disciplines
Languages : en
Pages : 546
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Book Description
This manual provides an extensive overview of the importance and use of Romance languages in the media, both in a diachronic and synchronic perspective. Its chapters discuss language in television and the new media, the language of advertising, or special cases such as translation platforms or subtitling. Separate chapters are dedicated to minority languages and smaller varieties such as Galician and Picard, and to methodological approaches such as linguistic discourse analysis and writing process research.
Author: Isabelle Frances McNeill
Publisher: Peter Lang
ISBN: 9783039107346
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
As a concept, transmission is crucial to our understanding of how ideas circulate within and across cultures. It opens up a series of questions that link to key debates concerning the exchange of knowledge. Bringing together research from a broad range of areas in French studies, this volume investigates the workings of transmission in relation to canonical and contemporary figures alike, including Proust, Barthes, Derrida, Jean-Luc Godard, and Claire Denis. The essays collected here offer a lively response to the themes of transmission, considering literature and philosophy from the medieval period onwards, as well as modern cinema and critical theory. The first section traces concepts of malign transmission that have informed medieval, early modern and finally contemporary representations of contagion. The second section addresses the impact of trauma, along with its imperative to testify to, or transmit, painful experiences such as rape and the Holocaust. The final section considers transmission in terms of a signal that carries a message, as well as the media that transport or encode that signal.
Author: Kate Marsh
Publisher: Peter Lang
ISBN: 9783039110339
Category : History
Languages : en
Pages : 248
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Book Description
The end of the British Raj, and the creation of the two states of India and Pakistan in August 1947, is a recognizable narrative within British Anglophone culture and colonial history. In contrast, the persistence of the five French trading posts, or comptoirs, on the Indian subcontinent until 1954 remains largely ignored by both French and British historians of French colonialism and the popular culture of the Hexagone. In examining metropolitan French-language representations of Indian decolonization, this book demonstrates the importance of the British imperial loss in 1947 as a reference point within French cultural production. The critical investigation into the strategies of representation used problematizes existing Anglophone theoretical models, by critics such as Said, Bhabha and Spivak, for the analysis of colonial discourse. It reveals that French-language representations of Indian decolonization cannot be fully appreciated without engaging methodologically with France's politically subordinate status in India. The book thus challenges the commonly accepted binary between colonizer and colonized, proposing in its place a triangular model composed of the colonized (India), the 'subaltern' colonizer (France), and the dominant colonizer (Britain). Through a systematic critical evaluation of the range of texts (journalistic, intellectual, political, and literary) produced in metropolitan France by authors such as Romain Rolland, Jean Rous, Hélène Cixous, Catherine Clément and Marguerite Duras, the book challenges the current postcolonial orthodoxy that the story of Indian decolonization is solely an Anglophone space.
