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Author: Alan Bray
Publisher: Columbia University Press
ISBN: 9780231102896
Category : Education
Languages : en
Pages : 184
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Book Description
First published in 1982 by Gay Men's Press. Reissued in 1995 with a new afterword and updated bibliography.
Author: Alan Bray
Publisher: Columbia University Press
ISBN: 9780231102896
Category : Education
Languages : en
Pages : 184
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Book Description
First published in 1982 by Gay Men's Press. Reissued in 1995 with a new afterword and updated bibliography.
Author: Roy Strong
Publisher: Thames & Hudson
ISBN: 9780500272145
Category : Gardening
Languages : en
Pages : 240
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Book Description
Revealing the glories of the English formal gardens of the Tudors and Stuarts, which ranked among the masterpieces of Renaissance Europe.
Author: William M. Russell
Publisher: University of Virginia Press
ISBN: 1644531925
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The turn of the seventeenth century was an important moment in the history of English criticism. In a series of pioneering works of rhetoric and poetics, writers such as Philip Sidney, George Puttenham, and Ben Jonson laid the foundations of critical discourse in English, and the English word "critic" began, for the first time, to suggest expertise in literary judgment. Yet the conspicuously ambivalent attitude of these critics toward criticism—and the persistent fear that they would be misunderstood, marginalized, scapegoated, or otherwise "branded with the dignity of a critic"—suggests that the position of the critic in this period was uncertain. In Inventing the Critic in Renaissance England, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors. Distributed for UNIVERSITY OF DELAWARE PRESS
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 9780521584258
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
These essays by leading historians and literary scholars investigate the role of religion in shaping political, social and literary forms, and their reciprocal role in shaping early modern religion, from the Reformation to the Civil Wars. Reflecting and rethinking the insights of new historicism and cultural studies, individual essays take up various aspects of the productive, if tense, relation between Tudor-Stuart Christianity and culture, and explore how religion informs some of the central texts of English Renaissance literature: the vernacular Bible, Foxe's Acts and Monuments, Hooker's Laws, Shakespeare's plays and sonnets, the poems of John Donne, Amelia Lanyer and John Milton. The collection demonstrates the centrality of religion to sixteenth- and seventeenth-century England, and its influence on early modern constructions of gender, subjectivity and nationhood.
Author: William H. Sherman
Publisher: University of Pennsylvania Press
ISBN: 0812203445
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
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Publisher:
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Category : Book collecting
Languages : en
Pages : 0
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Book Description
Author: Alison Weir
Publisher: Ballantine Books
ISBN: 0345512928
Category : Fiction
Languages : en
Pages : 496
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Book Description
NATIONAL BESTSELLER • A masterful novel exploring the early life of young Elizabeth Tudor, who would become England’s most intriguing and powerful queen, from acclaimed historian Alison Weir “Engrossing . . . Weir marries conjecture with what is known about the life of Elizabeth I from childhood to coronation, and it makes for ripping good reading.”—Milwaukee Journal Sentinel Even at age two, Elizabeth is keenly aware that people in the court of her father, King Henry VIII, have stopped referring to her as “Lady Princess” and now call her “the Lady Elizabeth.” Before she is three, she learns of the tragic fate that has befallen her mother, the enigmatic and seductive Anne Boleyn, and that she herself has been declared illegitimate, an injustice that will haunt her. What comes next is a succession of stepmothers, bringing with them glimpses of love, fleeting security, tempestuous conflict, and tragedy. The death of her father puts the teenage Elizabeth in greater peril, leaving her at the mercy of ambitious and unscrupulous men. Like her mother two decades earlier she is imprisoned in the Tower of London—and fears she will also meet her mother’s grisly end. Power-driven politics, private scandal and public gossip, a disputed succession, and the grievous example of her sister, “Bloody” Queen Mary, all cement Elizabeth’s resolve in matters of statecraft and love, and set the stage for her transformation into the iconic Virgin Queen. Alison Weir uses her deft talents as historian and novelist to exquisitely and suspensefully play out the conflicts between family, politics, religion, and conscience that came to define an age. Sweeping in scope, The Lady Elizabeth is a fascinating portrayal of a woman far ahead of her time—an orphaned girl haunted by the shadow of the axe, an independent spirit who must use her cunning and wits for her very survival, and a future queen whose dangerous and dramatic path to the throne shapes her future greatness. BONUS: This edition contains an excerpt from Alison Weir’s Mary Boleyn.
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 0470998911
Category : Literary Criticism
Languages : en
Pages : 648
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Book Description
This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
Author: Mr Gary A Schmidt
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472403967
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present.
Author: Su Fang Ng
Publisher: Rutgers University Press
ISBN: 1644532425
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
