The Reggae & African Beat PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Reggae & African Beat PDF full book. Access full book title The Reggae & African Beat by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Reggae music
Languages : en
Pages : 676
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Reggae music
Languages : en
Pages : 676
Get Book Here
Book Description
Author: Trevor Fitz-Henley
Publisher: Strategic Book Publishing & Rights Agency
ISBN: 162857268X
Category : History
Languages : en
Pages : 316
Get Book Here
Book Description
COULD YOU BE LOVED is of all Humankind acknowledging shared origin for Progress with Peace. " . . insightful . . incisive and instructive . . a beautiful poetic move . . brilliant . . author, poet, philosopher Tekla Mekfet relates Bob Marley's poetics to African philosophy, the Bible and the problems of Babylon as we encounter them in Jamaica and the world. . . helps to resolve the tension between the individual and the community, in Rasta poetics . . Historical memory . . clues to liberation in the present. Out of history and prophecy . . philosophy in Rastafari offers unaccustomed wide practical application." (Dr. Noel Erskine, Professor of Theology & Ethics, Emory University, USA). " . . deep understanding of world politics . . knowledge of the world's literary works whether fiction or treatise . . wide knowledge of music of all genres . . erudite . . encyclopedic . . for every and anyone." (Dr. Erna Brodber, sociologist-historian-novelist, University of the West Indies). "In his own thoroughly original way Tekla Mekfet evokes the largesse of spirit and innovative rhetorical performances of Walt Whitman . . Whitman opened up the space of the line in American verse; he had an agile poetic persona; he was chronicler, seer, prophet. In our time Ras Mekfet is accomplishing much the same through his vision and voice." (Michael Kuelker, Professor of English, St. Charles Community College, Rastafari-Reggae researcher, DJ, Missouri). Structure is as vocabulary item, social commentary, music of meaning, "Often, life is not nice neat sentences'. The index invites piece-mealing focus on such as The Word, Logic RHYTHM Household-Community, Reality, Freedom, Whiteness, or Oneness. Varied subjects are explored as symbiotic - as could be related to Spinoza's All is One and The One is Divine', to 'Selassie is The Chapel', to Hegel's 'God' dwelling within Humankind & permanently pervading the universe - related to shared African principles of an all-manifesting all-embracing 'NTU', or JAH of Rastrafari. Of Nature's Logic & Kant's 'Categorical Imperative' for universal oneness. Concept 'Babylon' de-constructed throughout, as is 'Zion'. Of 'Concrete Jungle', The City, Marketed 'God', Moral Relativity, "life-long insecurity." " . . the heavy and the weary weight / Of all this unintelligible world / Is lightened." Mekfet invites you to be free 'of being psychologically blind. For YOU, are living of some measure & mix of philosophy . . that you may be living unperceived." to be recognized "for sense of options for direction. ." - Mother Africa's Philosophy, Rastafari, The Bible, & cross-refs philosophy of West & East - Philosophy in Reggae, Jazz, Dancehall Music: Atavistic Appeal African Rhythms Worldwide - Culture of Politics, Mis-Education, Violence & Masculinity in 'Jamaica'/'Carry-beyond' - A Rastafari Journey, Jamaica & Social Prejudice - Animism & Literary Imagery. Multi-cultural imagery 'Christ'/Re-patria-tion/Ancestor Worship - 'Israel' & 'Jerusalem' not as geographical entities, but as universal concepts for social organization related to Rhythm of Ecology & Bio-diversity, the Cosmos as a single organism, & Bio-mimicry - all antithesis of concept of 'Babylon'
Author: Ikenna Emmanuel Onwuegbuna
Publisher: Xlibris Corporation
ISBN: 1503587908
Category : Music
Languages : en
Pages : 154
Get Book Here
Book Description
Popular music an acculturative product of the African folk musicscrutinized along the lines of musical and social processes as inseparable pair in developing the various genres of the eclectic musical form. In Nigeria, it is the congruent collaboration of creativity and politico-socio-economic activities of the mid-1940s (the period following the World War II) that evolved the various genres of popular music of the landa process that is still in being! The social processes that span through the diverse fields of economics, politics, linguistics, sociology, philosophy, and religion made up a manifold agency of acculturation, commercialization, urbanization, and class stratifications. Similarly, the musical processes emanating from the folk musical practices of conception, composition, and classification of genres; recruitment of group members and administrative personnel; training, packaging, costuming, and aesthetics; and then the performance proper are carried over into a parallel development of a neo-folk form that became popular. The popularity of the new form is due to a socio-musical interchange that is both structural and functional. The peculiar nature of the product of this new musical expressionpoptherefore presents four possible angles for definition. The definitions could be stylistic, sociological, process- or theory-based. The genres developed include highlife, afrobeat, rock, calypso, disco, hip hop, rhythm n blues, funk, and reggae. However, the star feature of this investigation is the Afro-reggae genre of Nigeria. The primary research process of survey was backed up by historical and descriptive methods to unearth the leaning on the rhythm of social life by popular music artistes to develop the African reggae genre, especially in Nigeria.
Author: Nicholas Jennings
Publisher: Penguin
ISBN: 014319920X
Category : Biography & Autobiography
Languages : en
Pages : 345
Get Book Here
Book Description
NATIONAL BESTSELLER A 2023 ROLLING STONE RECOMMENDED BOOK Shortlisted for the 2017 Legislative Assembly of Ontario Speaker's Book Award Nominated for the 2018 Heritage Toronto Award - Historical Writing: Book “The preeminent account of the late singer's life.” —Rolling Stone The definitive, full-access story of the life and songs of Canada's legendary troubadour Gordon Lightfoot’s name is synonymous with timeless songs about trains and shipwrecks, rivers and highways, lovers and loneliness. His music defined the folk-pop sound of the 1960s and ‘70s, topped charts and sold millions. He is unquestionably Canada’s greatest songwriter, and an international star who has performed on the world’s biggest stages. While Lightfoot’s songs are well known, the man behind them is elusive. He’s never allowed his life to be chronicled in a book—until now. Biographer Nick Jennings has had unprecedented access to the notoriously reticent musician. Lightfoot takes us deep inside the artist’s world, from his idyllic childhood in Orillia, the wild sixties, and his canoe trips into Canada’s North to his heady times atop the music world. Jennings explores the toll that success took on his personal life—including his troubled relationships, his battle with alcohol and his near-death experiences—and the extraordinary drive and tenacity that pulled him through it all. Rich in voices from fellow musicians, close friends, Lightfoot’s family and the singer’s own reminiscences, the biography tells the stories behind some of his best-known love songs, including “Beautiful” and “Song for a Winter’s Night,” as well as the infidelity and divorce that resulted in classics like “Sundown” and “If You Could Read My Mind.” Kris Kristofferson has called Lightfoot’s songs “some of the most beautiful and lasting music of our time.” Lightfoot is an unforgettable portrait of a treasured singer-songwriter, an artist whose work has been covered by everyone from Joni Mitchell, Barbra Streisand and Nico to Bob Dylan, Elvis Presley and Gord Downie. Revealing and insightful, Lightfoot is both an inspiring story of redemption and an exhilarating read.
Author: Lou Gooden
Publisher: AuthorHouse
ISBN: 1410780627
Category : Music
Languages : en
Pages : 393
Get Book Here
Book Description
- I speak of victory, not victim, triumph and not defeat; I have buried hopelessness in the cemetery of compete; the slum was not born in me, but in the born elite; what once left me void; I have conquered to become complete; all my life has been a rock climb, traveled in the bareness of my feet. excerpt from title poem: "Rock Climbing With My Bare Feet". Rock Climbing With My Bare Feet is a collection of poetry that encompasses themes such as internal struggle, women empowerment, motivation, political consciousness, perserverance and a variety of other topics. These themes, among others, are structured into chapters to make an easier read for the audience. The chapter titles are brilliantly named so that the reader can identify the theme of each chapter. Chapters include Who Am I To Be Me?, the author's favorite More Importantly: I AM A WOMAN, Ditchin' Demons In a Deep Depression, Life Should Be Motivation Enough, I Wouldn't Even Trade My Mind (For a Sane One), Rock Climbing With My Bare Feet, Citizen's Arrest, Life's Waves Won't Knock Me Over, Featuring: I Wait on Words! Be prepared to be intellectually challenged, spiritually moved, and genuinely entertained! For young and mature readers alike, of all cultures and ethnicities.
Author: Joel Savage
Publisher: Virtualbookworm.com Publishing
ISBN: 9781621373483
Category : Music
Languages : en
Pages : 154
Get Book Here
Book Description
Drumming and dancing have been part of Africa's culture for ages as ceremonial activities initiated by the ancestors to appease the gods. Unwillingly stolen away from Africa to the Caribbean, African music and rhythm finds its way to these islands in the form of reggae music. Since then, reggae has acted like a magnet, creating a huge impact on the global music scene. This type of music, which carries a prophetic message and spiritual lyrics, continues to influence musical genres, cultures, and societies throughout the world, contributing to the development of new counterculture movements in Europe, America, and Africa. "Reggae in the bathroom, Reggae in the bedroom, Reggae everywhere, Reggae in jail, Reggae in church, everybody likes it," sings Lucky Dube. In this book the writer speaks to some of the masters behind contemporary reggae and African music. The influence and impact of these great musicians is internationally known and is recounted with warm, sincere, and unrivalled craftsmanship that distinguishes them in the music world. Read the live performances and interviews of: Anthony B, Joseph Hill-Culture, Gregory Isaacs, U-Roy, Capleton, Julian Marley, Prince Malachi, Luciano, Lucky Dube, Julian Murvin, Andrew Tosh, ASWAD, Live Wyya, Seun Kuti, Femi Kuti, Faytinga, Manu Dibango, and Tutu Puoane. This beautifully illustrated, color photo book is one of the most fascinating and interesting works ever written about reggae and African music.
Author: Christian Habekost
Publisher: BRILL
ISBN: 9004483691
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
This is the first book-length study of dub poetry, the musical talkover that has been an important part of the reggae scene in Canada, Britain and of course the Caribbean since the 1970's. Christian Habekost 's qualifications for writing such a book are beyond dispute. He is a German poet who has been involved with the dub movement since it began and knows most of its leading figures. As Ranting Chako, he is featured on the LP Dread Poets Society. The bibliography indicates that he has interviewed many of the 43 poet-performers mentioned, often on several occasions. Verbal Riddim, based on his doctoral dissertation at the University of Mannheim, is a successful blend of the performer and the researcher.
Author: John Collins
Publisher: Temple University Press
ISBN: 1439904979
Category : Music
Languages : en
Pages : 368
Get Book Here
Book Description
The nearest thing we have in the twentieth century to a global folk music.
Author: Jeremy Prestholdt
Publisher: Oxford University Press
ISBN: 0190092599
Category : History
Languages : en
Pages :
Get Book Here
Book Description
The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, Icons of Dissent offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world.
Author: Mark Fitzgerald
Publisher: Routledge
ISBN: 1317092503
Category : Music
Languages : en
Pages : 340
Get Book Here
Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
