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Author: James Gunn, Col
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
"The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling... The invitation was to join a discussion--in midstream--about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article... I didn't read the website regularly, mostly because I didn't have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions... We had met in a bar at the World Science Fiction Convention..." And so begins James Gunn's definitive and fascinating study of the reading protocols of science fiction -- the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans. The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany's key essay on the subject, and several by James Gunn, to thoroughly explore the subject. This is James Gunn's last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page. It's a must-read for any fan of the science fiction genre and those who write it.
Author: James Gunn, Col
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Get Book Here
Book Description
"The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling... The invitation was to join a discussion--in midstream--about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article... I didn't read the website regularly, mostly because I didn't have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions... We had met in a bar at the World Science Fiction Convention..." And so begins James Gunn's definitive and fascinating study of the reading protocols of science fiction -- the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans. The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany's key essay on the subject, and several by James Gunn, to thoroughly explore the subject. This is James Gunn's last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page. It's a must-read for any fan of the science fiction genre and those who write it.
Author: James E. Gunn
Publisher: Scarecrow Press
ISBN: 9780810857148
Category : Fiction
Languages : en
Pages : 264
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Book Description
James Gunn has had a long and distinguished career in science fiction. In addition to his stories and novels, he has written extensively about the reading, writing, and criticism of science fiction. Many of these essays were published in The Science of Science-Fiction Writing (Scarecrow, 2002). A second collection of essays, Inside Science Fiction, was originally published in 1992, and is now available in this revised, updated, and expanded edition. With the addition of five new articles written since 1992, Inside Science Fiction represents Gunn's latest thoughts about the genre. The book is divided into four major sections that tackle various aspects of the genre: - "Getting Inside Science Fiction," in which Gunn discusses his relationship with the genre - "Science Fiction and the Teacher" illustrates various approaches to teaching science fiction - "Science Fiction on Film and Television" deals with the film industry's approaches to science fiction, in particular, Gunn's experiences of seeing his novel The Immortals turned into a made-for-television movie and subsequent series - "Science Fiction and the Real World" examines the impact of science fiction on the world and what the future holds for the genre Inside Science Fiction offers a complete overview of science fiction for readers and viewers from an author, reader, and teacher who has seen it from all sides for more than seventy years.
Author: James Gunn
Publisher: Bloomsbury Publishing
ISBN: 1137078987
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Science Fiction is illuminated by world class scholars and fiction writers, who introduce the history, concepts and contexts necessary to understanding the genre. Their groundbreaking approach provides insights into today's SF world and makes learning how to read Science Fiction an exciting collaborative process for teachers and students.
Author: Norman Spinrad
Publisher: SIU Press
ISBN: 9780809316717
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
Updates Lentz's previous work (which Library journal said was producers, screenwriters, cinematographers, special effects technicians, make-up artists, art directors. III: film index. IV: TV series index. V: alternate title index. Science fiction writer Spinrad presents 13 essays, some previously published, examining particular works in the genre, aspects of the industry, and how they influence each other. Topics include critical standards, the visual expression in comic books and movies, modes of content, politics, and profiles of individual authors. No bibliography. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Orson Scott Card
Publisher: Penguin
ISBN: 1599631407
Category : Language Arts & Disciplines
Languages : en
Pages : 418
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Book Description
Do you envision celestial cities in distant, fantastic worlds? Do you dream of mythical beasts and gallant quests in exotic kingdoms? If you have ever wanted to write the next great fantasy or science fiction story, this all-in-one comprehensive book will show you how. Writing Fantasy & Science Fiction is full of advice from master authors offering definitive instructions on world building, character creation, and storytelling in the many styles and possibilities available to writers of speculative fiction. Combining two Writer's Digest classics, Orson Scott Card's How to Write Science Fiction & Fantasy and The Writer's Complete Fantasy Reference, along with two new selections from award-winning science fiction and fantasy authors Philip Athans and Jay Lake, this new book provides the best of all worlds. You'll discover: • How to build, populate, and dramatize fantastic new worlds. • How to develop dynamic and meaningful themes that will expand the cannon of sci-fi and fantasy storytelling. • Exciting subgenres such as steampunk, as well as new developments in the sci-fi and fantasy genres. • How to imbue your tales with historically accurate information about world cultures, legends, folklore, and religions. • Detailed descriptions of magic rituals, fantastic weapons of war, clothing and armor, and otherworldly beasts such as orcs, giants, elves, and more. • How societies, villages, and castles were constructed and operate on a day-to-day basis. • Astounding methods of interstellar travel, the rules of starflight, and the realities and myths of scientific exploration. • How to generate new ideas and graft them to the most popular themes and plot devices in sci-fi and fantasy writing. The boundaries of your imagination are infinite, but to create credible and thrilling fiction, you must ground your stories in rules, facts, and accurate ideas. Writing Fantasy & Science Fiction will guide you through the complex and compelling universe of fantasy and science fiction writing and help you unleash your stories on the next generation of readers and fans.
Author: Israel A. C. Noletto
Publisher: Taylor & Francis
ISBN: 1040024513
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Fictional Languages in Science Fiction Literature surveys a large number of fictional languages, those created as part of a literary world, to present a multifaceted account of the literary phenomenon of glossopoesis (language invention). Consisting of a few untranslated sentences, exotic names, or even fully-fledged languages with detailed grammar and vocabulary, fictional languages have been a common element of English-language fiction since Thomas More’s Utopia (1516). Different notions of the functions of such fictional languages in narrative have been proposed: as rooted in phonaesthetics and contextual features, or as being used for characterisation and construction of alterity. Framed within stylistics and informed by narrative theory, literary theory, literary pragmatics, and semiotics, this study combines previous typologies into a new 5-part reading model comprising unique analytical approaches tailored to science fiction’s specific discourse and style, exploring the relationship between glossopoesis, world-building, storytelling, interpretation, and rhetoric, both in prose and paratexts.
Author: Arthur B. Evans
Publisher: Wesleyan University Press
ISBN: 0819569550
Category : Fiction
Languages : en
Pages : 787
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Book Description
The best single-volume anthology of science fiction available—includes online teacher's guide The Wesleyan Anthology of Science Fiction features over a 150 years' worth of the best science fiction ever collected in a single volume. The fifty-two stories and critical introductions are organized chronologically as well as thematically for classroom use. Filled with luminous ideas, otherworldly adventures, and startling futuristic speculations, these stories will appeal to all readers as they chart the emergence and evolution of science fiction as a modern literary genre. They also provide a fascinating look at how our Western technoculture has imaginatively expressed its hopes and fears from the Industrial Revolution of the nineteenth century to the digital age of today. A free online teacher's guide at http://sfanthology.site.wesleyan.edu/ accompanies the anthology and offers access to a host of pedagogical aids for using this book in an academic setting. The stories in this anthology have been selected and introduced by the editors of Science Fiction Studies, the world's most respected journal for the critical study of science fiction.
Author: George Edgar Slusser
Publisher:
ISBN: 9780809309610
Category : Literary Collections
Languages : en
Pages : 266
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Book Description
Ten new critical essays written for presentation at the first Eaton Conference on Science Fiction and Fantasy Literature held 24-25February 1979, at the University of California, Riverside. While critical discussion of science fiction has become increasingly sophisticated during the past decade, there remains a tendency among some teachers and readers to consider science fiction as an independent phenomenon that exists unconnected to the mainstream of our cultural inheritance. These essays--by Harry Levin, Irving Babbitt Professor of Comparative Literature at Harvard University; Kent T. Kraft, Assistant Professor of Comparative Literature at the University of Georgia, Athens; Stephen Potts, writer and instructor at San Diego State University; Gregory Benford, writer and Associate Professor of Physics at the University of California, Irvine; Robert Hunt, an editor at Glencoe Publishing; Eric S. Rabkin, Professor of English at the University of Michigan; Patrick Parrinder, instructor at the University of Reading, England; Thomas Keeling, Lecturer in English at the University of California, Los Angeles; Carl D. Malmgren, instructor at the University of Oregon, Eugene; and Thomas Hanzo, Professor of English and Chairman of the department at the University of California, Davis--suggest the connections that exist between science fiction and other aspects of Western cultural tradition. Ranging in interest from the specifically philosophical to the specifically literary, the essays relate science fiction to such topics as medieval cosmological discourse, classical empirical philosophy, fairy tale, epic, and Gothic fiction. Emerging from the volume as a whole are both a coherent view of science fiction as a genre and a heightened sense of its complex relation to our cultural heritage.
Author: Jerome Winter
Publisher: Rowman & Littlefield
ISBN: 1793621489
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Citizen Science Fiction draws on an interdisciplinary swath of literature and media to make the case that the science fiction genre can help rethink the pedagogical use of citizen science as a tool to interrogate our collective civic engagement with science and the incorporation of science into a rigorous, exciting writing-based curriculum. The book revolves around recent developments in specific scientific disciplines, including biology, ecology, computer science, astronomy, and cognitive science. Winter closely studies a range of science-fiction texts and tropes -- such as aliens, robots, clones, mind uploads, galactic empires -- for what they have to contribute to the ongoing scholarly discussion on psychological mindset and mindful argument, reading for probing inquiry and productive uncertainty in the age of the Anthropocene, reading for voice with a view to our digitally dominated future, and reading for threshold concepts in a scientifically driven society.
Author: James E. Gunn
Publisher: Scarecrow Press
ISBN: 9780810846708
Category : Fiction
Languages : en
Pages : 562
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Book Description
Now in Paperback The Road to Science Fiction is a six-volume anthology that covers the development of this genre from its earliest prototypes to the current day. Created originally to provide anthologies for use in classrooms in the late 1970s, these volumes became mass-market sellers. Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Edgar Allan Poe's balloon trip in the year 2848 these and other key works are gathered together for the first time in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. Volume 4 From Here to Forever covers the period from 1950-1992, illustrating how science fiction can be as concerned with language and character as much as traditional fiction and anything in the mainstream. Includes stories by Jorge Luis Borges, Richard Matheson, C. M. Kornbluth, Jack Vance, and Pamela Zoline.
