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Author: F. W. Barbour
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: F. W. Barbour
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0199744653
Category : Music
Languages : en
Pages : 237
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Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Author: Louis Antoine Jullien
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 6
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Book Description
Author: Rachel Cowgill
Publisher: Oxford University Press
ISBN: 019971083X
Category : Music
Languages : en
Pages : 415
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Book Description
Female characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters--and the celebrated women who played them--still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists--a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.
Author: Susan Rutherford
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26
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Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.
Author: Francis Marion Crawford
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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Book Description
Author: F. Marion Crawford
Publisher: Library of Alexandria
ISBN: 1465534563
Category : Fiction
Languages : en
Pages : 453
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Book Description
Author: Francis Marion Crawford
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Judit Zsovár
Publisher:
ISBN: 9783631792438
Category : Opera
Languages : en
Pages : 312
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Book Description
George Frideric Handel's longest continuous collaboration with a leading singer took place between 1729 and 1737 with Anna Maria Strada del Pò (1703‒1775), a soprano who may have sung 'entirely di petto', i.e. with a chest-like vocal production in the head range as well, powerfully and sonorously. The investigation of her peculiar vocal features and career, in connection with the music written for her by Handel and other composers, involved musicological research methods as well as findings of the historically informed performance practice. Conclusions rest on three main pillars: the musical sources; the surviving descriptions of her singing, and period treatises; completed with the author's practical experiences as a classical singer.
Author: Gillyanne Kayes
Publisher: Routledge
ISBN: 1136759867
Category : Art
Languages : en
Pages : 213
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Book Description
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.
