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Author: Ludwig Mies van der Rohe
Publisher: Springer Science & Business
ISBN: 9781568980133
Category : Architecture
Languages : en
Pages : 278
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Book Description
The Presence of Mies is an interdisciplinary collection of essays that reconsiders the work of Ludwig Mies van der Rohe, putting forth new ways of thinking about his work and new possibilities for extending its influence into contemporary architecture and cultural theory. The work of Ludwig Mies van der Rohe, one of this century's most important architects, has alternately been revered and reviled. The diverse outlook of the contributors produces a stimulating array of perspectives that consider the multiple resonances of Mies's work in relation to technology, image culture, philosophy, art, and education. Editor Detlef Mertins and president and director of the Canadian Centre for Architecture, Phyllis Lambert, reconsider aspects of Mies's research and practice. Fritz Neumeyer, whose book on Mies's writings, The Artless Word is a point of reference for many Mies scholars, and Sanford Kwinter both address architecture's relationship to technology; Dan Hoffman and Ben Nicholson discuss the pedagogical ambitions and work of their design studios, at the Cranbrook Academy of Art and the Illinois Institute of Technology, respectively, where they have extended and transformed aspects of Mies's architecture and teaching. Rosalind Krauss and Ignasi de Sol-Morales Rubi stake out opposed interpretations of Minimalism and Mies. Rebecca Comay and George Baird both test-drive Mies through the philosophies of Martin Heidegger and Hannah Arendt. Brian Boigon and Beatriz Colomina address Mies in relation to "the culture of images," while K. Michael Hays proposes new interpretations of Mies's abstraction. The Presence of Mies also includes over 120 black and white illustrations of the master's buildings. These essays result from a symposium organized by the University of Toronto School of Architecture and Landscape Architecture marking the 25th Anniversary of a monolithic Miesian edifice, The Toronto-Dominion Centre, designed by Mies van der Rohe in 1963 (called by Philip Johnson "the biggest Mies in the world").
Author: Ludwig Mies van der Rohe
Publisher: Springer Science & Business
ISBN: 9781568980133
Category : Architecture
Languages : en
Pages : 278
Get Book Here
Book Description
The Presence of Mies is an interdisciplinary collection of essays that reconsiders the work of Ludwig Mies van der Rohe, putting forth new ways of thinking about his work and new possibilities for extending its influence into contemporary architecture and cultural theory. The work of Ludwig Mies van der Rohe, one of this century's most important architects, has alternately been revered and reviled. The diverse outlook of the contributors produces a stimulating array of perspectives that consider the multiple resonances of Mies's work in relation to technology, image culture, philosophy, art, and education. Editor Detlef Mertins and president and director of the Canadian Centre for Architecture, Phyllis Lambert, reconsider aspects of Mies's research and practice. Fritz Neumeyer, whose book on Mies's writings, The Artless Word is a point of reference for many Mies scholars, and Sanford Kwinter both address architecture's relationship to technology; Dan Hoffman and Ben Nicholson discuss the pedagogical ambitions and work of their design studios, at the Cranbrook Academy of Art and the Illinois Institute of Technology, respectively, where they have extended and transformed aspects of Mies's architecture and teaching. Rosalind Krauss and Ignasi de Sol-Morales Rubi stake out opposed interpretations of Minimalism and Mies. Rebecca Comay and George Baird both test-drive Mies through the philosophies of Martin Heidegger and Hannah Arendt. Brian Boigon and Beatriz Colomina address Mies in relation to "the culture of images," while K. Michael Hays proposes new interpretations of Mies's abstraction. The Presence of Mies also includes over 120 black and white illustrations of the master's buildings. These essays result from a symposium organized by the University of Toronto School of Architecture and Landscape Architecture marking the 25th Anniversary of a monolithic Miesian edifice, The Toronto-Dominion Centre, designed by Mies van der Rohe in 1963 (called by Philip Johnson "the biggest Mies in the world").
Author: Stan Allen
Publisher: Routledge
ISBN: 1135763755
Category : Architecture
Languages : en
Pages : 281
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Book Description
Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen’s seminal piece on Field Conditions is included in this reworked, revised and redesigned volume. A compelling read for student and practitioner alike.
Author: Detlef Mertins
Publisher: Phaidon Press
ISBN: 9781838668174
Category : Architecture
Languages : en
Pages : 0
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Book Description
The classic and definitive monograph on iconic architect Mies van der Rohe This is the most readable, comprehensive, and beautiful book ever published on one of the twentieth century's most influential architects, now available with a stunning new cover. Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams, Mertins' rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe's work, with in-depth discussions of his most important buildings and projects. The clarity of Mies's architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin's rigorous and accessible text gives the reader a clear description of all the most important of Mies's buildings as well as the intellectual contexts for their design. Includes such buildings as: the Barcelona Pavilion in Spain; the Tugendhat House in Brno, Czech Republic; S. R. Crown Hall at the Illinois Institute of Technology in Chicago, USA; and the New National Gallery in Berlin, Germany.
Author: Jennifer A.E. Shields
Publisher: Routledge
ISBN: 1134681542
Category : Architecture
Languages : en
Pages : 287
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Book Description
Collage and Architecture is the first book to cover collage as a tool for design in architecture, making it a valuable resource for students and practitioners. Author Jennifer Shields uses the artworks and built projects of leading artists and architects, such as Le Corbusier, Daniel Libeskind, and Teddy Cruz to illustrate the diversity of collage techniques. The six case study projects from Mexico, Argentina, Sweden, Norway, the United States, and Spain give you a global perspective of architecture as collage. Collage is an important instrument for analysis and design, and Shields’s presentation of this versatile medium draws on decades of relevance in art and architecture, to be adapted and transformed in your own work.
Author: Jonathan Hill
Publisher: Routledge
ISBN: 1136364609
Category : Architecture
Languages : en
Pages : 270
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Book Description
The aim of this book is to expand the subject and matter of architecture, and to explore their interdependence. There are now many architectures. This book acknowledges architecture far beyond the familiar boundaries of the discipline and reassesses the object at its centre: the building. Architectural matter is not always physical or building fabric. It is whatever architecture is made of, whether words, bricks, blood cells, sounds or pixels. The fifteen chapters are divided into three sections - on buildings, spaces and bodies - which each deal with a particular understanding of architecture and architectural matter. The richness and diversity of subjects and materials discussed in this book locates architecture firmly in the world as a whole, not just the domain of architects. In stating that architecture is far more than the work of architects, this book aims not to deny the importance of architects in the production of architecture but to see their role in more balanced terms and to acknowledge other architectural producers. Architecture can, for example, be found in the incisions of a surgeon, the instructions of a choreographer or the movements of a user. Architecture can be made of anything and by anyone.
Author: Marian Macken
Publisher: Routledge
ISBN: 135126642X
Category : Architecture
Languages : en
Pages : 435
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Book Description
Books orient, intrigue, provoke and direct the reader while editing, interpreting, encapsulating, constructing and revealing architectural representation. Binding Space: The Book as Spatial Practice explores the role of the book form within the realm of architectural representation. It proposes the book itself as another three-dimensional, complementary architectural representation with a generational and propositional role within the design process. Artists’ books in particular – that is, a book made as an original work of art, with an artist, designer or architect as author – have certain qualities and characteristics, quite different from the conventional presentation and documentation of architecture. Paginal sequentiality, the structure and objecthood of the book, and the act of reading create possibilities for the book as a site for architectural imagining and discourse. In this way, the form of the book affects how the architectural work is conceived, constructed and read. In five main sections, Binding Space examines the relationships between the drawing, the building and the book. It proposes thinking through the book as a form of spatial practice, one in which the book is cast as object, outcome, process and tool. Through the book, we read spatial practice anew.
Author: Kiel Moe
Publisher: Actar D, Inc.
ISBN: 1638409145
Category : Architecture
Languages : en
Pages : 302
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Book Description
Dissects the construction ecology, material geographies, and world-systems of a most modern of modern architectures: the Seagram Building. In doing so, it aims to describe how humans and nature interact with the thin crust of the planet through architecture. In particular, the immense material, energy and labor involved in building require a fresh interpretation that better situates the ecological and social potential of design. The enhancement of a particular building should be inextricable from the enhancement of its world-system and construction ecology. A “beautiful” building engendered through the vulgarity of uneven exchanges and processes of underdevelopment is no longer a tenable conceit in such a framework. Unless architects begin to describe buildings as terrestrial events and artifacts, architects will—to our collective and professional peril—continue to operate outside the key environmental dynamics and key political processes of this century.
Author: Kasper Lægring
Publisher: Taylor & Francis
ISBN: 1040094805
Category : Architecture
Languages : en
Pages : 350
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Book Description
This book orchestrates a convergence of two discourses from the 1960s—Nelson Goodman’s aesthetic theory on one side and critiques of modern architecture articulated by figures like Peter Blake, Charles Jencks, and Robert Venturi/Denise Scott Brown on the other. Grounded in Goodman’s aesthetic theory, the book explores his conceptual framework within the context of modern architecture. At the heart of the investigation lies Goodman’s concept of exemplification. While his notion of denotation pertains to representational elements, often ornaments, in architecture, exemplification accentuates specific formal properties at the expense of others, including color, spatial orientation, transparency, seriality, and the like. Supplemented by findings from phenomenology, the book traces these effects in buildings, notably those by Ludwig Mies van der Rohe, Walter Gropius, Le Corbusier, and Frank Lloyd Wright—all key figures in the critiques of modern architecture. Employing Goodman’s framework, the book aims to address accusations of emptiness and alienation directed at modern architecture in the postwar era. It illustrates that modern architecture symbolizes aesthetically in a fundamentally different way than architecture from earlier periods. This book will be of interest to architects, artists, researchers, and students in architecture, architectural history, theory, cultural theory, philosophy, and aesthetics.
Author: Museum of Modern Art (New York, N.Y.)
Publisher: Bulfinch
ISBN:
Category : Architecture
Languages : en
Pages : 232
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Book Description
Expanded version of book published in conjunction with an exhibition held at the Museum of Modern Art, New York, in 1947. Includes plans, photographs of structures now demolished, chronology, and some writings by Mies van der Rohe.
Author: Francis Xavier Blouin
Publisher: University of Michigan Press
ISBN: 047211493X
Category : History
Languages : en
Pages : 518
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Book Description
As sites of documentary preservation rooted in various national and social contexts, artifacts of culture, and places of uncovering, archives provide tangible evidence of memory for individuals, communities, and states, as well as defining memory institutionally within prevailing political systems and cultural norms. By assigning the prerogatives of record keeper to the archivist, whose acquisition policies, finding aids, and various institutionalized predilections mediate between scholarship and information, archives produce knowledge, legitimize political systems, and construct identities. Far from being mere repositories of data, archives actually embody the fragments of culture that endure as signifiers of who we are, and why. The essays in Archives, Documentation, and Institutions of Social Memory conceive of archives not simply as historical repositories but as a complex of structures, processes, and epistemologies situated at a critical point of the intersection between scholarship, cultural practices, politics, and technologies.
