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Author: David Johnson
Publisher: Psychology Press
ISBN: 9780415351690
Category : Canon
Languages : en
Pages : 468
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Book Description
This volume ranges from the Second World War to the postmodern, considering issues of the 'popular' and the competing criteria by which literature has been judged in the later twentieth century. As well as tracing the transition from modernism to postmodernism, the authors guide students through debates around the pleasures of the popular and the question of inter-relations between 'mass' and 'high' cultures. Drawing further upon issues of value and function raised in Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960, they examine contemporary literary prizes and the activity of judgement involved in English Studies. This text can be used alongside the other books in the series for a complete course on twentieth-century literature, or on its own as essential reading for students of mid to late twentieth-century writing. Texts examined in detail include: du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise, Barker's The Ghost Road.
Author: David Johnson
Publisher: Psychology Press
ISBN: 9780415351690
Category : Canon
Languages : en
Pages : 468
Get Book Here
Book Description
This volume ranges from the Second World War to the postmodern, considering issues of the 'popular' and the competing criteria by which literature has been judged in the later twentieth century. As well as tracing the transition from modernism to postmodernism, the authors guide students through debates around the pleasures of the popular and the question of inter-relations between 'mass' and 'high' cultures. Drawing further upon issues of value and function raised in Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960, they examine contemporary literary prizes and the activity of judgement involved in English Studies. This text can be used alongside the other books in the series for a complete course on twentieth-century literature, or on its own as essential reading for students of mid to late twentieth-century writing. Texts examined in detail include: du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise, Barker's The Ghost Road.
Author: CarysWyn Jones
Publisher: Routledge
ISBN: 135154084X
Category : Music
Languages : en
Pages : 187
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Book Description
Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.
Author: Jordan M Scheetz
Publisher: James Clarke & Company
ISBN: 0227900650
Category : Religion
Languages : en
Pages : 174
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Book Description
Scheetz undertakes to make the concepts of intertextuality and canon criticism more comprehensible in the field of biblical studies. This volume is a combination of, on one hand, an observation of intertextuality, canon criticism, inner-biblical exegesis, intratextuality and kanonische intertextuelle Lekture and, on the other hand, an inductive study of the Masoretic Text of Daniel, of its connections with other texts of the Hebrew Bible, and of clear passages in the Greek text of the New Testament. Scheetz uses the Masoretic Text of Daniels as an appropriate testing ground through the medium of its multilingual character, its diverging placement in various biblical canons, and its concrete citations in some texts of the New Testament. Theend result of this study is a theory of canonical intertextuality unique in its definition in relation to the theories investigated, as well as in its application to an entire biblical book and to other texts in the Old and New Testaments.
Author: Perry Meisel
Publisher: John Wiley & Sons
ISBN: 9781444317503
Category : Social Science
Languages : en
Pages : 224
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Book Description
The Myth of Popular Culture from Dante to Dylan is afascinating examination of the cultural traditions of the Americannovel, Hollywood, and British and American rock music which leadsus to redefine our concept of the division between "high" and "low"culture. A stimulating history of high and low culture from DanteAlighieri to Bob Dylan, providing a controversial defence ofpopular culture Seeks to rebut the durable belief that only high culture is‘dialectical’ and popular culture is not by turningTheodor Adorno’s theories on ‘pop’ againstthemselves Presents a critical analysis of three popular traditions: theAmerican novel, Hollywood, and British and American rock music Offers an original account of Bob Dylan as an example of howthe distinction between high and low culture is highlyproblematic A provocative book for any student, scholar or general reader,who is interested in popular culture
Author: Sarah R. bin Tyeer
Publisher: Springer
ISBN: 1137598751
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This book approaches the Qur’an as a primary source for delineating the definition of ugliness, and by extension beauty, and in turn establishing meaningful tools and terms for literary criticism within the discipline of classical Arabic literature (adab). Focusing on the aesthetic dimension of the Qur’an, this methodology opens up new horizons for reading adab by reading the tradition from within the tradition and thereby examining issues of “decontextualisation” and the “untranslatable.” This approach, in turn, invites Comparatists, as well as Arabists, to consider other means and perspectives for approaching adab besides the Bakhtinian carnival. Applying this critical strategy to literary works as diverse as One Thousand and One Nights and The Epistle of Forgiveness, Sarah R. bin Tyeer aims to prove two major points: how Bakhtin’s aesthetics is anachronistic and therefore theoretically inappropriate when applied to certain literary works and how ultimately this literary methodology is sometimes used as a proxy for ungrounded and, sometimes, unfair arguments by other scholars. Foreword by Angelika Neuwirth, Professor of Quranic studies, Freie University, Berlin, Germany.
Author: Willie van Peer
Publisher: John Benjamins Publishing
ISBN: 9789027233363
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Evaluation is central to literary studies and has led to an impressive list of publications on the status and history of the canon. Yet it is remarkable how little attention has been given to the role of textual properties in evaluative processes. Most of the chapters in The Quality of Literature redress this issue by dealing with texts or genres ranging from classical antiquity, via Renaissance to twentieth century. They provide a rich textual and historical panorama of how critical debate over literary quality has influenced our modes of thinking and feeling about literature, and how they continue to shape the current literary landscape. Four theoretical chapters reflect on the general state of literary evaluation while the introduction weaves the different threads together aiming at further conceptual clarification. This book thus contributes to a deeper understanding of the problems that are at the heart of past and present debates over literary quality.
Author: Caley Ehnes
Publisher: Edinburgh University Press
ISBN: 147441835X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them.
Author:
Publisher:
ISBN:
Category : Encyclopaedia
Languages : en
Pages : 654
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Book Description
Author: Paula Greathouse
Publisher: Rowman & Littlefield
ISBN: 1475857187
Category : Young Adult Nonfiction
Languages : en
Pages : 183
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Book Description
In the last decade alone, the world has changed in seismic ways as marriage equality has been ruled on by the supreme court, social justice issues such as #metoo and BlackLivesMatter have arisen, and issues of immigration and deportation have come to the forefront of politics across the globe. Thus, there is a need for an updated text that shares strategies for combining canonical and young adult literature that reflects the changes society has – and continues to - experience. The purpose of our collection is to offer secondary (6-12) teachers engaging ideas and approaches for pairing young adult and canonical novels to provide unique examinations of topics that teaching either text in isolation could not afford. Our collection does not center canonical texts and most chapters show how both texts complement each other rather than the young adult text being only an extension of the canonical. Within each volume, the chapters are organized chronologically according to the publication date of the canonical text. The pairings offered in this collection allow for comparisons in some cases, for extensions in others, and for critique in all.
Author: Jill Terry Rudy
Publisher: Routledge
ISBN: 1000092984
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
This concise and accessible critical introduction examines the world of popular fairy-tale television, tracing how fairy tales and their social and cultural implications manifest within series, television events, anthologies, and episodes, and as freestanding motifs. Providing a model of televisual analysis, Rudy and Greenhill emphasize that fairy-tale longevity in general, and particularly on TV, results from malleability—morphing from extremely complex narratives to the simple quotation of a name (like Cinderella) or phrase (like "happily ever after")—as well as its perennial value as a form that is good to think with. The global reach and popularity of fairy tales is reflected in the book’s selection of diverse examples from genres such as political, lifestyle, reality, and science fiction TV. With a select mediagraphy, discussion questions, and detailed bibliography for further study, this book is an ideal guide for students and scholars of television studies, popular culture, and media studies, as well as dedicated fairy-tale fans.
