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Author: David Brackett
Publisher: Oxford University Press, USA
ISBN: 9780199811700
Category : Popular music
Languages : en
Pages : 0
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Book Description
Essays on 20th and 21st century popular music: Irving Berlin, jazz, rhythm and blues, swing, hillbilly, big band, country, rock 'n' roll, folk, soul, funk, Beatles, Rolling Stones, Ray Charles, Jerry Wexler, Little Richard, Elvis Presley, Bob Dylan heavy metal and counterculture, reggae, disco, punk, new wave, Led Zeppelin, Michael Jackson, Madonna, Bruce Springsteen, Aretha Franklin, Janis Joplin, Jimi Hendrix, Joni Mitchell, Stevie Wonder, postpunk, hip hop, rap, indie, alternative, grunge, electronica, boy bands, Lady Gaga.
Author: David Brackett
Publisher: Oxford University Press, USA
ISBN: 9780199811700
Category : Popular music
Languages : en
Pages : 0
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Book Description
Essays on 20th and 21st century popular music: Irving Berlin, jazz, rhythm and blues, swing, hillbilly, big band, country, rock 'n' roll, folk, soul, funk, Beatles, Rolling Stones, Ray Charles, Jerry Wexler, Little Richard, Elvis Presley, Bob Dylan heavy metal and counterculture, reggae, disco, punk, new wave, Led Zeppelin, Michael Jackson, Madonna, Bruce Springsteen, Aretha Franklin, Janis Joplin, Jimi Hendrix, Joni Mitchell, Stevie Wonder, postpunk, hip hop, rap, indie, alternative, grunge, electronica, boy bands, Lady Gaga.
Author: David Brackett
Publisher: New York : Oxford University Press
ISBN: 9780195125702
Category : Music
Languages : en
Pages : 524
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Book Description
Tracing the diverse streams of American popular music from the 1920s to the present, The Pop, Rock, and Soul Reader: Histories and Debates addresses such questions as: How did the musicians who made the music explain it? Who listened to popular music and why? What was the major impression madeby it on society at large? Why do some types of popular music still matter today?In this richly textured and chronologically organized anthology, well-known scholar David Brackett brings together more than 100 readings from a diverse range of sources and by writers who have played an integral part in the development of popular music criticism. He includes articles frommainstream and specialized magazines, scholarly journals, and newspapers, as well as interviews and autobiographies of musicians and other music industry insiders. Representing a wide variety of time periods, styles, and genres--and including groundbreaking criticism on disco, hip-hop, rap, andtechno--the selections introduce students to important social and cultural issues raised by the study of popular music. Topics covered include the role of race, class conflict, gender roles, regional differences in the reception of popular music, and the relative value of artistry versus commerce.Extensive editorial introductions and headnotes supply context for the selections, provide links between different eras and genres, clarify the issues raised by the documents, and explain their historical significance. An ideal text for courses in popular music history, The Pop, Rock, and SoulReader: Histories and Debates will also be of interest in courses on American music, American studies, media studies, history, and sociology.
Author: David Brackett
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 628
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Book Description
The Pop, Rock, and Soul Reader is a collection of readings that traces the evolution of American popular music from the 1920s to the present. Pulling together articles, excerpts, and critical commentary from scholarly journals, popular magazines, newspapers, and biographies, this volume introduces students to important social and cultural issues raised by the study of popular music. Chapter introductions and headnotes supply contextual background for the documents, provide links among different eras and genres, explain the issues raised by the documents, and clarify the cultural and historical importance of the selections.
Author: Motti Regev
Publisher: John Wiley & Sons
ISBN: 0745670903
Category : Music
Languages : en
Pages : 298
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Book Description
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.
Author: Steve Almond
Publisher: Random House
ISBN: 0679603654
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
Author: Tara Brabazon
Publisher: SAGE
ISBN: 1446292266
Category : Social Science
Languages : en
Pages : 298
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Book Description
An incredibly wide-ranging critical account of popular music. The book is an essential resource for all staff and students in the field′ - John Storey, Centre for Research in Media and Cultural Studies, University of Sunderland Organized in accessible sections and covering the main themes of research and teaching it examines: • The key approaches to understanding popular music • The main settings of exchange and consumption • The role of technology in the production of popular music • The main genres of popular music • The key debates of the present day Barbazon writes with verve and penetration. Her approach starts with how most people actually consume music today and transfers this onto the plain of study. The book enables teachers and students to shuffle from one topic to the other whilst providing an unparalleled access the core concepts and issues. As such, it is the perfect study guide for undergraduates located in this exciting and expanding field. Tara Brabazon is Professor of Communication at University of Ontario Institute of Technology (UOIT).
Author: Theo Cateforis
Publisher: Routledge
ISBN: 1136201025
Category : Music
Languages : en
Pages : 417
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Book Description
The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock ‘n’ roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.
Author: Lucy O'Brien
Publisher: A&C Black
ISBN: 0826472087
Category : Music
Languages : en
Pages : 545
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Book Description
Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only was to success been to slot into saleable images of the cute baby or sexy chanteuse? Lucy O'Brien has written the ultimate hands-on history of women in rock, pop, and soul. Billie Holiday, Ella Fitzgerald, Dusty Springfield, Patti Smith, Madonna, Joni Mitchell, whitney Houston, Courtney Love, Alanis Morissette, Destiny's child - all the key names are here. But She Bop II refuses to look at women artists simply as personalities, problems or victims. From dream babes to rock chicks, riot grrrls and ragamuffins, girlpower, Lilith Fair rock and the rise of the corporate diva, She Bop II is the uncompromising story of women as creators and innovators. Lucy O'Brien is the author of two previous books: the bestsellers Annie Lennox (1991) and Dusty (1989). She has contributed to the Guardian, Sunday Times, Observer, Marie Claire, New Musical Express and The Face, and worked extensively in TV and radio, as both guest pundit and producer.
Author: David Brackett
Publisher: Univ of California Press
ISBN: 0520965310
Category : Music
Languages : en
Pages : 376
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Book Description
Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.
Author: Martha Bayles
Publisher: University of Chicago Press
ISBN: 9780226039596
Category : Music
Languages : en
Pages : 466
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Book Description
From Queen Latifa to Count Basie, Madonna to Monk, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defends the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility," Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant mood."
