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Author: Seth Rogoff
Publisher:
ISBN: 9783030747978
Category :
Languages : en
Pages : 0
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Book Description
This book traces the intersection of dreams and power in order to analyze the complex ways representations of dreams and paradigms of dream interpretation reinforce and challenge authoritarian, hierarchical structures. The book puts forward the concept of the dreamscape as a pre-representational space that contains anarchistic attributes, including its instability or chaotic nature and the lack of a stable or core selfhood and identity in its subjects. The book situates this concept of the dreamscape through an analysis of the Daoist notions of the "transformation of things" and hundun (chaos) and the biblical concept of tehom (the deep). Using this conceptual framework, this book analyzes paradigmatic moments of dream interpretation along a spectrum from radical, anarchist assertions of the primal dreamscape to authoritarian dream-texts that seek to reify identity, define and establish hierarchy, and support coercive relationships between unequal subjects. The book's key figures include William Blake, Robert Frost, Jacob and Joseph from Genesis, Sigmund Freud, Carl Jung, Jean Rhys, Franz Kafka, and the neurobiologist J. Allan Hobson Seth Rogoff is a novelist and a scholar of literary and cultural analysis. He is the author of the novels First, the Raven: a Preface (2017) and Thin Rising Vapors (2018). He earned his Ph.D. from the University of Amsterdam's Amsterdam School for Cultural Analysis (ASCA), The Netherlands, and is currently a lecturer in history and English at the University of Southern Maine, USA, and a member of the MFA faculty at Maine College of Art. .
Author: Seth Rogoff
Publisher:
ISBN: 9783030747978
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This book traces the intersection of dreams and power in order to analyze the complex ways representations of dreams and paradigms of dream interpretation reinforce and challenge authoritarian, hierarchical structures. The book puts forward the concept of the dreamscape as a pre-representational space that contains anarchistic attributes, including its instability or chaotic nature and the lack of a stable or core selfhood and identity in its subjects. The book situates this concept of the dreamscape through an analysis of the Daoist notions of the "transformation of things" and hundun (chaos) and the biblical concept of tehom (the deep). Using this conceptual framework, this book analyzes paradigmatic moments of dream interpretation along a spectrum from radical, anarchist assertions of the primal dreamscape to authoritarian dream-texts that seek to reify identity, define and establish hierarchy, and support coercive relationships between unequal subjects. The book's key figures include William Blake, Robert Frost, Jacob and Joseph from Genesis, Sigmund Freud, Carl Jung, Jean Rhys, Franz Kafka, and the neurobiologist J. Allan Hobson Seth Rogoff is a novelist and a scholar of literary and cultural analysis. He is the author of the novels First, the Raven: a Preface (2017) and Thin Rising Vapors (2018). He earned his Ph.D. from the University of Amsterdam's Amsterdam School for Cultural Analysis (ASCA), The Netherlands, and is currently a lecturer in history and English at the University of Southern Maine, USA, and a member of the MFA faculty at Maine College of Art. .
Author: Seth Rogoff
Publisher: Springer Nature
ISBN: 3030747964
Category : Philosophy
Languages : en
Pages : 296
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Book Description
This book traces the intersection of dreams and power in order to analyze the complex ways representations of dreams and paradigms of dream interpretation reinforce and challenge authoritarian, hierarchical structures. The book puts forward the concept of the dreamscape as a pre-representational space that contains anarchistic attributes, including its instability or chaotic nature and the lack of a stable or core selfhood and identity in its subjects. The book situates this concept of the dreamscape through an analysis of the Daoist notions of the “transformation of things” and hundun (chaos) and the biblical concept of tehom (the deep). Using this conceptual framework, this book analyzes paradigmatic moments of dream interpretation along a spectrum from radical, anarchist assertions of the primal dreamscape to authoritarian dream-texts that seek to reify identity, define and establish hierarchy, and support coercive relationships between unequal subjects. The book’s key figures include William Blake, Robert Frost, Jacob and Joseph from Genesis, Sigmund Freud, Carl Jung, Jean Rhys, Franz Kafka, and the neurobiologist J. Allan Hobson
Author: Joseph R. Hartman
Publisher: University of Pittsburgh Press
ISBN: 0822986493
Category : History
Languages : en
Pages : 369
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Book Description
Joseph Hartman focuses on the public works campaign of Cuban president, and later dictator, Gerardo Machado. Political histories often condemn Machado as a US-puppet dictator, overthrown in a labor revolt and popular revolution in 1933. Architectural histories tend to catalogue his regime’s public works as derivatives of US and European models. Dictator’s Dreamscape reassesses the regime’s public works program as a highly nuanced visual project embedded in centuries-old representations of Cuba alongside wider debates on the nature of art and architecture in general, especially in regards to globalization and the spread of US-style consumerism. The cultural production overseen by Machado gives a fresh and greatly broadened perspective on his regime’s accomplishments, failures, and crimes. The book addresses the regime’s architectural program as a visual and architectonic response to debates over Cuban national identity, US imperialism, and Machado’s own cult of personality.
Author: James McNaughton
Publisher: Oxford University Press
ISBN: 0192555502
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II. Archive yields a Beckett who monitored propaganda in speeches and newspapers, and whose creative work engages with specific political strategies, rhetoric, and events. Finally, Beckett's political aesthetic sharpens into focus. Deep within form, Beckett models ominous historical developments as surely as he satirizes artistic and philosophical interpretations that overlook them. He burdens aesthetic production with guilt: imagination and language, theater and narrative, all parallel political techniques. Beckett comically embodies conservative religious and political doctrines; he plays Irish colonial history against contemporary European horrors; he examines aesthetic complicity in effecting atrocity and covering it up. This book offers insightful, original, and vivid readings of Beckett's work up to Three Novels and Endgame.
Author: Douglas Charles Rossinow
Publisher: Columbia University Press
ISBN: 9780231110570
Category : History
Languages : en
Pages : 514
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Book Description
In the 1960s a left-wing movement emerged in the United States that not only crusaded against social and economic exploitation, but also confronted the problem of personal alienation in everyday life. These new radicals - young, white, raised in relative affluence - struggled for peace, equality and social justice. Their struggle was cultural as well as political, a search for meaning and authenticity that marked a new phase in the long history of American radicalism.
Author: Carlo Salzani
Publisher: Peter Lang
ISBN: 9783039118601
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
How to read Walter Benjamin today? This book argues that the proper way is through an approach which recognizes and respects his own peculiar theorization of the act of reading and the politics of interpretation that this entails. The approach must be figural, that is, focused on images, and driven by the notion of actualization. Figural reading, in the very sui generis Benjaminian way, understands figures as constellations, whereby an image of the past juxtaposes them with an image of the present and is thus actualized. To apply this method to Benjamin's own work means first to identify some figures. The book singles out the Flâneur, the Detective, the Prostitute and the Ragpicker, and then sets them alongside a contemporary account of the same figure: the Flâneur in Juan Goytisolo's Landscapes after the Battle (1982), the Detective in Paul Auster's New York Trilogy (1987), the Prostitute in Dacia Maraini's Dialogue between a Prostitute and her Client (1973), and the Ragpicker in Mudrooroo's The Mudrooroo/Müller Project (1993). The book thereby, on the one hand, analyses the politics of reading Benjamin today and, on the other, sets his work against a variety of contemporary aesthetics and politics of interpretation.
Author:
Publisher: BRILL
ISBN: 9004376178
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Legibility in the Age of Signs and Machines offers a compelling reflection on what the notion of legibility entails in a machinic world in which any form of cultural expression – from literary texts, films, artworks and museum exhibits to archives, laws, computer programs and algorithms – necessarily partakes in ever-more complex processes of (mass) mediation. Divided over four clusters focusing on desire, justice, machine and heritage, the chapters in the volume explore what makes something legible or illegible to whom or, indeed, what; the kinds of reading, processing or navigating such il/legibility facilitates or forecloses; and the role critical (media) theory, literary studies and the Humanities in general can play in tackling these and related issues. Contributors: Ernst van Alphen, Anke Bosma, Siebe Bluijs, Sean Cubitt, Colin Davis, Katrine Dirckinck-Holmfeld, David Gauthier, Giovanna Fossati, Isabel Capeloa Gil, Pepita Hesselberth, Yasco Horsman, Janna Houwen, Looi van Kessel, Esther Peeren, Seth Rogoff, Roxana Sarion, Frederik Tygstrup, Inge van de Ven, Ruby de Vos, Peter Verstraten, Tessa de Zeeuw
Author: Kendall H. Brown
Publisher: University of Hawaii Press
ISBN: 9780824819132
Category : Art
Languages : en
Pages : 260
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Book Description
The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history of art objects, The Politics of Reclusion sets out to reconstruct the possible historical context for the interpretive reception and use of Chinese hermit themes within a specific period of Japanese art. In emphasizing the political dimension of aesthetic reclusion, it introduces into the field of Japanese art history a discussion of the politics of aesthetics that characterizes recent work in the field of Japanese literature. By embedding the paintings within the contexts of politics, philosophy, religion, and even gender, this study restores the reflexive relations between the paintings and their culture and, as such, is one of the first extensive intellectual and social histories of Japanese art in a Western language. It is one that will appeal not only to students of art but to those interested in Japanese literature, history, and philosophy.
Author: Richard Calichman
Publisher: Routledge
ISBN: 1136958479
Category : Social Science
Languages : en
Pages : 534
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Book Description
Naoki Sakai is an important and prominent thinker in Asian and cultural studies and his work continues to make itself felt across a broad range of both national and disciplinary borders. Originally finding a home in the otherwise circumscribed field of Japan Studies, Sakai’s writings have succeeded in large part in destabilizing that home, exposing the fragility of its boundaries to an outside that threatens constantly to overwhelm it. Bringing together an expert team of contributors from North America, Europe and Russia, this volume takes the groundbreaking work of Naoki Sakai as its starting point and broadens the scope of Cultural Studies to bridge across philosophy and critical theory. At the same time it explicitly problematizes the putative divide between "Asian" and "Western" research objects and methodologies, and the link between culture and the nation. The Politics of Culture will appeal to upper level undergraduates and graduates in Asian studies, cultural studies, comparative literature and philosophy.
Author: Martina Kessel
Publisher: University of Toronto Press
ISBN: 1442642920
Category : History
Languages : en
Pages : 241
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Book Description
The period between the First World War and the fall of the Berlin Wall is often characterized as the age of extremes--while this era witnessed unprecedented violence and loss of human life, it also saw a surge in humorous entertainment in both democratic and authoritarian societies. The Politics of Humour examines how works such as satirical magazines and comedy films were used both to reaffirm group identity and to exclude those who did not belong. The essays in this collection analyse the political and social context of comedy in Europe and the United States, exploring topics ranging from the shifting targets of ethnic jokes to the incorporation of humour into wartime broadcasting and the uses of satire as a means of resistance. Comedy continues to define the nature of group membership today, and The Politics of Humour offers an intriguing look at how entertainment helped everyday people make sense of the turmoil of the twentieth century.
