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Author: Nicole Shea
Publisher: Peter Lang
ISBN: 9783039110025
Category : History
Languages : en
Pages : 220
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Book Description
Alfred Döblin's Berlin Alexanderplatz is an examination of the gradual disintegration of Germany in the aftermath of the Great War. This study engages the seminal image of the prostitute, the commodified woman, as a central and dominant motif in Döblin's work.
Author: Nicole Shea
Publisher: Peter Lang
ISBN: 9783039110025
Category : History
Languages : en
Pages : 220
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Book Description
Alfred Döblin's Berlin Alexanderplatz is an examination of the gradual disintegration of Germany in the aftermath of the Great War. This study engages the seminal image of the prostitute, the commodified woman, as a central and dominant motif in Döblin's work.
Author:
Publisher: BRILL
ISBN: 9004384251
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Literature as Document considers the relationship between documents and literary texts in Western Literature of the 1930s. More specifically, the volume deals with the notion of the “document” and its multifaceted and complex connections to literary “texts” and attempts to provide answers to the problematic nature of that relationship. In an effort to determine a possible theoretical definition, many different disciplines have been taken into account, as well as individual case studies. In order to observe dynamics and trends, the idea for this investigation was to look at literature, taking its practices, its factual-looking and concrete applications, as a point of departure – that is to say, then, starting from the literary object itself.
Author: Anke Finger
Publisher: University of Michigan Press
ISBN: 0472903675
Category : History
Languages : en
Pages : 373
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Book Description
This collection, for the first time, explores women’s self-conceptions and representations of women’s and gender roles in society in their own Expressionist works. How did women approach themes commonly considered to be characteristic of the Expressionist movement, and did they address other themes or aesthetics and styles not currently represented in the canon? Women in German Expressionism centers its analysis on gender, together with difference, ethnicity, intersectionality, and identity, to approach artworks and texts in more nuanced ways, engaging solidly established theoretical and sociohistorical approaches that enhance and update our understanding of the material under investigation. It moves beyond the masculine, “New Man,” viewpoint so firmly associated with German Expressionism and examines alternative, critical, and divergent interpretations of the changing world at the time. This collection seeks to broaden the theorization, scholarship, and reception of German Expressionism by—much belatedly—including works by women, and by shifting or redefining firmly established concepts and topics carrying only the imprint of male authors and artists to this day.
Author: Gisela Brinker-Gabler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110646102
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This volume explores the rich, evolving body of contemporary cultural practices that reflect on a European project of diversity, new dynamics between and across cultures in Europe, and its interactions with the world. There have been calls across Europe for both traditional national identities and new forms of identity and community, assertions of regionalized identity and declarations of multiculturalism and multilingualism. These essays respond to this critical moment by analyzing the literature of migration as a (re)writing of European subjects. They ask fundamental questions from a variety of theoretical and critical standpoints: How do migrants write new identities into and against old national (meta)narratives? How do they interrogate constructions of identity? What kinds of literary experiments are emerging in this unstable context, e.g. in the graphic novel and avant-garde film? This collection makes a unique contribution to contemporary European literary studies by taking an interdisciplinary, transnational and comparative perspective, thereby addressing readers from diverse disciplinary backgrounds and stimulating new research on the ambitious writing and thinking taking place across the borders of Europe today.
Author: Theresa M. Ganter
Publisher: Peter Lang
ISBN: 9783039110483
Category : Drama
Languages : en
Pages : 460
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Book Description
Theresa M. Ganter investigates Heiner Muller's use of the Geschichtsdrama as a tool in his search for post-World War II and post-reunification German identity in 'Germania Tod in Berlin' (1956/1971) and 'Germania 3 Gespenster am Toten Mann' (1996), respectively.
Author: Colin Storer
Publisher: Bloomsbury Publishing
ISBN: 0857733559
Category : History
Languages : en
Pages : 265
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Book Description
It is impossible to understand the history of modern Europe without some knowledge of the Weimar Republic. The brief fourteen-year period of democracy between the Treaty of Versailles and the advent of the Third Reich was marked by unstable government, economic crisis and hyperinflation and the rise of extremist political movements. At the same time, however, a vibrant cultural scene flourished, which continues to influence the international art world through the aesthetics of Expressionism and the Bauhaus movement. In the fields of art, literature, theatre, cinema, music and architecture – not to mention science – Germany became a world leader during the 1920s, while her perilous political and economic position ensured that no US or European statesman could afford to ignore her. Incorporating original research and a synthesis of the existing historiography, this book will provide students and a general readership with a clear and concise introduction to the history of the first German Republic.
Author: Hester Baer
Publisher: Bloomsbury Publishing
ISBN: 135037007X
Category : Art
Languages : en
Pages : 350
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Book Description
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture. Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
Author: Molly Loberg
Publisher:
ISBN: 1108417647
Category : History
Languages : en
Pages : 341
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Book Description
Contests over Berlin's streets in the interwar period reveal the fragility of consumer capitalism, urban order, and liberal democracy.
Author: Christiane F.
Publisher: Zest Books ™
ISBN: 1541582187
Category : Young Adult Nonfiction
Languages : en
Pages : 408
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Book Description
This incredible autobiography of Christiane F. provides a vivid portrait of teen friendship, drug abuse, and alienation in and around Berlin's notorious Zoo Station. Christiane's rapid descent into heroin abuse and prostitution is shocking, but the boredom, longing for acceptance, thrilling risks, and even her musical obsessions are familiar to everyone. Previously published in Germany and the US to critical acclaim, Zest's new translation includes original photographs of Christiane and her friends.
Author: Maria Tatar
Publisher: Princeton University Press
ISBN: 0691216215
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.
