Author: Donna M. Binkiewicz
Publisher: Univ of North Carolina Press
ISBN: 0807863262
Category : Political Science
Languages : en
Pages : 316
Book Description
The National Endowment for the Arts is often accused of embodying a liberal agenda within the American government. In Federalizing the Muse, Donna Binkiewicz assesses the leadership and goals of Presidents Kennedy through Carter, as well as Congress and the National Council on the Arts, drawing a picture of the major players who created national arts policy. Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA's origins in the Cold War era colored arts policy with a distinctly moderate undertone. Binkiewicz's study of visual arts grants reveals that NEA officials promoted a modernist, abstract aesthetic specifically because they believed such a style would best showcase American achievement and freedom. This initially led them to neglect many contemporary art forms they feared could be perceived as politically problematic, such as pop, feminist, and ethnic arts. The agency was not able to balance its funding across a variety of art forms before facing serious budget cutbacks. Binkiewicz's analysis brings important historical perspective to the perennial debates about American art policy and sheds light on provocative political and cultural issues in postwar America.
Federalizing the Muse
Author: Donna M. Binkiewicz
Publisher: Univ of North Carolina Press
ISBN: 0807863262
Category : Political Science
Languages : en
Pages : 316
Book Description
The National Endowment for the Arts is often accused of embodying a liberal agenda within the American government. In Federalizing the Muse, Donna Binkiewicz assesses the leadership and goals of Presidents Kennedy through Carter, as well as Congress and the National Council on the Arts, drawing a picture of the major players who created national arts policy. Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA's origins in the Cold War era colored arts policy with a distinctly moderate undertone. Binkiewicz's study of visual arts grants reveals that NEA officials promoted a modernist, abstract aesthetic specifically because they believed such a style would best showcase American achievement and freedom. This initially led them to neglect many contemporary art forms they feared could be perceived as politically problematic, such as pop, feminist, and ethnic arts. The agency was not able to balance its funding across a variety of art forms before facing serious budget cutbacks. Binkiewicz's analysis brings important historical perspective to the perennial debates about American art policy and sheds light on provocative political and cultural issues in postwar America.
Publisher: Univ of North Carolina Press
ISBN: 0807863262
Category : Political Science
Languages : en
Pages : 316
Book Description
The National Endowment for the Arts is often accused of embodying a liberal agenda within the American government. In Federalizing the Muse, Donna Binkiewicz assesses the leadership and goals of Presidents Kennedy through Carter, as well as Congress and the National Council on the Arts, drawing a picture of the major players who created national arts policy. Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA's origins in the Cold War era colored arts policy with a distinctly moderate undertone. Binkiewicz's study of visual arts grants reveals that NEA officials promoted a modernist, abstract aesthetic specifically because they believed such a style would best showcase American achievement and freedom. This initially led them to neglect many contemporary art forms they feared could be perceived as politically problematic, such as pop, feminist, and ethnic arts. The agency was not able to balance its funding across a variety of art forms before facing serious budget cutbacks. Binkiewicz's analysis brings important historical perspective to the perennial debates about American art policy and sheds light on provocative political and cultural issues in postwar America.
Democracy's Muse
Author: Andrew Burstein
Publisher: University of Virginia Press
ISBN: 081393723X
Category : History
Languages : en
Pages : 333
Book Description
In political speech, Thomas Jefferson is the eternal flame. No other member of the founding generation has served the agendas of both Left and Right with greater vigor. When Franklin Roosevelt dedicated the iconic Jefferson Memorial on the founder’s two hundredth birthday, in 1943, he declared the triumph of liberal humanism. Harry Truman claimed Jefferson as his favorite president, too. And yet Ronald Reagan was as great a Jefferson admirer as any Democrat. He had a go-to file of Jefferson’s sayings and enshrined him as a small-government conservative. So, who owns Jefferson--the Left or the Right? The unknowable yet irresistible third president has had a tortuous afterlife, and he remains a fixture in today’s culture wars. Pained by Jefferson’s slaveholding, Democrats still regard him highly. Until recently he was widely considered by many African Americans to be an early abolitionist. Libertarians adore him for his inflexible individualism, and although he formulated the doctrine of separation of church and state, Christian activists have found intense religiosity between the lines in his pronouncements. The renowned Jefferson scholar Andrew Burstein lays out the case for both "Democrat" and "Republican" Jefferson as he interrogates history’s greatest shape-shifter, the founder who has inspired perhaps the strongest popular emotions. In this timely and powerful book, Burstein shares telling insights, as well as some inconvenient truths, about politicized Americans and their misappropriations of the past, including the concoction of a "Jeffersonian" stance on issues that Jefferson himself could never have imagined. Here is one book that is more about "us" than it is about Jefferson. It explains how the founding generation’s most controversial partisan became essential to America’s quest for moral security—how he became, in short, democracy’s muse.
Publisher: University of Virginia Press
ISBN: 081393723X
Category : History
Languages : en
Pages : 333
Book Description
In political speech, Thomas Jefferson is the eternal flame. No other member of the founding generation has served the agendas of both Left and Right with greater vigor. When Franklin Roosevelt dedicated the iconic Jefferson Memorial on the founder’s two hundredth birthday, in 1943, he declared the triumph of liberal humanism. Harry Truman claimed Jefferson as his favorite president, too. And yet Ronald Reagan was as great a Jefferson admirer as any Democrat. He had a go-to file of Jefferson’s sayings and enshrined him as a small-government conservative. So, who owns Jefferson--the Left or the Right? The unknowable yet irresistible third president has had a tortuous afterlife, and he remains a fixture in today’s culture wars. Pained by Jefferson’s slaveholding, Democrats still regard him highly. Until recently he was widely considered by many African Americans to be an early abolitionist. Libertarians adore him for his inflexible individualism, and although he formulated the doctrine of separation of church and state, Christian activists have found intense religiosity between the lines in his pronouncements. The renowned Jefferson scholar Andrew Burstein lays out the case for both "Democrat" and "Republican" Jefferson as he interrogates history’s greatest shape-shifter, the founder who has inspired perhaps the strongest popular emotions. In this timely and powerful book, Burstein shares telling insights, as well as some inconvenient truths, about politicized Americans and their misappropriations of the past, including the concoction of a "Jeffersonian" stance on issues that Jefferson himself could never have imagined. Here is one book that is more about "us" than it is about Jefferson. It explains how the founding generation’s most controversial partisan became essential to America’s quest for moral security—how he became, in short, democracy’s muse.
The Visual Is Political
Author: Na'ama Klorman-Eraqi
Publisher: Rutgers University Press
ISBN: 1978800312
Category : Art
Languages : en
Pages : 231
Book Description
This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance.
Publisher: Rutgers University Press
ISBN: 1978800312
Category : Art
Languages : en
Pages : 231
Book Description
This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance.
The Maecenas and the Madrigalist
Author: Anthony M. Cummings
Publisher: American Philosophical Society
ISBN: 9780871692535
Category : Art
Languages : en
Pages : 306
Book Description
Musicologists are increasingly focusing upon less formal private "institutions" and traditions of patronage: informal acad. and soc, the activities of individuals, and convivial aristocratic co. Early 16th-cent. Florence was characterized by the practices of a series of these vital institutions. Such informal institutions had considerable virtues as agents of patronage; their less routinized practices freed them to engage in experimentation that the more formal institutions would not support. This study reconstructs the memberships, cultural activities, and musical exper. of these informal Florentine institutions and relates them to the emergence of the madrigal, the foremost musical genre of early-modern Europe. Richly illus. with visual materials and musical examples.
Publisher: American Philosophical Society
ISBN: 9780871692535
Category : Art
Languages : en
Pages : 306
Book Description
Musicologists are increasingly focusing upon less formal private "institutions" and traditions of patronage: informal acad. and soc, the activities of individuals, and convivial aristocratic co. Early 16th-cent. Florence was characterized by the practices of a series of these vital institutions. Such informal institutions had considerable virtues as agents of patronage; their less routinized practices freed them to engage in experimentation that the more formal institutions would not support. This study reconstructs the memberships, cultural activities, and musical exper. of these informal Florentine institutions and relates them to the emergence of the madrigal, the foremost musical genre of early-modern Europe. Richly illus. with visual materials and musical examples.
Pain
Author: Keith Wailoo
Publisher: JHU Press
ISBN: 1421413663
Category : Political Science
Languages : en
Pages : 295
Book Description
Pain touches sensitive nerves in American liberalism, conservatism, and political life. In this history of American political culture, Keith Wailoo examines how pain has defined the line between liberals and conservatives from just after World War II to the present. From disabling pain to end-of-life pain to fetal pain, the battle over whose pain is real and who deserves relief has created stark ideological divisions at the bedside, in politics, and in the courts. Beginning with the return of soldiers after World War II and fierce medical and political disagreements about whether pain constitutes a true disability, Wailoo explores the 1960s rise of an expansive liberal pain standard along with the emerging conviction that subjective pain was real, disabling, and compensable. These concepts were attacked during the Reagan era, when a conservative backlash led to diminished disability aid and an expanding role of courts as arbiters in the politicized struggle to define pain. New fronts in pain politics opened nationwide as advocates for death with dignity insisted that end-of-life pain warranted full relief, while the religious right mobilized around fetal pain. The book ends with the 2003 OxyContin arrest of conservative talk show host Rush Limbaugh, a cautionary tale about deregulation and the widening gaps between the overmedicated and the undertreated.
Publisher: JHU Press
ISBN: 1421413663
Category : Political Science
Languages : en
Pages : 295
Book Description
Pain touches sensitive nerves in American liberalism, conservatism, and political life. In this history of American political culture, Keith Wailoo examines how pain has defined the line between liberals and conservatives from just after World War II to the present. From disabling pain to end-of-life pain to fetal pain, the battle over whose pain is real and who deserves relief has created stark ideological divisions at the bedside, in politics, and in the courts. Beginning with the return of soldiers after World War II and fierce medical and political disagreements about whether pain constitutes a true disability, Wailoo explores the 1960s rise of an expansive liberal pain standard along with the emerging conviction that subjective pain was real, disabling, and compensable. These concepts were attacked during the Reagan era, when a conservative backlash led to diminished disability aid and an expanding role of courts as arbiters in the politicized struggle to define pain. New fronts in pain politics opened nationwide as advocates for death with dignity insisted that end-of-life pain warranted full relief, while the religious right mobilized around fetal pain. The book ends with the 2003 OxyContin arrest of conservative talk show host Rush Limbaugh, a cautionary tale about deregulation and the widening gaps between the overmedicated and the undertreated.
The Politics of Presidential Appointments
Author: David E. Lewis
Publisher: Princeton University Press
ISBN: 1400837685
Category : Political Science
Languages : en
Pages : 311
Book Description
In the wake of Hurricane Katrina, many questioned whether the large number of political appointees in the Federal Emergency Management Agency contributed to the agency's poor handling of the catastrophe, ultimately costing hundreds of lives and causing immeasurable pain and suffering. The Politics of Presidential Appointments examines in depth how and why presidents use political appointees and how their choices impact government performance--for better or worse. One way presidents can influence the permanent bureaucracy is by filling key posts with people who are sympathetic to their policy goals. But if the president's appointees lack competence and an agency fails in its mission--as with Katrina--the president is accused of employing his friends and allies to the detriment of the public. Through case studies and cutting-edge analysis, David Lewis takes a fascinating look at presidential appointments dating back to the 1960s to learn which jobs went to appointees, which agencies were more likely to have appointees, how the use of appointees varied by administration, and how it affected agency performance. He argues that presidents politicize even when it hurts performance--and often with support from Congress--because they need agencies to be responsive to presidential direction. He shows how agency missions and personnel--and whether they line up with the president's vision--determine which agencies presidents target with appointees, and he sheds new light on the important role patronage plays in appointment decisions.
Publisher: Princeton University Press
ISBN: 1400837685
Category : Political Science
Languages : en
Pages : 311
Book Description
In the wake of Hurricane Katrina, many questioned whether the large number of political appointees in the Federal Emergency Management Agency contributed to the agency's poor handling of the catastrophe, ultimately costing hundreds of lives and causing immeasurable pain and suffering. The Politics of Presidential Appointments examines in depth how and why presidents use political appointees and how their choices impact government performance--for better or worse. One way presidents can influence the permanent bureaucracy is by filling key posts with people who are sympathetic to their policy goals. But if the president's appointees lack competence and an agency fails in its mission--as with Katrina--the president is accused of employing his friends and allies to the detriment of the public. Through case studies and cutting-edge analysis, David Lewis takes a fascinating look at presidential appointments dating back to the 1960s to learn which jobs went to appointees, which agencies were more likely to have appointees, how the use of appointees varied by administration, and how it affected agency performance. He argues that presidents politicize even when it hurts performance--and often with support from Congress--because they need agencies to be responsive to presidential direction. He shows how agency missions and personnel--and whether they line up with the president's vision--determine which agencies presidents target with appointees, and he sheds new light on the important role patronage plays in appointment decisions.
Intimate Politics
Author: Sara L. Friedman
Publisher: BRILL
ISBN: 1684174333
Category : Social Science
Languages : en
Pages : 374
Book Description
"On a visit to eastern Hui’an in 1994, Sara Friedman was surprised to see a married woman reluctant to visit her conjugal home. The author would soon learn that this practice was typical of the area, along with distinctive female dress styles, gender divisions of labor, and powerful same-sex networks. These customs, she would learn, have long distinguished villages in this coastal region of southeastern China from other rural Han communities. Intimate Politics explores these practices that have constituted eastern Hui’an residents, women in particular, as an anomaly among rural Han. This book asks what such practices have come to mean in a post-1949 socialist order that has incorporated forms of marriage, labor, and dress into a developmental scale extending from the primitive to the civilized. Government reform campaigns were part of a wholesale effort to remake Chinese society by replacing its “feudal” elements with liberated socialist ideals and practices. As state actors became involved in the intimate aspects of Huidong women’s lives, their official models of progress were challenged by the diversity of local practices and commitment of local residents. These politicized entanglements have generated what the author calls “intimate politics,” a form of embodied struggle in which socialist civilizing agendas—from the state-sponsored reforms of the Maoist decades to the market-based “reform and opening” of the post-Mao era—have been formulated, contested, and, in some cases, transformed through the bodies and practices of local women."
Publisher: BRILL
ISBN: 1684174333
Category : Social Science
Languages : en
Pages : 374
Book Description
"On a visit to eastern Hui’an in 1994, Sara Friedman was surprised to see a married woman reluctant to visit her conjugal home. The author would soon learn that this practice was typical of the area, along with distinctive female dress styles, gender divisions of labor, and powerful same-sex networks. These customs, she would learn, have long distinguished villages in this coastal region of southeastern China from other rural Han communities. Intimate Politics explores these practices that have constituted eastern Hui’an residents, women in particular, as an anomaly among rural Han. This book asks what such practices have come to mean in a post-1949 socialist order that has incorporated forms of marriage, labor, and dress into a developmental scale extending from the primitive to the civilized. Government reform campaigns were part of a wholesale effort to remake Chinese society by replacing its “feudal” elements with liberated socialist ideals and practices. As state actors became involved in the intimate aspects of Huidong women’s lives, their official models of progress were challenged by the diversity of local practices and commitment of local residents. These politicized entanglements have generated what the author calls “intimate politics,” a form of embodied struggle in which socialist civilizing agendas—from the state-sponsored reforms of the Maoist decades to the market-based “reform and opening” of the post-Mao era—have been formulated, contested, and, in some cases, transformed through the bodies and practices of local women."
Music and Ceremony at the Court of Charles V
Author: Mary Tiffany Ferer
Publisher: Boydell Press
ISBN: 1843836998
Category : Art
Languages : en
Pages : 322
Book Description
'Music and Ceremony' reconstructs musical life at the court of Charles V, examining the compositions which emanated from the court, the ordinances which prescribed ritual and ceremony, and the Emperor's prestigious chapel which reflected his power and influence.
Publisher: Boydell Press
ISBN: 1843836998
Category : Art
Languages : en
Pages : 322
Book Description
'Music and Ceremony' reconstructs musical life at the court of Charles V, examining the compositions which emanated from the court, the ordinances which prescribed ritual and ceremony, and the Emperor's prestigious chapel which reflected his power and influence.
The Politicized Muse
Author: Anthony M. Cummings
Publisher: Princeton University Press
ISBN: 1400872731
Category : Music
Languages : en
Pages : 281
Book Description
During the years between the restoration of the Medici to Florence and the election of Cosimo I, the Medici family sponsored a series of splendid public festivals, reconstructed here by Anthony M. Cummings. Cummings has utilized unexpectedly rich sources of information about the musical life of the time in contemporary narrative accounts of these occasions—histories, diaries, and family memoirs. In this interdisciplinary work, he explains how the festivals combined music with art and literature to convey political meanings to Florentine observers. As analyzed by Cummings, the festivals document the political transformation of the city in the crucial era that witnessed the end of the Florentine republic and the beginnings of the Medici principate. This book will interest all students of the life and institutions of sixteenth-century Florence and of the Medici family. In addition, the author furnishes new evidence about the contexts for musical performances in early modern Europe. By describing such contexts, he ascertains much about how music was performed and how it sounded in this period of music history and shows that the modes of musical expression were more varied than is suggested by the relatively few surviving examples of actual pieces of music. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400872731
Category : Music
Languages : en
Pages : 281
Book Description
During the years between the restoration of the Medici to Florence and the election of Cosimo I, the Medici family sponsored a series of splendid public festivals, reconstructed here by Anthony M. Cummings. Cummings has utilized unexpectedly rich sources of information about the musical life of the time in contemporary narrative accounts of these occasions—histories, diaries, and family memoirs. In this interdisciplinary work, he explains how the festivals combined music with art and literature to convey political meanings to Florentine observers. As analyzed by Cummings, the festivals document the political transformation of the city in the crucial era that witnessed the end of the Florentine republic and the beginnings of the Medici principate. This book will interest all students of the life and institutions of sixteenth-century Florence and of the Medici family. In addition, the author furnishes new evidence about the contexts for musical performances in early modern Europe. By describing such contexts, he ascertains much about how music was performed and how it sounded in this period of music history and shows that the modes of musical expression were more varied than is suggested by the relatively few surviving examples of actual pieces of music. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Musica Franca
Author: Irene Alm
Publisher: Pendragon Press
ISBN: 9780945193920
Category : Juvenile Nonfiction
Languages : en
Pages : 680
Book Description
Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Pendragon Press
ISBN: 9780945193920
Category : Juvenile Nonfiction
Languages : en
Pages : 680
Book Description
Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR