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Author: Mohamed Rhounan
Publisher: GRIN Verlag
ISBN: 3668103887
Category : Literary Collections
Languages : en
Pages : 17
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Book Description
Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2.0, University of Wuppertal, language: English, abstract: The thesis of my work is that pop music can be used as a medium of political messages. But what is actually pop music? Can this genre be used to spread a political message? And why is the influence of the media so important in this case? In the following I will introduce the phenomenon of pop music and try to give a definition. Furthermore I will discuss the question whether the lyrics of pop music can be considered as poetry or not. After that we take a closer look on a model that illustrates the relation between pop culture and politics. At the end of my work I will discuss the political role of pop music with the help of the famous song “They don’t really care about us” by Michael Jackson. Everybody knows pop music. It is a genre of popular music that found its way into the Western world during the 1950s and 1960s deriving from rock and roll. Its big influence in the Western world is quit remarkable. It is so remarkable that when it comes to the definition of what music in general is people start to think automatically about Pop music. This genre has become one of the most influential music forms in the world. But still there are songs like “They don’t really care about us” from Michael Jackson that show the political side of Pop music. The pop culture is a voice that communicates within the mainstream of the Western culture. It contains ideas, perspectives and attitudes towards the everyday lives of the society.
Author: Mohamed Rhounan
Publisher: GRIN Verlag
ISBN: 3668103887
Category : Literary Collections
Languages : en
Pages : 17
Get Book Here
Book Description
Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2.0, University of Wuppertal, language: English, abstract: The thesis of my work is that pop music can be used as a medium of political messages. But what is actually pop music? Can this genre be used to spread a political message? And why is the influence of the media so important in this case? In the following I will introduce the phenomenon of pop music and try to give a definition. Furthermore I will discuss the question whether the lyrics of pop music can be considered as poetry or not. After that we take a closer look on a model that illustrates the relation between pop culture and politics. At the end of my work I will discuss the political role of pop music with the help of the famous song “They don’t really care about us” by Michael Jackson. Everybody knows pop music. It is a genre of popular music that found its way into the Western world during the 1950s and 1960s deriving from rock and roll. Its big influence in the Western world is quit remarkable. It is so remarkable that when it comes to the definition of what music in general is people start to think automatically about Pop music. This genre has become one of the most influential music forms in the world. But still there are songs like “They don’t really care about us” from Michael Jackson that show the political side of Pop music. The pop culture is a voice that communicates within the mainstream of the Western culture. It contains ideas, perspectives and attitudes towards the everyday lives of the society.
Author: Joseph Vogel
Publisher: Vintage
ISBN: 0525566589
Category : Biography & Autobiography
Languages : en
Pages : 368
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Book Description
For half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in nearly every corner of the world, however, they have rarely been given serious critical attention. The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with the collaborators, engineers, producers, and songwriters who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals the inspirations, demos, studio sessions, technological advances, setbacks and breakthroughs, failures and triumphs, that gave rise to an immortal body of work.
Author: Benjamin S. Schoening
Publisher: Lexington Books
ISBN: 0739172999
Category : Political Science
Languages : en
Pages : 313
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Book Description
In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns.
Author: Joseph Vogel
Publisher: Blakevision Books
ISBN: 9780981650678
Category : Music
Languages : en
Pages : 130
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Book Description
FULLY REVISED AND UPDATED! Released in 1995, Michael Jackson s "Earth Song" was in many ways anachronistic. In both theme and sound, it was like nothing else on the radio. It defied the cynicism and apathy of Generation X. It challenged the aesthetic expectations for a pop song or even a protest song, fusing blues, opera, rock and gospel. It demanded conscience in an era of corporate greed, genocide and environmental indifference. A massive hit around the world (reaching #1 in over fifteen countries), it wasn t even offered as a single in the United States. Yet nearly eighteen years later, this six-and-a-half minute lamentation stands as one of Jackson s greatest artistic achievements. In this groundbreaking monograph, author Joseph Vogel -- who filmmaker Spike Lee praised as having "brilliantly cracked the DNA" of Jackson's work -- details the song s evolution from its inception in Vienna in 1988, to never-before-heard stories from the recording studio, to its controversial release and reception, to Jackson s final live performance in Munich in 1999. Based on original research, including interviews with the song s key participants, Earth Song: Inside Michael Jackson s Magnum Opus offers a fascinating reassessment of this timeless work of art.
Author: Manuela Caiani
Publisher: Springer Nature
ISBN: 303118579X
Category : Social Science
Languages : en
Pages : 297
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Book Description
This book launches a proposal: to fill some empirical and theoretical gaps that presently exists in populism studies by looking at the potential nexus between populist phenomena and popular culture. It provides a detailed account of the multiple mechanisms linking the production of pop music (as a form of popular culture) to the rise and reproduction of populism. The authors use a case study of Italy to interrogate these mechanisms because of its long-lasting populist phenomena and the contextual importance of pop music. The book’s mixed-methods strategy assesses three different aspects of the potential relationship between pop music and populist politics: the cultural opportunity structure generated and reproduced by the production of music, the strategies political actors use to exploit music for political purposes, and, crucially, the ways fans and ordinary citizens understand the relationship between pop music and politics, and subsequent debates and identities. Moving from the case study, the book in its last chapter offers a more general understanding of the associations between pop music and populism.
Author: Elizabeth Amisu
Publisher: Bloomsbury Publishing USA
ISBN: 1440838658
Category : Music
Languages : en
Pages : 385
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Book Description
An essential companion to Michael Jackson's music, films, and books, this work offers 21 original, academic essays on all things Jackson-from film, music, and dance to fashion, culture, and literature. Going well beyond the average celebrity biography, this comprehensive book looks at why Jackson is regarded as one of the most important musicians of our time, offering insights into every facet of his art, life, and artistic afterlife. It looks at the methods by which his work was created, presented, received, and appropriated; discusses Jackson's varied personas along with his public and private appearances, albums, conceptual art, short films, and dance; and considers his use of costume, makeup, and reinvention. To help readers understand the phenomenon that was-and is-Michael Jackson, the book focuses on Jackson's historical context through an analysis of his films, songs, and books, examining him as an artist and shedding light on the political and ideological debates that surrounded him. Not shying away from the controversial aspects of Jackson's life and legacy, it also tackles questions of sexuality and racism, gender, and class, comparing Jackson to artists ranging from J. S. Bach to Andy Warhol. Through its examination of Jackson's entire catalog, the work connects all the aspects of his art and life to exemplify-and explain-the performer's unparalleled influence in the 20th and 21st centuries.
Author: Simon Frith
Publisher: Manchester University Press
ISBN: 9780719028793
Category : Ethnomusicology
Languages : en
Pages : 244
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Book Description
Twelve essays study the commercialization of ethnic music for markets in the developed world, and the impact on local music and performers in the third world. Drawing on a number of academic disciplines, and music from, among other places, West Africa, Indonesia, Slovenia, Colombia, Israel, and Cuba, the contributors challenge both traditional and progressive assumptions about music. No index. Distributed by St. Martins Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stan Hawkins
Publisher: Routledge
ISBN: 135154909X
Category : Music
Languages : en
Pages : 210
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Book Description
The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient. The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom. Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs.
Author: Michael Ryan Garey
Publisher:
ISBN:
Category : Critical theory
Languages : en
Pages : 126
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Book Description
The dynamic process of producing and consuming commodities shapes not only individuals but also their relations with each other and their societies. Although popular culture theorists have often attributed to popular music the effect of securing the consent of subordinated people for their own domination, Michael Jackson's pop music has the opposite effect: it opens up dominant norms to critique and allows consumers to see the ideological relations portrayed in music as constructs rather than as normal or natural. While several of the songs on Jackson's Bad subvert dominant norms, some of the songs try to sustain the fixity of the relationships they portray, and thus work to appropriate Jackson's suvbersions into the service of dominant ideologies. Yet Jackson's embodied responses to such appropriations make clear the subversive and political power of the body to disrupt the unquestioned (re)production of dominant culture.
Author: Andrew F. Cooper
Publisher: Routledge
ISBN: 1317262719
Category : Political Science
Languages : en
Pages : 177
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Book Description
Time magazine named Bono and Bill and Melinda Gates their "Persons of the Year." The United Nations tapped Angelina Jolie as a goodwill ambassador. Bob Geldof organized the Live8 concert to push the G8 leaders' summit on AIDS and debt relief. What has come to be called "celebrity diplomacy" attracts wide media attention, significant money, and top official access around the world. But is this phenomenon just the latest fad? Are celebrities dabbling in an arena that is out of their depth, or are they bringing justified notice to important problems that might otherwise languish on the crowded international diplomatic scene? This book is the first to examine celebrity diplomacy as a serious global project with important implications, both positive and negative. Intended for readers who might not normally read about celebrities, it will also attract audiences often turned off by international affairs. Celebrities bring optimism and "buzz" to issues that seem deep and gloomy. Even if their lofty goals remain elusive, when celebrities speak, other actors in the global system listen.
