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Author:
Publisher: Rodopi
ISBN: 9401212090
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
The present “turn to religion” has also meant a rekindled interest in transcendence, a concept once deemed a relic of a metaphysical past. This volume approaches transcendence from a particular perspective: that of language and literature seen as a matrix of expression of transcendence and its interplay of immanence. The essays in this volume probe the poetic and literary devices through which transcendence has been solicited, evoked, and generated. This has also meant revisiting the long Christian tradition, not simply to rehabilitate it but as an indispensable source for present writing and thinking. “Thus, ultimately, the present anthology offers no apology for traditional views of transcendence and religious experience but presents original contributions to the poetics of transcendence that are sensitive to religious as well as a-religious languages in literature. It is argued that, in order to rethink meanings and the value of transcendence, rigorous ontological philosophy must once again face up to the imaginative potential of poetics.” (From the Introduction)
Author:
Publisher: Rodopi
ISBN: 9401212090
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
The present “turn to religion” has also meant a rekindled interest in transcendence, a concept once deemed a relic of a metaphysical past. This volume approaches transcendence from a particular perspective: that of language and literature seen as a matrix of expression of transcendence and its interplay of immanence. The essays in this volume probe the poetic and literary devices through which transcendence has been solicited, evoked, and generated. This has also meant revisiting the long Christian tradition, not simply to rehabilitate it but as an indispensable source for present writing and thinking. “Thus, ultimately, the present anthology offers no apology for traditional views of transcendence and religious experience but presents original contributions to the poetics of transcendence that are sensitive to religious as well as a-religious languages in literature. It is argued that, in order to rethink meanings and the value of transcendence, rigorous ontological philosophy must once again face up to the imaginative potential of poetics.” (From the Introduction)
Author: James W. Hood
Publisher: Routledge
ISBN:
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
From the author's introduction: The title of this book contains a double entendre: its chapters look both at attempts to perfect desire in divine fashion and at the means by which Tennyson's poems try to divine' the nature of desire itself. The author argues that Tennyson's poems, his character
Author: Justus George Lawler
Publisher: Burns & Oates
ISBN:
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
New revision of the work originally published in 1979 by Yale University Press. Annotation copyright by Book News, Inc., Portland, OR
Author: James W. Hood
Publisher: Routledge
ISBN: 9780367888220
Category :
Languages : en
Pages : 224
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Book Description
This study examines Tennyson's portrayals of the erotic and creative impulses, reading the poet's ubiquitous lover-artists as tropes that figure the desire for transcending the state of being human, a condition of personal fragmentation and limited knowledge. Ostensibly seeking to fulfill erotic wishes, construct utopias, or create grand artistic works, Tennyson's characters engage in a fundamentally spiritual quest, yearning to divine desire: to eternalize the fulfilment of their deepest wishes. Freud revealed how Victorians sublimated sexual desire into religious impulse. This book demonstrates, however, the remarkable way in which Tennyson's poems transact the opposing projection, transfiguring spiritual desire into erotic art. Brilliantly negotiating a middle ground between scientific skepticism and reactionary religiosity, his vastly popular poems suggest that fulfilment of "the wish too strong for words to name" lies in a sacramentality: only as means do art and eros allow transport beyond fragmentation. At a deep level, the poems conclude that language itself brokers transcendence through its very brokenness.
Author: Simon Wortmann
Publisher: GRIN Verlag
ISBN: 3640893700
Category : Literary Criticism
Languages : en
Pages : 7
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Book Description
Essay from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 2.0, Christian-Albrechts-University of Kiel (Englisches Seminar), course: Concepts and Methodologies: Introducing Poetry, language: English, abstract: The following essay describes in how far William Wordsworth presents a poets longing for transcendence in the poem "I wandered lonely as a cloud". Special attention was given to the function of imagery as well as the relation between form and content, and the metrical and rythmical patterns used.
Author: Kathryn M. Grossman
Publisher: SIU Press
ISBN: 9780809318896
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
In this first book-length study of Les Misérables, Kathryn M. Grossman, with an authoritative command of Hugo’s work and Hugo criticism, situates the novelist’s masterpiece in relation both to his earlier novels—up to and including Notre-Dame de Paris— and to the poetry published during his exile under the Second Empire. Drawing on Paul Ricoeur’s theory of metaphor and on Thomas Weiskel’s analysis of the romantic sublime, Grossman illustrates how the novel’s motifs and structures correspond to a closely connected set of ethical, spiritual, political, and aesthetic concerns. The religious motifs in Les Misérables identify the sublime not just with utopian ideals (and the overthrow of Napoleon III’s grotesque Second Empire) but with artistic death and resurrection. Examining the ways the novel is largely concerned with the monstrous "brutalities of progress" called revolutions that must precede the advent of heaven on earth, Grossman traces that link to a mythos of sin and redemption and shows how the moral concerns of the plot also illuminate Hugo’s aesthetics. Les Misérables explores the tensions between heroes and scoundrels, chaos and order, law and lawlessness. Grossman painstakingly follows the novel’s ethical hierarchy from the grotesque (criminality) to the conventional (bourgeois complacency) and the sublime (sainthood), demonstrating how that hierarchy corresponds to two other hierarchies: the literary and the political.
Author: Alain-René Gélineau
Publisher:
ISBN: 9782905219015
Category : American poetry
Languages : en
Pages : 216
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Book Description
Author: Concetta P. Pilsner
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Regina Schwartz
Publisher: Routledge
ISBN: 1135886644
Category : Philosophy
Languages : en
Pages : 272
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Reibetanz
Publisher:
ISBN: 9780494812297
Category :
Languages : en
Pages : 622
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Book Description
Focussing on the work of Pattiann Rogers, Don McKay, Galway Kinnell, and P. K. Page, this thesis explores their development of a poetics that connects immediacy and transcendence, two areas of literary experience with highly problematical implications in modernist and postmodernist poetic discourse. Where modernism often devalues immediacy in a quest for transcendence, deconstructive postmodernism is sceptical both about idealistic approaches towards transcendence and about the capacity to express immediacy.In contrast to these discourses, the writers studied here have expounded in their praxis a poetics that validates the expression of both immediacy and transcendence and that finds the latter within the former. Their poetics parallels a constructive postmodern discourse that arose in the 1990s in response to the philosophy of Emmanuel Levinas, for whom ethics, a response to the Other, was grounded situationally in experience rather than theoretically in formal ideational structures. My study approaches the four poets from a Levinasian perspective, arguing that they ground their poetics in a respect for various kinds of otherness. I also refer comparatively throughout to Maurice Merleau-Ponty and David Abram, who emphasize the importance of interrelationships and continuities between self and other, humanity and the non-human world.Within this common framework, each poet offers different strategies for approaching transcendence through immediacy. Rogers' poetry involves a direct reconsideration of some modernist and postmodernist binaries: art vs. science, humanity vs. nature, divinity vs. humanity. Her concept of "reciprocal creation" entails the effacement of distinctions between them, as her poetic practice involves the reader in the creative enterprise of surmounting barriers. McKay's poetry works more explicitly to contravene the organizing capacities of conventional language, disrupting patterns of discourse and response. Kinnell evolves a poetics rooted in physical immediacy in order to make palpable the essentially impalpable presence of the transcendent other. Page views poetry as fundamentally a communal activity, and especially through the glosa form her poetics incorporates the voice of the other in a collaborative visionary enterprise. The central focus of all four writers is the Levinasian moment of Saying, where the immediate other is experienced as a transcendent reality.
