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Author: Felicia Bonaparte
Publisher: University of Virginia Press
ISBN: 0813937337
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Author: Felicia Bonaparte
Publisher: University of Virginia Press
ISBN: 0813937337
Category : Literary Criticism
Languages : en
Pages : 430
Get Book Here
Book Description
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Rachel Zolf
Publisher: Laurier Poetry
ISBN: 9781771124119
Category : Poetry
Languages : en
Pages : 88
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Book Description
Social Poesis: The Poetry of Rachel Zolf introduces readers to the work of one of Canada's most challenging and exciting poets. The selection of poems is framed by an introduction by Heather Milne and an afterword by Rachel Zolf that situate Zolf's poetry in relation to the philosophical and ethical concepts that inform it.
Author: Loss Pequeño Glazier
Publisher: University of Alabama Press
ISBN: 0817310754
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avantgarde poetics and its relationship to the on-line age, the relationship between web pages and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself. He concludes that electronic space is the true home of poetry and, in the 20th century, has become the ultimate space of poesis. Digital Poetics will attract a readership of scholars and students interested in contemporary creative writing and the po
Author: R. A. Judy
Publisher: Duke University Press
ISBN: 1478012552
Category : Social Science
Languages : en
Pages : 494
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Book Description
In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, Sentient Flesh offers a major intervention in the black study of life.
Author: Keala Jane Jewell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
"Although in recent decades literary theorists have explored the interrelations between narrative and historical discourse, the relationship between history and poetry has remained largely unexamined. In The Poiesis of History, Keala Jewell offers insightful readings of three innovative postwar Italian poets - Pier Paolo Pasolini, Attilio Bertolucci, and Mano Luzi - who, she maintains, have developed a historicized "content of the form" with complex implications for postmodernist poetics and genre theory." "Jewell considers the historical dimensions of works by Pasolini (better known outside Italy as a film-maker), Bertolucci, and Luzi in such genres as sepulchral verse, elegy, lament, ballad, the novel in verse, and verse epic. Placing the poetry in its historical and cultural contexts, she shows how it reconceptualizes such pivotal events in twentieth-century Italian history as the agricultural strikes of 1908, the rise of Fascism in Emilia-Romagna, the death of the communist leader Antonio Gramsci, Italy's postwar reconstruction and social upheavals, and the assassination of ex-premier Aldo Moro by terrorist Red Brigades. In the light of the movement away from Hermeticism and Neorealism which has dominated Italian literature since the fifties, she examines the contributions of the three poets to literary and cultural criticism as well as to poetics." "This bold and original book will be welcomed by Italianists, literary theorists, comparatists, film historians, and theorists interested in post-modernism, genre studies, and the relations between history and literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: James S. Taylor
Publisher: SUNY Press
ISBN: 9780791435854
Category : Education
Languages : en
Pages : 224
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Book Description
Reveals the neglected mode of knowing and learning, from Socrates to the middle ages and beyond, that relies more on the integrated powers of sensory experience and intuition, rather than on modern narrow scientific models of education.
Author: Klaus-Gerd Giesen
Publisher: Taylor & Francis
ISBN: 1317021169
Category : Religion
Languages : en
Pages : 231
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Book Description
Exploring the relations between the concepts of peace and violence with aesthetics, nature, the body, and environmental issues, The Poesis of Peace applies a multidisciplinary approach to case studies in both Western and non-Western contexts including Islam, Chinese philosophy, Buddhist and Hindu traditions. Established and renowned theologians and philosophers, such as Kevin Hart, Eduardo Mendieta, and Clemens Sedmak, as well as upcoming and talented young academics look at peace and non-violence through the lens of recent scholarly advances on the subject achieved in the fields of theology, philosophy, political theory, and environmentalism.
Author: LaurenS. Weingarden
Publisher: Routledge
ISBN: 1351559729
Category : Art
Languages : en
Pages : 457
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Book Description
For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.
Author: Paul Frosh
Publisher: John Wiley & Sons
ISBN: 1509532684
Category : Social Science
Languages : en
Pages : 172
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Book Description
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
