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Author: Philip Massinger
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
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Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Philip Massinger
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
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Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Book Description
Author: Philip Massinger
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 504
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Book Description
Volume 1: 478 p., plate, facsimiles, music example. Volume 2: 386 p., facsimiles. Volume 3: 494 p., plates, facsimiles, music example. Volume 4: 430 p., facsimiles. Volume 5: 374 p.
Author: Henri Jacob Makkink
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 234
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Book Description
An attempt to establish the authorship of those plays which the two wrote together, & those parts of others which were rewritten or revised by Massinger.
Author: Cristina Paravano
Publisher: Taylor & Francis
ISBN: 1000919838
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
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Book Description
Author: Valerie Sanders
Publisher: Taylor & Francis
ISBN: 1040129226
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Author: Laury Magnus
Publisher: Lexington Books
ISBN: 1611474744
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
This volume, examining the ways in which Shakespeare's plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare's plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players' responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stage and Screen is comprised of three sections on Shakespeare's texts and performance history: "The Poetics of Hearing and the Early Modern Stage"; "Metahearing: Hearing, Knowing, and Audiences, Onstage and Off"; and "Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media." Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing--soliloquies, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth's afterword, his inspiring meditation on hearing that considers Shakespearean "audiences" and their responses to what they hear--or don't hear--in Shakespeare's plays.
Author: Margaret E. Owens
Publisher: University of Delaware Press
ISBN: 9780874138887
Category : Drama
Languages : en
Pages : 340
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Book Description
"This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket.
