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Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308620
Category : Drama
Languages : en
Pages : 480
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Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Lethe; or, Esop in the Shades. A Dramatic Satire, 1740; The Lying Valet, 1741; Miss in Her Teens; or, The Medley of Lovers. A Farce, 1747; Lilliputt. A Dramatic Entertainment, 1756; The Male-Coquette; or, Seventeen Hundred Fifty Seven, 1757; The Guardian. A Comedy, 1759; Harlequin's Invasion; or, A Christmas Gambol, 1759; The Enchanter; or, Love and Magic. A Musical Drama, 1760; The Farmer's Return from London. An Interlude, 1762; The Clandestine Marriage. A Comedy, 1766; and Neck or Nothing. A Farce, 1766.
Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308620
Category : Drama
Languages : en
Pages : 480
Get Book
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Lethe; or, Esop in the Shades. A Dramatic Satire, 1740; The Lying Valet, 1741; Miss in Her Teens; or, The Medley of Lovers. A Farce, 1747; Lilliputt. A Dramatic Entertainment, 1756; The Male-Coquette; or, Seventeen Hundred Fifty Seven, 1757; The Guardian. A Comedy, 1759; Harlequin's Invasion; or, A Christmas Gambol, 1759; The Enchanter; or, Love and Magic. A Musical Drama, 1760; The Farmer's Return from London. An Interlude, 1762; The Clandestine Marriage. A Comedy, 1766; and Neck or Nothing. A Farce, 1766.
Author: David Garrick
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 416
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Book Description
Author: Thomas Davies
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 372
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Book Description
Author: Nicholas D. Smith
Publisher:
ISBN: 9781584563624
Category : Book collecting
Languages : en
Pages : 0
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Book Description
Book collecting, bibliomania and the eighteenth-century -- Building a library -- Garrick, book culture and The Club -- Collecting Shakespeare and other English dramatists -- Book-buying in France and Italy -- Dispersal -- Appendix A. Locations of Garrick's books -- Appendix B. Books to which Garrick subscribed -- Appendix C. Books addressed/dedicated to Garrick -- Appendix D. Lots purchased by Thomas Thorpe at the 1823 sale -- Appendix E. Garrick books formerly belonging to George Frederick Beltz -- Appendix F. Carrington Garrick's books
Author: David Garrick
Publisher: SIU Press
ISBN: 9780809309689
Category : Drama
Languages : en
Pages : 500
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Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tempest. An Opera, 1756; and King Lear. A Tragedy, 1756.
Author: E. R. Wood
Publisher: Cambridge University Press
ISBN: 9780521235907
Category : Literary Collections
Languages : en
Pages : 236
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Book Description
As playwrights David Garrick and George Colman the Elder showed themselves to be practical men of the theatre, providing excellent acting parts and well-constructed scenes capable of provoking laughter in any age. At one time they were rival managers of the two main London theatres, Drury Lane and Covent Garden, but their friendship was greater than their rivalry and survived until Garrick's death. This volume includes five plays: three short farces by Garrick, a full-length play by Colman and the famous collaborative work The Clandestine Marriage. The playwrights' abilities complemented each other and their eventual parting illustrates the divergence of comic styles that were popular at the time - the satirical and the sentimental. In his introduction Mr Wood describes the composition and expectations of the contemporary London audiences and the theatrical careers of the two playwright-managers.
Author: David Garrick
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 414
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Book Description
Author: Leslie Ritchie
Publisher: Cambridge University Press
ISBN: 1108475876
Category : Drama
Languages : en
Pages : 315
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Book Description
Explores how David Garrick - actor, newspaper proprietor and part-owner of Drury Lane Theatre - mediated his own celebrity.
Author: David Garrick
Publisher:
ISBN: 9780809309689
Category : Drama
Languages : en
Pages : 881
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Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tempest. An Opera, 1756; and King Lear. A Tragedy, 1756.
Author: Norman S. Poser
Publisher: Routledge
ISBN: 0429820038
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.
