Eighteenth-Century Authorship and the Play of Fiction

Eighteenth-Century Authorship and the Play of Fiction PDF Author: Emily Hodgson Anderson
Publisher: Routledge
ISBN: 1135838690
Category : Art
Languages : en
Pages : 196

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Book Description
This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."

The Play of Fictions

The Play of Fictions PDF Author: A. M. Keith
Publisher: University of Michigan Press
ISBN: 9780472102747
Category : Fables, Latin
Languages : en
Pages : 188

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Book Description
A lucid analysis of the characterization of Ovidian narrative

Eighteenth-Century Authorship and the Play of Fiction

Eighteenth-Century Authorship and the Play of Fiction PDF Author: Emily Hodgson Anderson
Publisher: Routledge
ISBN: 1135838682
Category : Literary Criticism
Languages : en
Pages : 370

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Book Description
This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."

Morality Play

Morality Play PDF Author: Barry Unsworth
Publisher: Anchor
ISBN: 0525434097
Category : Fiction
Languages : en
Pages : 210

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Book Description
A New York Times Notable Book In medieval England, a runaway scholar-priest named Nicholas Barber has joined a traveling theater troupe as they make their way toward their liege lord’s castle. In need of money, they decide to perform at a village en route. When their traditional morality plays fail to garner them an audience, they begin to stage the “the play of Thomas Wells”—their own depiction of the real-life drama unfolding within the village around the murder of a young boy. The villagers believe they have already identified the killer, and the troupe believes their play will be a straightforward depiction of justice served. But soon the players soon learn that the details of the crime are elusive, and the lines between performance and reality become blurred as they discover, scene by scene, line by line, what really happened. Thought-provoking and unforgettable, Morality Play is at once a masterful work of historical fiction, a gripping murder mystery, and a literary work of the first order.

Eighteenth-Century Authorship and the Play of Fiction

Eighteenth-Century Authorship and the Play of Fiction PDF Author: Emily Hodgson Anderson
Publisher: Routledge
ISBN: 1135838690
Category : Art
Languages : en
Pages : 196

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Book Description
This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."

The play of fictions

The play of fictions PDF Author: Keith, Alison Mary
Publisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category :
Languages : en
Pages : 149

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Book Description
the embedded narrative and the embedding narrative and suggest that the poet's treatment of the raven's metamorphosis (in punishment for tale-bearing) functions as a sophisticated reinterpretation of the crow's story.

Fiction

Fiction PDF Author: Steven Dietz
Publisher: Samuel French, Inc.
ISBN: 9780573632396
Category : Drama
Languages : en
Pages : 84

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Book Description
Linda and Michael Waterman are both successful fiction writers, happily married to one another. They thrive on the give and take of their unusually honest and candid relationship. However, when Linda is diagnosed with a tumor, she asks her husband to share his diaries with her. The entries dive into Michael's past stay at a writer's retreat and a hidden affair. Michael says that his entires are only works of fiction. The boundaries between past and present, fact and fiction, trust and betrayal begin to break down, and that's all before Michael reads Linda's diaries. No life, as it turns out, is an open book. -- Publisher.

Six Science Fiction Plays

Six Science Fiction Plays PDF Author: Roger Elwood
Publisher: Pocket Books
ISBN: 9780671487669
Category : American drama
Languages : en
Pages : 388

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Book Description


Snowblind

Snowblind PDF Author: Ragnar Jónasson
Publisher: Minotaur Books
ISBN: 1250096081
Category : Fiction
Languages : en
Pages : 321

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Book Description
Taut and terrifying, Snowblind is a startling debut from Ragnar Jónasson, an extraordinary new talent. Where: An isolated fishing village in the fjords of northern Iceland, where no one locks their doors. Who: Ari Thór is a rookie policeman on his first posting, far from his girlfriend in Reykjavík. What: A young woman is found lying half naked in the snow, bleeding and unconscious, and a highly esteemed elderly writer falls to his death. Ari is dragged straight into the heart of a community where he can trust no one, and secrets and lies are a way of life. *BONUS CONTENT: This edition of Snowblind includes a new introduction from the author and a discussion guide

Debi Cornwall: Necessary Fictions

Debi Cornwall: Necessary Fictions PDF Author:
Publisher:
ISBN: 9781942185697
Category : History
Languages : en
Pages : 172

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Book Description
From the author of Welcome to Camp America, an eerie exploration of America's performance of power and identity in the post-9/11 era What are the stories we tell ourselves, the games we play, to manage unsettling realities? Made on ten military bases across the United States since 2016, Necessary Fictionsdocuments mock-village landscapes in the fictional country of "Atropia" and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios. Costumed Afghan and Iraqi civilians, many of whom have fled war, now recreate it in the service of the US military. Real soldiers pose in front of camouflage backdrops, dressed by Hollywood makeup artists in "moulage"--fake wounds--as they prepare to deploy. Brooklyn-based conceptual documentary artist and former civil rights lawyer Debi Cornwall (born 1973) photographs this meta-reality--the artifice of war--presented in the book with a variety of texts to provoke critical inquiry about America's fantasy industrial complex. The book includes an essay by PEN Award-winning critical theorist Sarah Sentilles.

How Fiction Works

How Fiction Works PDF Author: James Wood
Publisher: Macmillan
ISBN: 9780374173401
Category : Language Arts & Disciplines
Languages : en
Pages : 300

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Book Description
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.