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Author: Joshua P. Smith
Publisher: MIT Press (MA)
ISBN: 9780262192804
Category : Photography
Languages : en
Pages : 227
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Book Description
Pictures that are made, not taken, are the focus of this exciting collection of worksby 90 American artists who are using appropriation, computer technology, performance, and numerousother sources of inspiration to stretch the limits and expand the possibilities of photographicart.
Author: Joshua P. Smith
Publisher: MIT Press (MA)
ISBN: 9780262192804
Category : Photography
Languages : en
Pages : 227
Get Book Here
Book Description
Pictures that are made, not taken, are the focus of this exciting collection of worksby 90 American artists who are using appropriation, computer technology, performance, and numerousother sources of inspiration to stretch the limits and expand the possibilities of photographicart.
Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 227
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Book Description
Author: Alice Piron
Publisher:
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Category :
Languages : en
Pages :
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Author: Joshua P. Smith
Publisher:
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Category :
Languages : en
Pages : 223
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Author:
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Category :
Languages : en
Pages :
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Author:
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Category :
Languages : en
Pages : 227
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Category :
Languages : en
Pages : 76
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Author: Patrick Frank
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111384691
Category : Art
Languages : en
Pages : 162
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Book Description
Who are the important artists of the 1980s? This book urges a new look at that question in light of the digital direction of our culture since then. Specifically, five artists used advanced technology during that decade in ways that foreshadow many of today’s concerns. Joseph Nechvatal created expressive digital images, and then infected them with computer viruses. Lynn Hershman Leeson created the first interactive work for videodisk, creating a bridge between art and gaming. Nancy Burson foresaw multicultural America when she digitally blended photographs of diverse persons. George Legrady was among the first artists to digitally manipulate news images and offer the results as art. Gretchen Bender’s use of digital imagery in her work has never been adequately discussed. If the digital matters, then these artists should also matter.
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Languages : en
Pages : 112
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Author:
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Category :
Languages : en
Pages : 104
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