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Author: Joshua P. Smith
Publisher: MIT Press (MA)
ISBN: 9780262192804
Category : Photography
Languages : en
Pages : 227
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Book Description
Pictures that are made, not taken, are the focus of this exciting collection of worksby 90 American artists who are using appropriation, computer technology, performance, and numerousother sources of inspiration to stretch the limits and expand the possibilities of photographicart.
Author: Joshua P. Smith
Publisher: MIT Press (MA)
ISBN: 9780262192804
Category : Photography
Languages : en
Pages : 227
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Book Description
Pictures that are made, not taken, are the focus of this exciting collection of worksby 90 American artists who are using appropriation, computer technology, performance, and numerousother sources of inspiration to stretch the limits and expand the possibilities of photographicart.
Author: Larry John Schaaf
Publisher:
ISBN: 9780300057058
Category : Photography
Languages : en
Pages : 188
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Book Description
This book chronicles for the first time in a detailed fashion the critical days of the invention and development of photography. In particular it explores the relationship between two Englishmen who played a key role in photography's early years; the preeminent scientist Sir John Herschel and William Henry Fox Talbot, the artist and scientist who had invented his own photographic process years before Louis Daguerre announced his discovery in Paris in 1839. Drawing on hundreds of Herschel's and Talbot's letters, notebooks, and diaries, Larry J. Schaaf tells the story of the evolution of photography as expressed through their words, and in the process he sheds light on some questions over which others have puzzled. Given that the camera and the necessary chemistry had coexisted for years, why rather than how was photography invented? Why did Talbot keep his own photographic process secret until Daguerre's announcement? Why did Herschel make such fundamental contributions to the process of photography, yet take very few pictures himself? Who or what provided the visual training that allowed Talbot to grow into the first photographic artist? Schaaf skillfully describes the complexities of the events, the personalities and interests of the participants, the often vital role played by trivial circumstances, and the chaotic nature of the progress of photography. He narrates the rivalry between Talbot and Daguerre, showing how it mirrored the differences between France and Great Britain in their support of science and art. Enhanced by more than 100 reproductions in color and in duotone of some of the earliest photographs ever made, this book vividly re-creates both the invention of an art and the art of invention.
Author: Peter Galassi (Museumskurator.)
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 151
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 84
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Book Description
Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
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Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Author: Beaumont Newhall
Publisher:
ISBN: 9780870703812
Category : Photography
Languages : en
Pages : 319
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Book Description
Author: Tanya Sheehan
Publisher: Routledge
ISBN: 1317578953
Category : Photography
Languages : en
Pages : 301
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Book Description
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
Author: Lionel Bender
Publisher: Kids Play
ISBN: 9780756610760
Category : Inventions
Languages : en
Pages : 0
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Book Description
Photographs and text explore such inventions as the wheel, gears, levers, clocks, telephones, and rocket engines.
Author: Michael Pritchard
Publisher: Firefly Books
ISBN: 9780228103639
Category : History
Languages : en
Pages : 224
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Book Description
A History of Photography in 50 Cameras explores the 180-year story of perhaps the most widely used device ever built. It covers cameras in all forms, revealing the origins and development of each model and tracing the stories of the photographers who used and popularized them. Illustrated throughout with studio shots of all fifty cameras and a selection of iconic photographs made using them, it is the perfect companion guide for camera and photography enthusiasts alike. The cameras include: The Nikon F, the "hockey puck" that saved photographer Don McCullin's life when it stopped a sniper's bullet during the Vietnam War. Its indestructibility, reliability and interchangeable lenses made it a favored workhorse of photojournalists. The Leica M3-D was also favored by war photographers, including David Duncan Douglas, who used the camera during his coverage of the Korean and Vietnam Wars. In 2012, one of his four customized Leica cameras sold at auction for nearly $2 million. A Speed Graphic was used to take Sam Shere's widely published photograph of the 1937 Hindenburg disaster, "the world's most famous news photograph ever taken." With few shots left and no time to get the camera to his eye, he shot his Pulitzer Prize-winning image "literally from the hip. It was over so fast there was nothing else to do." The camera phone has transformed picture-taking technology most profoundly since the invention of cameras. The "selfie" has become a new genre of photography practiced by everyone, and shared globally. This is an ideal book for camera collectors as well as anyone researching the history and art of photography.
Author: Nathalie Herschdorfer
Publisher: National Geographic Books
ISBN: 0500021589
Category : Photography
Languages : en
Pages : 0
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Book Description
The landmark photographic survey of the human body at a moment when body image and body politics are being redefined. In a world of selfies and body shaming, Photoshopping and gender fluidity, body image has never been more at the forefront of popular cultural dialogue. Body is a definitive, democratic statement at a time when our fixation with images of the human form is greater than ever before. Curator and art historian Nathalie Herschdorfer brings together over three hundred and fifty images created predominantly in the twenty-first century that explore our relationship with the body. This watershed publication presents work from major names in art photography, including Bettina Rheims, Lauren Greenfield, Cindy Sherman, Viviane Sassen, and Sally Mann, alongside others whose fashion work has shaped our view of the human form, such as Solve Sundsbo and Daniel Sannwald. Interwoven with these major works are images that explore the numerous other ways in which we have represented the body, and the ways in which imaging of the body has been used, shared, and changed over the last quarter-century. Capturing the complex and often paradoxical relationship we have with our bodies—from fantasy to reality and curiosity to obsession—Body is a timely homage to, and introspection of, the human form as it sits in our current culture.
