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Author: Denis Ledoux
Publisher: Soleil Press
ISBN: 0974277312
Category : Biography & Autobiography
Languages : en
Pages : 127
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Book Description
Author: Denis Ledoux
Publisher: Soleil Press
ISBN: 0974277312
Category : Biography & Autobiography
Languages : en
Pages : 127
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Book Description
Author: Ledoux Denis (author)
Publisher:
ISBN: 9781310491979
Category :
Languages : en
Pages : 0
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Author: United States. Naval Oceanographic Office. Technical Production Department
Publisher:
ISBN:
Category : Cartography
Languages : en
Pages : 38
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Author:
Publisher:
ISBN:
Category : Photomechanical processes
Languages : en
Pages : 24
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Author:
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 526
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Author: Denis Ledoux
Publisher: Soleil Press
ISBN: 9780974277349
Category : Crafts & Hobbies
Languages : en
Pages : 276
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Book Description
Turning Memories Into Memoirs contains countless helpful suggestions for remembering--researching--organizing--collecting and writing memories and family or personal stories. It includes* how-to writing exercises* clear explanation of literary techniques* proven motivational supports and* examples from the workshops. Turning Memories is a useful reference and guide for both beginners and experienced writers who want to write personal and family stories.
Author: John C. Lorenz
Publisher: John Wiley & Sons
ISBN: 1119160022
Category : Science
Languages : en
Pages : 946
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Book Description
An invaluable reference that helps geologists recognize and differentiate the many types of natural fractures, induced fractures and artefacts found in cores Atlas of Natural and Induced Fractures in Core offers a reference for the interpretation of natural and induced fractures in cores. The natural and induced fracture data contained in cores provides a wealth of information once they are recognized and properly interpreted. Written by two experts in the field, this resource provides a much-needed tool to help with the accurate interpretation of these cores. The authorsinclude the information needed to identify different fracture types as well as the criteria for distinguishing between the types of fractures. The atlas shows how to recognize non-fracture artefacts in a core since many of them provide other types of useful information. In addition, the text’s illustrated structures combined with their basic interpretations are designed to be primary building blocks of a complete fracture assessment and analysis. The authors show how to recognize and correctly interpret these building blocks to ensure that subsequent analyses, interpretations, and modeling efforts regarding fracture-controlled reservoir permeability are valid. Presented in full color throughout, this comprehensive reference is written for geologists charged with interpreting fracture-controlled permeability systems in reservoirs as well as for students or other scientists who need to develop the skills to accurately interpret the natural and induced fractures in cores.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443825972
Category : Music
Languages : en
Pages : 420
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Book Description
Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.
Author: Nathan Jurgenson
Publisher: Verso Books
ISBN: 1786635461
Category : Photography
Languages : en
Pages : 144
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Book Description
A set of bold theoretical reflections on how the social photo has remade our world. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.
Author: West Point Association of Graduates (Organization).
Publisher:
ISBN:
Category :
Languages : en
Pages : 990
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