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Author: Daniel Cohnitz
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773585958
Category : Biography & Autobiography
Languages : en
Pages : 297
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Book Description
Although some of Nelson Goodman's views have become unfashionable or seem unorthodox, much in his work is of lasting significance. Daniel Cohnitz and Marcus Rossberg assess Goodman's contribution to philosophy, including his acceptance and critique of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts. They offer an analysis of the unifying features of Goodman's philosophy - his constructivism, conventionalism, and relativism - and discuss his central work, The Structure of Appearance, and its significance in the analytic tradition. They also examine Goodman's views on mereology and semiotics, which underly his philosophy and provide the background to his aesthetics.
Author: Daniel Cohnitz
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773585958
Category : Biography & Autobiography
Languages : en
Pages : 297
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Book Description
Although some of Nelson Goodman's views have become unfashionable or seem unorthodox, much in his work is of lasting significance. Daniel Cohnitz and Marcus Rossberg assess Goodman's contribution to philosophy, including his acceptance and critique of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts. They offer an analysis of the unifying features of Goodman's philosophy - his constructivism, conventionalism, and relativism - and discuss his central work, The Structure of Appearance, and its significance in the analytic tradition. They also examine Goodman's views on mereology and semiotics, which underly his philosophy and provide the background to his aesthetics.
Author: Nelson Goodman
Publisher: Springer Science & Business Media
ISBN: 9401011842
Category : Science
Languages : en
Pages : 336
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Book Description
With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also suggests how The Structure of Appearance introduces issues which Goodman later continues in his essays and in the Languages of Art. There remains the task of understanding Good man's project as a whole; to see the deep continuities of his thought, as it ranges from logic to epistemology, to science and art; to see it therefore as a complex yet coherent theory of human cognition and practice. What we can only hope to suggest, in this note, is the b. road Significance of Goodman's apparently technical work for philosophers, scientists and humanists. One may say of Nelson Goodman that his bite is worse than his bark. Behind what appears as a cool and methodical analysis of the conditions of the construction of systems, there lurks a radical and disturbing thesis: that the world is, in itself, no more one way than another, nor are we. It depends on the ways in which we take it, and on what we do.
Author: Nelson Goodman
Publisher: Harvard University Press
ISBN: 9780674631267
Category : Philosophy
Languages : en
Pages : 226
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Book Description
This book displays both the remarkable diversity of Goodman's concerns and the essential unity of his thought. As a whole the volume will serve as a concise introduction to Goodman's thought for general readers, and will develop its more recent unfoldings for those philosophers and others who have grown wiser with his books over the years.
Author: Dena Shottenkirk
Publisher: Springer Science & Business Media
ISBN: 1402099312
Category : Philosophy
Languages : en
Pages : 174
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Book Description
Nelson Goodman’s disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others’ epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman’s historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman’s basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology. This book will benefit not only the professionals in the field of philosophy, but will also help both graduate and upper level undergraduate students understand Goodman’s disparate writings within their proper context, and hopefully will also encourage them to view philosophical thinking in a less truncated and departmentalized way.
Author: Nelson Goodman
Publisher: Hackett Publishing
ISBN: 9780915144518
Category : Philosophy
Languages : en
Pages : 168
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Book Description
Provides a workable notion of the kinds of skills and capacities that are central for those who work in the arts.
Author: Catherine Z. Elgin
Publisher: Taylor & Francis
ISBN: 9780815326113
Category : Art
Languages : en
Pages : 380
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Book Description
A challenger of traditions and boundaries A pivotal figure in 20th-century philosophy, Nelson Goodman has made seminal contributions to metaphysics, epistemology, aesthetics, and the philosophy of language, with surprising connections that cut across traditional boundaries. In the early 1950s, Goodman, Quine, and White published a series of papers that threatened to torpedo fundamental assumptions of traditional philosophy. They advocated repudiating analyticity, necessity, and prior assumptions. Some philosophers, realizing the seismic effects repudiation would cause, argued that philosophy should retain the familiar framework. Others considered the arguments compelling, but despaired of doing philosophy without the framework. Goodman disagreed with both factions. Rather than regretting the loss of structure, he capitalized on the opportunities that arise when the strictures of tradition are loosened.
Author: Gerhard Ernst
Publisher: Walter de Gruyter
ISBN: 3110327198
Category : Philosophy
Languages : en
Pages : 354
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Book Description
Nelson Goodman (1906-1998) was one of the outstanding thinkers of the 20th century. In a memorial note, Hilary Putnam considers him to be "one of the two or three greatest analytic philosophers of the post-World War II period". Goodman has left his mark in many fields of philosophical investigation: Epistemology, Philosophy of Science, Logic, Metaphysics, the General Theory of Symbols, Philosophy of Language and Philosophy of Art, all have been challenged and enriched by the problems he has shown up, the projects he developed from them and the solutions he has suggested. In August 2006 a couple of Goodman aficionados met in Munich to celebrate the Centennial. The proceedings of the ensuing international conference are documented in this volume. The contributions attest the fact that Goodman's thinking still holds many treasures.
Author: Nelson Goodman
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 490
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Book Description
Author: Tom Clark
Publisher: John Benjamins Publishing Company
ISBN: 9027266166
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
In 1978, Nelson Goodman explored the relation of “worlds” to language and literature, formulating the term, “worldmaking” to suggest that many other worlds can as plausibly exist as the “world” we know right now. We cannot catch or know “the world” as such: all we can catch are the world versions - descriptions, views or workings of the world – that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty-five years since then, creative works have played a crucial role in realigning, reshaping and renegotiating our understandings of how worlds can be made and preserved in the face of globalizing trends. The volume is divided into three sections, each engaging with worlds as malleable constructs. Central to all of the contributions is the question: how can we understand the relationships between natural, political, cultural, fictional, literary, linguistic and virtual worlds, and why does this matter?
Author: Vera Nünning
Publisher: Walter de Gruyter
ISBN: 311022755X
Category : Language Arts & Disciplines
Languages : en
Pages : 370
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Book Description
Taking as its point of departure Nelson Goodman's theory of symbol systems as delineated in his seminal book «Ways of Worldmaking», this volume gauges the possibilities and perspectives offered by the worldmaking approach as a model for the study of culture. The volume serves to demonstrate how specific media and narratives affect the worlds that are created, and shows how these worlds are established as socially relevant. It also illustrates the extent to which ways of worldmaking are imbued with cultural values, and thus inevitably implicated in power relations.
