Author: Georg Wilhelm Friedrich Hegel
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 330
Book Description
The Introduction to Hegel's Philosophy of Fine Art
Author: Georg Wilhelm Friedrich Hegel
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 330
Book Description
The Philosophy of Fine Art
Author: Georg Wilhelm Friedrich Hegel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Aesthetics
Author: Georg Wilhelm Friedrich Hegel
Publisher: OUP UK
ISBN: 0198238169
Category : Philosophy
Languages : en
Pages : 634
Book Description
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
Publisher: OUP UK
ISBN: 0198238169
Category : Philosophy
Languages : en
Pages : 634
Book Description
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
Lectures on the Philosophy of Art
Author: Georg Wilhelm Friedrich Hegel
Publisher:
ISBN: 0199694826
Category : Art
Languages : en
Pages : 523
Book Description
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
Publisher:
ISBN: 0199694826
Category : Art
Languages : en
Pages : 523
Book Description
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
The Philosophy of Fine Art (Vol. 1-3)
Author: Georg Wilhelm Friedrich Hegel
Publisher: Good Press
ISBN:
Category : Philosophy
Languages : en
Pages : 1473
Book Description
In Georg Wilhelm Friedrich Hegel's monumental work, 'The Philosophy of Fine Art' (Vol. 1-3), readers are taken on a profound journey through the realm of art and aesthetics. Hegel's intricate exploration of the philosophy of art delves into the symbolic, classical, and romantic forms of art, providing a comprehensive analysis of the essence of beauty and artistic creation. His writing style is both eloquent and systematic, reflecting the philosophical rigor for which he is renowned. The book not only serves as a key text in the history of aesthetics but also offers valuable insights into the role of art in human culture and society. Hegel's work is essential for anyone interested in the intersection of philosophy and art. Georg Wilhelm Friedrich Hegel, a prominent German philosopher of the 19th century, was deeply influenced by his predecessors such as Kant and Schelling. His philosophical background and intellectual curiosity led him to investigate the nature of art and aesthetics in his ambitious 'The Philosophy of Fine Art'. Hegel's keen analytical skills and profound understanding of metaphysics are evident throughout his exploration of art's inherent meaning and significance. For readers seeking a comprehensive and thought-provoking study of art and aesthetics, 'The Philosophy of Fine Art' by Hegel is a must-read. Whether you are a student of philosophy, a lover of art, or simply curious about the nature of beauty, this groundbreaking work offers a unique perspective on the role of art in shaping human experience and culture.
Publisher: Good Press
ISBN:
Category : Philosophy
Languages : en
Pages : 1473
Book Description
In Georg Wilhelm Friedrich Hegel's monumental work, 'The Philosophy of Fine Art' (Vol. 1-3), readers are taken on a profound journey through the realm of art and aesthetics. Hegel's intricate exploration of the philosophy of art delves into the symbolic, classical, and romantic forms of art, providing a comprehensive analysis of the essence of beauty and artistic creation. His writing style is both eloquent and systematic, reflecting the philosophical rigor for which he is renowned. The book not only serves as a key text in the history of aesthetics but also offers valuable insights into the role of art in human culture and society. Hegel's work is essential for anyone interested in the intersection of philosophy and art. Georg Wilhelm Friedrich Hegel, a prominent German philosopher of the 19th century, was deeply influenced by his predecessors such as Kant and Schelling. His philosophical background and intellectual curiosity led him to investigate the nature of art and aesthetics in his ambitious 'The Philosophy of Fine Art'. Hegel's keen analytical skills and profound understanding of metaphysics are evident throughout his exploration of art's inherent meaning and significance. For readers seeking a comprehensive and thought-provoking study of art and aesthetics, 'The Philosophy of Fine Art' by Hegel is a must-read. Whether you are a student of philosophy, a lover of art, or simply curious about the nature of beauty, this groundbreaking work offers a unique perspective on the role of art in shaping human experience and culture.
The Fine Art of Repetition
Author: Peter Kivy
Publisher: Cambridge University Press
ISBN: 9780521435987
Category : Music
Languages : en
Pages : 388
Book Description
Collection of essays on the following issues: music and the liberal education, work and performance, the world of opera, music and the history of ideas, music and emotion, and music alone.
Publisher: Cambridge University Press
ISBN: 9780521435987
Category : Music
Languages : en
Pages : 388
Book Description
Collection of essays on the following issues: music and the liberal education, work and performance, the world of opera, music and the history of ideas, music and emotion, and music alone.
On Art, Religion, and the History of Philosophy
Author: Georg Wilhelm Friedrich Hegel
Publisher: Hackett Publishing
ISBN: 9780872203709
Category : Philosophy
Languages : en
Pages : 358
Book Description
A reprint, with new Introduction, of the Harper Torch edition of 1970. The famous introductory lectures collected in this volume represent the distillation of Hegel's mature views on the three most important activities of spirit, and have the further advantage, shared by his lectures in general, of being more comprehensible than those works of his published during his lifetime. A new Introduction, Select Bibliography, Analytical Table of Contents, and the restoration in the section headings of the outline of Hegel's lectures make this new edition particularly useful and welcome.
Publisher: Hackett Publishing
ISBN: 9780872203709
Category : Philosophy
Languages : en
Pages : 358
Book Description
A reprint, with new Introduction, of the Harper Torch edition of 1970. The famous introductory lectures collected in this volume represent the distillation of Hegel's mature views on the three most important activities of spirit, and have the further advantage, shared by his lectures in general, of being more comprehensible than those works of his published during his lifetime. A new Introduction, Select Bibliography, Analytical Table of Contents, and the restoration in the section headings of the outline of Hegel's lectures make this new edition particularly useful and welcome.
Aesthetic Experience and Somaesthetics
Author: Richard Shusterman
Publisher: BRILL
ISBN: 9004361928
Category : Philosophy
Languages : en
Pages : 232
Book Description
This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor’s introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book’s nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body’s role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.
Publisher: BRILL
ISBN: 9004361928
Category : Philosophy
Languages : en
Pages : 232
Book Description
This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor’s introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book’s nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body’s role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.
Reading Hegel
Author: Georg Wilhelm Friedrich Hegel
Publisher: re.press
ISBN: 0980666589
Category : Electronic books
Languages : en
Pages : 275
Book Description
This book incorporates seven 'Introductions' that Hegel wrote for each of his major works: the Phenomenology, Logic, Philosophy of Right, History, Fine Art, Religion and History of Philosophy, and includes an Introduction and Epilogue by the Editors, serving to introduce Hegel to the reader and to situate him and his works into their wider context.
Publisher: re.press
ISBN: 0980666589
Category : Electronic books
Languages : en
Pages : 275
Book Description
This book incorporates seven 'Introductions' that Hegel wrote for each of his major works: the Phenomenology, Logic, Philosophy of Right, History, Fine Art, Religion and History of Philosophy, and includes an Introduction and Epilogue by the Editors, serving to introduce Hegel to the reader and to situate him and his works into their wider context.
Volume 16, Tome I: Kierkegaard's Literary Figures and Motifs
Author: Katalin Nun
Publisher: Routledge
ISBN: 135187487X
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.
Publisher: Routledge
ISBN: 135187487X
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.