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Author: Edward M. Swiderski
Publisher: Springer Science & Business Media
ISBN: 9400994346
Category : Social Science
Languages : en
Pages : 258
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Book Description
0. 1. GENERAL DESCRIPTION OF THE PROBLEMATIC This study is devoted to an examination of a concept of crucial significance for Soviet aesthetics - the concept of the aesthetic (esteticeskoe). Soviet aestheticians have for some time already been trying to design a concept of the aesthetic that would satisfy, on the one hand, the requirements of aesthe tic phenomena, and, on the other hand, the principles of the Marxist-Leninist world view. The first part of this work shows how the concept of the aesthetic has been and continues to be problematic for Soviet aestheticians. This task is carried out by dwelling, first of all, on the controversies among Soviet aesthe ticians concerning meta-aesthetic issues, viz, the nature and scope of aesthetics as well as its place among other philosophical and non-philosophical disci plines. A particularly clear view of the problems that have traditionally pre occupied Soviet aestheticians is provided by an examination of what they standardly call the 'method of aesthetics', where 'method' is understood in the sense of an explanatory framework rather than in the strict logico-scien tific sense of the term. This discussion will provide the occasion to pass in review the main periods of Soviet aesthetics and the characteristic aspects of each. The chapter on the sources of contemporary Marxist-Leninist aesthetics brings into relief the lack of a homogeneous tradition in the question of the nature of the aesthetic and other related problems.
Author: Edward M. Swiderski
Publisher: Springer Science & Business Media
ISBN: 9400994346
Category : Social Science
Languages : en
Pages : 258
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Book Description
0. 1. GENERAL DESCRIPTION OF THE PROBLEMATIC This study is devoted to an examination of a concept of crucial significance for Soviet aesthetics - the concept of the aesthetic (esteticeskoe). Soviet aestheticians have for some time already been trying to design a concept of the aesthetic that would satisfy, on the one hand, the requirements of aesthe tic phenomena, and, on the other hand, the principles of the Marxist-Leninist world view. The first part of this work shows how the concept of the aesthetic has been and continues to be problematic for Soviet aestheticians. This task is carried out by dwelling, first of all, on the controversies among Soviet aesthe ticians concerning meta-aesthetic issues, viz, the nature and scope of aesthetics as well as its place among other philosophical and non-philosophical disci plines. A particularly clear view of the problems that have traditionally pre occupied Soviet aestheticians is provided by an examination of what they standardly call the 'method of aesthetics', where 'method' is understood in the sense of an explanatory framework rather than in the strict logico-scien tific sense of the term. This discussion will provide the occasion to pass in review the main periods of Soviet aesthetics and the characteristic aspects of each. The chapter on the sources of contemporary Marxist-Leninist aesthetics brings into relief the lack of a homogeneous tradition in the question of the nature of the aesthetic and other related problems.
Author: Stuart Brown
Publisher: Routledge
ISBN: 1134927959
Category : Philosophy
Languages : en
Pages : 984
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Book Description
This Biographical Dictionary provides detailed accounts of the lives, works, influence and reception of thinkers from all the major philosophical schools and traditions of the twentieth-century. This unique volume covers the lives and careers of thinkers from all areas of philosophy - from analytic philosophy to Zen and from formal logic to aesthetics. All the major figures of philosophy, such as Nietzsche, Wittgenstein and Russell are examined and analysed. The scope of the work is not merely restricted to the major figures in western philosophy but also covers in depth a significant number of thinkers from the near and far east and from the non-European Hispanic-language communities. The Biographical Dictionary also includes a number of general entries dealing with important schools of philosophy, such as the Vienna Circle, or currents of thought, such as vitalism. These allow the reader to set the individual biographies in the context of the philosophical history of the period. With entries written by over 100 leading philosophy scholars, the Biographical Dictionary is the most comprehensive survey of twentieth-century thinkers to date. Structure The book is structured alphabetically by philosopher. Each entry is identically structured for ease of access and covers: * nationality * dates and places of birth and death * philosophical style or school * areas of interest * higher education * significant influences * main appointments * main publications * secondary literature * account of intellectual development and main ideas * critical reception and impact At the end of the book a glossary gives accounts of the schools, movements and traditions to which these philosophers belonged, and thorough indexes enable the reader to access the information in several ways: * by nationality * by major areas of contribution to philosophy e.g. aesthetics * by major influences on the thinker concerned e.g. Plato, Kant, Wittgenstein
Author: Marina F. Bykova
Publisher: Springer Nature
ISBN: 3030629821
Category : Philosophy
Languages : en
Pages : 815
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Book Description
This volume is a comprehensive Handbook of Russian thought that provides an in-depth survey of major figures, currents, and developments in Russian intellectual history, spanning the period from the late eighteenth century to the late twentieth century. Written by a group of distinguished scholars as well as some younger ones from Russia, Europe, the United States, and Canada, this Handbook reconstructs a vibrant picture of the intellectual and cultural life in Russia and the Soviet Union during the most buoyant period in the country's history. Contrary to the widespread view of Russian modernity as a product of intellectual borrowing and imitation, the essays collected in this volume reveal the creative spirit of Russian thought, which produced a range of original philosophical and social ideas, as well as great literature, art, and criticism. While rejecting reductive interpretations, the Handbook employs a unifying approach to its subject matter, presenting Russian thought in the context of the country's changing historical landscape. This Handbook will open up a new intellectual world to many readers and provide a secure base for its further exploration.
Author: Evert van der Zweerde
Publisher: Springer Science & Business Media
ISBN: 9401589437
Category : Philosophy
Languages : en
Pages : 305
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Book Description
`Scientific history of philosophy' was one of the professional branches of Soviet philosophy, and a place where philosophical culture was preserved in an often hostile environment. Situated between the ideological exigencies of the Soviet system with its Marxist-Leninist `theoretical foundation' and the need for an objective account of philosophy's past, Soviet history of philosophy displays the characteristic features of Soviet philosophy as a whole, including a forceful reappearance of its Hegelian background. This book is the only Western monograph on this important part of Soviet philosophy, thus filling the last main gap in Western `Philosophical Sovietology'. At the same time, it offers the first survey of Soviet philosophy after the disappearance of the Soviet system itself, embarking on an historical and meta-philosophical investigation of Soviet philosophical culture. The book will be of interest to students of Soviet and Russian philosophy, historians of philosophy and specialists in Soviet studies.
![Soviet Russian Dialectical Materialism [Diamat] PDF](https://books.google.com/books/content/images/frontcover/3GV-BgAAQBAJ?fife=w80-h100)
Author: J.E. Blakeley
Publisher: Springer Science & Business Media
ISBN: 9401036292
Category : Philosophy
Languages : en
Pages : 190
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Book Description
This book offers a critical outline of the sources of the history, of the spirit and of the doctrines of present-day Soviet Russian Dialectical Materialism ('Diamat'), i.e. of the philosophical foundations of Marxism Leninism. It is scarcely necessary to stress the usefulness of a short outline of this kind, as Russian sources are not easily accessible in the West and as it is of considerable interest to know the doctrines which make up the faith of the Communists* in all countries. The material for this book was first made public in a series of lectures at the University of Fribourg (Switzerland), first in French in the summer term of 1949, later in English at the Summer School in the same year. The French text, slightly expanded, was translated into German by Miss M. Hoerkens, Dipl. rer. pol. Various imperfections in the wording of the text and in the bibliography can be explained by the process of formation of this book. The author hopes that such imperfections will not prove disturbing.
Author: Marina Gerber
Publisher: transcript Verlag
ISBN: 3839440904
Category : Art
Languages : en
Pages : 237
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Book Description
Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.
Author: I Rockmore
Publisher: Springer Science & Business Media
ISBN: 9400984952
Category : Philosophy
Languages : en
Pages : 317
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Book Description
Contemporary philosophy is by its nature pluralistic, to a perhaps greater extent than at any moment of the preceding tradition, in that there are multiple forms of thought competing for a position on the center of the philosophic stage. The reasons for this conceptual proliferation are numerous. But certainly one factor is the increasing development of contemporary means of publication and communication, which in turn make possible the rapid dissemination of ideas as well as an informed reaction to them. And this in turn has increased the possibility for serious philosophic exchange by enhancing the available opportunities for the interaction of competing forms of thought. But, although informed philosophic interaction has in principle become increasingly possible in recent years, the frequency, scope and quality of such discussion has often been less than satisfactory. Contemporary philosophic viewpoints tend not to interact in a Hegelian manner, as complementary aspects of a totally satisfactory and a-perspectival view, facets of a singly and all-embracing true position. Rather, contemporary philosophic viewpoints tend to portray themselves as mutually exclusive alternatives only occasionally willing to acknowledge the possible validity or even the intrinsic interest of other perspectives. Thus, although the multiplication of different forms of philosophy in principle means that there are greater possibilities for meaning ful exchange between them, in practice the tendency of each of the various philosophic positions to raise claims to philosophic truth from its point of view alone has had the effect of impeding such interaction.
Author: British Library
Publisher: Walter de Gruyter
ISBN: 3111725944
Category : Reference
Languages : en
Pages : 528
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Book Description
Author: Kristina Jõekalda
Publisher: Böhlau Köln
ISBN: 3412516686
Category : History
Languages : en
Pages : 281
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Book Description
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
Author: Yuri Glazov
Publisher: Springer Science & Business Media
ISBN: 9400929633
Category : History
Languages : en
Pages : 242
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Book Description
In March of 1985 Mikhail Gorbachev came to power in the Seviet Union. Initially, one could discern serious changes in the policy and statements of this new, young, and obviously efficient leader only with great difficulty. While abroad, Gorbachev had said that anti-Stalinism was a form of anti-Communism. The newspapers were filled with words lauding "the sacred traditions of the 1930's". At the same time, the campaign against drunkenness, corruption, and sloppiness launched by Yuri Andropov was given a new impetus and the highest Party support. In April, 1986, the Chernobyl tragedy took place. The first reaction of the Soviet authorities was the usual one. The Soviet public was not properly informed about the disaster and its unprecedented peril. Millions of jubilant Soviet citizens crowded the squares and streets of Kiev and Minsk during the May Day festivities. We can only guess what the reaction of the Kremlin authorities would have been had not Swedish scientists traced and announced to the world the threatening level of radioactivity. Would the terms "glasnost'" and "perestrojka" have spread through the world press with such intensity and alacrity? A popular Soviet author wrote a year later in the Soviet media: "Chernobyl appeared to be not only a national event, a disaster shared by each of us, but also a dividing line between two eras of time.
