Author: R. Huebert
Publisher: Springer
ISBN: 0230503160
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.
The Performance of Pleasure in English Renaissance Drama
Author: R. Huebert
Publisher: Springer
ISBN: 0230503160
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.
Publisher: Springer
ISBN: 0230503160
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.
English Renaissance Drama: A Very Short Introduction to Theatre and Theatres in Shakespeare's Time
Author: C W R D Moseley
Publisher: Humanities-Ebooks
ISBN: 1847601839
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.
Publisher: Humanities-Ebooks
ISBN: 1847601839
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.
Medieval and Renaissance Drama in England, vol. 30
Author: S.P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644848
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to drama and theatre history to 1642. Volume 30, an anniversary issue, contains eight essays, three review essays, and 12 briefer reviews of important books in the field.
Publisher: Associated University Presse
ISBN: 0838644848
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to drama and theatre history to 1642. Volume 30, an anniversary issue, contains eight essays, three review essays, and 12 briefer reviews of important books in the field.
Passionate Playgoing in Early Modern England
Author: Allison P. Hobgood
Publisher: Cambridge University Press
ISBN: 1107041287
Category : Drama
Languages : en
Pages : 247
Book Description
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
Publisher: Cambridge University Press
ISBN: 1107041287
Category : Drama
Languages : en
Pages : 247
Book Description
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
The End of Satisfaction
Author: Heather Hirschfeld
Publisher: Cornell University Press
ISBN: 0801470625
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots "to set things right" in a world shorn of the prospect of "making enough" (satisfacere).Hirschfeld’s semantic history traces today’s use of "satisfaction"—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.
Publisher: Cornell University Press
ISBN: 0801470625
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots "to set things right" in a world shorn of the prospect of "making enough" (satisfacere).Hirschfeld’s semantic history traces today’s use of "satisfaction"—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.
Volpone
Author: Matthew Steggle
Publisher: A&C Black
ISBN: 1441174427
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
A comprehensive introduction to Ben Jonson's Volpone - introducing its critical history, performance history, current critical landscape and new directions in research on the play.
Publisher: A&C Black
ISBN: 1441174427
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
A comprehensive introduction to Ben Jonson's Volpone - introducing its critical history, performance history, current critical landscape and new directions in research on the play.
Emotion and the Self in English Renaissance Literature
Author: Paul Joseph Zajac
Publisher: Cambridge University Press
ISBN: 1009271687
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an early modern understanding of contentment as dynamic, protective, and productive. While this concept has roots in classical and medieval philosophy, contentment became newly significant because of the English Reformation. Reformers explored contentedness as a means to preserve the self and prepare the individual to endure and engage the outside world. Their efforts existed alongside representations and revisions of contentment by authors including Sidney, Spenser, Shakespeare, and Milton. By examining Renaissance models of contentment, this book explores alternatives to Calvinist despair, resists scholarly emphasis on negative emotions, and reaffirms the value of formal concerns to studies of literature, religion, and affect.
Publisher: Cambridge University Press
ISBN: 1009271687
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an early modern understanding of contentment as dynamic, protective, and productive. While this concept has roots in classical and medieval philosophy, contentment became newly significant because of the English Reformation. Reformers explored contentedness as a means to preserve the self and prepare the individual to endure and engage the outside world. Their efforts existed alongside representations and revisions of contentment by authors including Sidney, Spenser, Shakespeare, and Milton. By examining Renaissance models of contentment, this book explores alternatives to Calvinist despair, resists scholarly emphasis on negative emotions, and reaffirms the value of formal concerns to studies of literature, religion, and affect.
Women Beware Women
Author: Andrew Hiscock
Publisher: A&C Black
ISBN: 144117771X
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.
Publisher: A&C Black
ISBN: 144117771X
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.
Early Modern Spectatorship
Author: Ronald Huebert
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773557911
Category : History
Languages : en
Pages : 429
Book Description
What did it mean to be a spectator during the lifetime of Shakespeare or of Aphra Behn? In Early Modern Spectatorship contributors use the idea of spectatorship to reinterpret canonical early modern texts and bring visibility to relatively unknown works. While many early modern spectacles were designed to influence those who watched, the very presence of spectators and their behaviour could alter the conduct and the meaning of the event itself. In the case of public executions, for example, audiences could both observe and be observed by the executioner and the condemned. Drawing on work in the digital humanities and theories of cultural spectacle, these essays discuss subjects as various as the death of Desdemona in Othello, John Donne's religious orientation, Ned Ward's descriptions of London, and Louis Laguerre's murals painted for the residences of English aristocrats. A lucid exploration of subtle questions, Early Modern Spectatorship identifies, imagines, and describes the spectator's experience in early modern culture.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773557911
Category : History
Languages : en
Pages : 429
Book Description
What did it mean to be a spectator during the lifetime of Shakespeare or of Aphra Behn? In Early Modern Spectatorship contributors use the idea of spectatorship to reinterpret canonical early modern texts and bring visibility to relatively unknown works. While many early modern spectacles were designed to influence those who watched, the very presence of spectators and their behaviour could alter the conduct and the meaning of the event itself. In the case of public executions, for example, audiences could both observe and be observed by the executioner and the condemned. Drawing on work in the digital humanities and theories of cultural spectacle, these essays discuss subjects as various as the death of Desdemona in Othello, John Donne's religious orientation, Ned Ward's descriptions of London, and Louis Laguerre's murals painted for the residences of English aristocrats. A lucid exploration of subtle questions, Early Modern Spectatorship identifies, imagines, and describes the spectator's experience in early modern culture.
English Renaissance Drama
Author: David M Bevington
Publisher: Humanities-Ebooks
ISBN: 1847603041
Category : History
Languages : en
Pages : 258
Book Description
Publisher: Humanities-Ebooks
ISBN: 1847603041
Category : History
Languages : en
Pages : 258
Book Description