Author: Steven D. Orr
Publisher: PublishAmerica
ISBN: 145604365X
Category : Biography & Autobiography
Languages : en
Pages : 440
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Book Description
Many authors, in satisfying the reading public's insatiable need for escapist literature, invest much time and money in their efforts. Don't get me wrong - I read that literature myself. Why not? It is usually entertaining, if not suspenseful. In The Perennial Wanderer: An American in the World, however, it is my intent to demonstrate that life is indeed stranger than fiction, and I, not unlike the escapist writers, have invested much time and energy in bringing these life experiences to the reader. After working in so many countries - including war torn and conflictive countries such as Viet Nam, Colombia, Per+, Mozambique, Sudan and El Salvador - I have seen more than my share of violence, murder, mayhem, public corruption and chicanery. And none of my observations have taken place as a military man - my military experience, by the way, was in the peacetime Air Force in the beautiful Hawaiian Islands.
Author: D. Steven Orr
Publisher: AuthorHouse
ISBN: 0759693838
Category : Biography & Autobiography
Languages : en
Pages : 178
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Book Description
Experienced in 65 countries, the author offers a unique perspective on the world. Currently a resident in central Africa, "The Perennial Wanderer" is his contribution to readers' broader view of the world, particularly since the terrible events of 9-11.
Author: Steven D. Orr
Publisher: AuthorHouse
ISBN: 1403335737
Category :
Languages : en
Pages : 438
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Book Description
Many authors, in satisfying the reading public's insatiable need for escapist literature, invest much time and energy. Don't get me wrong - I read that literature all the time myself. Why not? It is usually entertaining, if not suspenseful. In The Perennial Wanderer, however, it is my intent to demonstrate that life is indeed stranger than fiction, and I, not unlike the escapist writers, have invested much time and energy in bringing these life experiences to the reader. After working in so many countries - including war torn and conflictive countries such as Viet Nam, Colombia, Per, Mozambique, Sudan and El Salvador - I have seen more than my share of violence, murder, mayhem, public corruption and chicanery. And none of my observations have taken place as a military man ... my military experience, by the way, was in the peacetime Air Force in the beautiful Hawaiian Islands. About a decade ago - at the time of the FMLN communist rebel final offensive in El Salvador, at which time I was taken hostage - some friends in the State Department Mobile Security Team observed that Clint Eastwood should star in a movie about me. I do not think that Mr. Eastwood would now be interested. Besides, as noted: Life really is stranger than fiction.
Author: Aaaa
Publisher: PublishAmerica
ISBN: 1627722971
Category : History
Languages : en
Pages : 297
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Book Description
Author: Eunice Rojas
Publisher: University of Alabama Press
ISBN: 0817360972
Category : History
Languages : en
Pages : 244
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Book Description
Documents counterimperialism in Chilean music since the 1960s Gringos Get Rich: Anti-Americanism in Chilean Music examines anti-Americanism in Latin America as manifested in Chilean music in recent history. From a folk-based movement in the 1960s and early 1970s to underground punk rock groups during the Pinochet regime, to socially conscious hip-hop artists of postdictatorship Chile, Chilean music has followed several left-leaning transnational musical trends to grapple with Chile's fluctuating relationship with the United States. Eunice Rojas's innovative analysis introduces US readers to a wide swath of Chilean musicians and their powerful protest songs and provides a representative and long view of the negative influences of the United States in Latin America. Much of the criticism of the United States in Chile's music centers on the perception of the United States as a heavy-handed source of capitalist imperialism that is exploitative of and threatening to Chile's poor and working-class public and to Chilean cultural independence and integrity. Rojas incorporates Antonio Gramsci's theories about the difficulties of struggles for cultural power within elitist capitalist systems to explore anti-Americanism and anti-capitalist music. Ultimately, Rojas shows how the music from various genres, time periods, and political systems attempts to act as a counterhegemonic alternative to Chile's political, cultural, and economic status quo. Rojas's insight is timely as a political trend toward the right continues in the Americas. There is also increased interest in and acceptance of popular song lyrics as literary texts. The book will appeal to Latin Americanists, ethnomusicologists, scholars of popular culture and international relations, students, and general readers.
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 1400880637
Category : Literary Criticism
Languages : en
Pages : 718
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Book Description
An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index
Author: Una Chaudhuri
Publisher: University of Michigan Press
ISBN: 9780472065899
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The first book-length study of the notion of place and its implications in modern drama
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 582
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Book Description
Author: Herbert Blau
Publisher: Routledge
ISBN: 1136343261
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
‘One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.’ – Elin Diamond, from the Introduction Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative programme note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theatre. They vividly reveal what these now canonical works could mean, first time round, and in the context of 1950s and 60s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of the Workshop's incrementally artful, alluring programme covers, Blau's recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique reflection of what it is to create theatre history in the present.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
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Book Description
