The Pastel Artist's Handbook PDF Download
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Author: Sally Harper
Publisher: B.E.S. Publishing
ISBN: 9780764156236
Category : Pastel drawing
Languages : en
Pages : 0
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Book Description
A guide to drawing with pastels that includes practical hints and tips, covering all aspects of the medium, including style, subject, color composition, and materials.
Author: Sally Harper
Publisher: B.E.S. Publishing
ISBN: 9780764156236
Category : Pastel drawing
Languages : en
Pages : 0
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Book Description
A guide to drawing with pastels that includes practical hints and tips, covering all aspects of the medium, including style, subject, color composition, and materials.
Author: Claire Brown
Publisher: Chartwell
ISBN: 0785820841
Category : Art
Languages : en
Pages : 195
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Book Description
This guide to pastel painting includes sections on materials, the principles of color, techniques, and a final section on subjects that is designed to help you learn by example.
Author: Guy Roddon
Publisher:
ISBN: 9780867773316
Category : Pastel drawing
Languages : en
Pages : 144
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Book Description
Pleasure of pastels - Your needs - Techniques - Using mixed media - Composing the picture - Working with colour - Mounts and frames.
Author: Bill Creevy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 186
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Book Description
In this comprehensive, professional-level book, every type of pastel techniqueis demonstrated. Use of other mediums such as watercolor, pencils, even ballpoint pens, are explored showing how they can be used to achieve new effects and enhance already existing works. Aso included is an up-to-date catalog of all materials available today. 10,000 first printing.
Author: Judy Martin
Publisher: Bilimsel Eserler
ISBN: 9780855329594
Category : Acrylic painting
Languages : en
Pages : 0
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Book Description
A comprehensive A-Z directory of pastel techniques and a step-by-step guide to their use.--Cover.
Author: John Elliot
Publisher: Random House Digital, Inc.
ISBN: 9780823033119
Category : Art
Languages : en
Pages : 148
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Book Description
Designed for the serious beginner, this volume offers step-by-step advice on painting in oil pastels. Lessons progress simply from easy subjects and techniques to the more difficult and complex. First, artists learn how to use oil pastels to create traditional paintings in still landscape and portraiture. Then the author explores 12 specific experimental techniques, including impasto, washes and monoprint; stencil and screen techniques; and methods for combining pastel with soft pastel and mixed media.
Author: Mark David Gottsegen
Publisher: Watson-Guptill
ISBN: 9780823034963
Category : Art
Languages : en
Pages : 366
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Book Description
Much more than just another guide to artists’ materials, The Painter’s Handbook is an amazingly useful resource, with information on everything from the canvas up: the canvas itself, plus paper, sizes and grounds, pigments and binders, solvents and thinners, varnishes and preservatives. Dozens of step-by-step recipes for make-it-yourself paints, pastels, varnishes, gessoes, sizes, supports, and equipment take this indispensable guide way beyond the competition. Authoritatively written by Mark David Gottsegen, chair of the federal government’s ASTM committee on artist’s materials, the revised Painter’s Handbook considers the enormous changes in the art-materials world since the first edition was published in 1993. New materials, new health issues, new information on outmoded and even harmful supplies and practices mean that every painter needs a copy of The Painter’s Handbook.
Author: Robert Zeller
Publisher: The Monacelli Press, LLC
ISBN: 1580934528
Category : Art
Languages : en
Pages : 305
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Book Description
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.
Author: Marie Guerin
Publisher: Read Books Ltd
ISBN: 1473341698
Category : Art
Languages : en
Pages : 49
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Book Description
This volume presents a complete guide to creating art using pastel, with historical information, step instructions, handy tips, and much more. "Handbook to Pastel" will be of utility to both beginner and experienced artists alike, and it would make for a useful addition to collections of related literature. Contents include: "Pastel and Its Origin-Complementary Colours", "Masters who have Rendered Pastel Famous", "Materials-Soft and Hard Crayons-Different Surfaces", "Sketching-in", "Hatching Lines and Heightening", "Pastel by Rubbing", "Backgrounds", "Draperies", "The Head-The Hair", "Flowers and Fruit", "Landscape and Marine Subjects", et cetera. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, high-quality, modern edition complete with a specially commissioned new introduction on drawing and illustration.
Author: Jean Hirons
Publisher: AuthorHouse
ISBN: 9781477271360
Category : Crafts & Hobbies
Languages : en
Pages : 202
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Book Description
As artists, we have choices. There are very few rules that apply across the board. We can create highly realistic paintings, or perhaps more expressive paintings, or paintings that have very little basis in reality, including those that are totally non-representational. We can record color as we see it or as we’d like it to be. As pastel artists, we have even more choices. We can use a wide variety of pastels, strokes, surfaces, and techniques to create many different looks. The choices we make form the framework of our individual style, our signature as artists. Any subscriber to The Pastel Journal realizes how varied the medium of pastel can be. For the experienced artist, these articles are stimulating, offering possible ways to experiment with alternative approaches. For the beginner, the panoply of choices can be overwhelming. Painting is primarily an intuitive process. But intuition is gained through study and experience. Part of my impetus in writing this book has been to create a more structured approach to help those fairly new to the medium understand its many possibilities. The book is aimed at all levels of pastel artists. Beginners will find a wealth of helpful information and intermediate artists will gain insight into how to take their work to another level and develop a style. Many advanced artists teach pastel; the organization of ideas and the exercises included should be of assistance. I offer a variety of suggested approaches and sometimes make up terminology to describe my experiences with the medium. The instructions in the book are based on my preferences and the guidance that I offer my students. The diversity of styles and techniques evident in the paintings of contributing artists should make it clear, however, that there are many ways to successfully work in pastel. Having acknowledged the many possibilities, I want to note a few musts. Representational paintings must be well-drawn. Poor drawing skills cannot be overcome with lovely color or great technique. Likewise, paintings must have strong compositions, regardless of whether they are realistic, abstracted, or non-representational. Values must be properly interpreted to produce strong compositions and to use pastel to its full effect. And finally, pastel paintings must sing! Whether the applications are light and airy, or rich and painterly, it should be clear that the artist is in control of the medium and is using it to produce his or her desired look. For years I have resisted suggestions that I write a book. As a landscape painter, I knew that there were more authoritative books already available. And the growing popularity of pastel has led to so many resources, including online blogs, a biennial convention, and the wonderful Pastel Journal, mentioned above. What could I add to this? My personal training in pastel has been from weeklong landscape workshops with some of the leading pastel painters in the country. As a teacher in a community college, I am not teaching a particular style nor focusing on specific subject matter. Some of my students work with the landscape, but others do portraits or figurative work, while others prefer still life, or work abstractly. In dealing with this mixture, I’ve realized that there are different ways to approach one’s use of color, and this formed my first idea for creating a book. Furthermore, as a teacher, I’ve spent time experimenting with different surfaces, pastel brands, and techniques in order to make suggestions to students to help them find the look they want to achieve. I do not teach students to paint the way I do, but instead, try to share my experience and help them develop their own individual style.
