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Author: Adrian Knapp
Publisher: Columbia University Press
ISBN: 3838256867
Category : Literary Criticism
Languages : en
Pages : 116
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Book Description
Since the final demise of apartheid in 1994, South Africa has undergone dramatic changes in the political, social, and economic sphere. It is not surprising that these changes have also resulted in contentious reassessments of recent history. Many contemporary South African writers have taken up the challenge and created works offering new ways of critically re-imagining the country's violent past. While André P. Brink's "Imaginings of Sand" and Zakes "Mda's Ways of Dying" constitute renegotiations of the past during the period of transition, J. M. Coetzee's "Disgrace" and Phaswane Mpe's "Welcome to our Hillbrow" represent deliberations of a past that has been hampered in its change by a flawed transition. Just as history can never be taken at face value and never constitutes a finite, all-inclusive narration of the past, the 'historical accounts' provided in these texts often present a one-sided picture of history when considered only on their representational level. On the metafictional level, however, these texts often put such 'misreadings' into perspective and, in doing so, open up an otherwise monochrome reflection of South Africa's rainbow.
Author: Adrian Knapp
Publisher: Columbia University Press
ISBN: 3838256867
Category : Literary Criticism
Languages : en
Pages : 116
Get Book
Book Description
Since the final demise of apartheid in 1994, South Africa has undergone dramatic changes in the political, social, and economic sphere. It is not surprising that these changes have also resulted in contentious reassessments of recent history. Many contemporary South African writers have taken up the challenge and created works offering new ways of critically re-imagining the country's violent past. While André P. Brink's "Imaginings of Sand" and Zakes "Mda's Ways of Dying" constitute renegotiations of the past during the period of transition, J. M. Coetzee's "Disgrace" and Phaswane Mpe's "Welcome to our Hillbrow" represent deliberations of a past that has been hampered in its change by a flawed transition. Just as history can never be taken at face value and never constitutes a finite, all-inclusive narration of the past, the 'historical accounts' provided in these texts often present a one-sided picture of history when considered only on their representational level. On the metafictional level, however, these texts often put such 'misreadings' into perspective and, in doing so, open up an otherwise monochrome reflection of South Africa's rainbow.
Author: Adrian Knapp
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Richard van Leeuwen
Publisher: BRILL
ISBN: 900436269X
Category : Reference
Languages : en
Pages : 842
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Book Description
In The Thousand and One Nights and Twentieth-Century Fiction, Richard van Leeuwen challenges conventional perceptions of the development of 20th-century prose by arguing that Thousand and One Nights, as an intertextual model, has been a crucial influence on authors who have contributed to shaping the main literary currents in 20th-century world literature, inspiring new forms and concepts of literature and texts.
Author: Renzo Baas
Publisher: BASLER AFRIKA BIBLIOGRAPHIEN
ISBN: 3906927083
Category : Apartheid
Languages : en
Pages : 295
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Book Description
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the ‘dream’ of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to ‘dream’ Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvre’s city–countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibia’s first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
Author: Rachel Manija Brown
Publisher: Rodale Books
ISBN: 1623361559
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
When she was seven, Rachel Manija Brown's parents, post-60s hippies, uprooted her from her native California and moved to an ashram in a cobra-ridden, drought-stricken spot in India. Cavorting through these pages are some wonderfully eccentric characters: the ashram head, Meher Baba, best known as the guru to Pete Townshend of The Who; the librarian, who grunts and howls nightly outside Rachel's window; a holy madman, who shuffles about collecting invisible objects; a middle-aged male virgin, who begs Rachel to critique his epic spiritual poems; and a delusional Russian who arrives at the ashram proclaiming he is Meher Baba reincarnated. Astutely observed and laugh-out-loud funny, All the Fishes Come Home to Roost is an astonishing debut memoir and the arrival of a major new literary talent. The hardcover edition was named a Book Sense Pick and was selected as a Book of the Week by BN.com's Book Club.
Author: Paroma Chatterjee
Publisher: Cambridge University Press
ISBN: 1108988334
Category : Art
Languages : en
Pages : 600
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Book Description
Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.
Author: Joan Morgan
Publisher: Simon and Schuster
ISBN: 1439127409
Category : Social Science
Languages : en
Pages : 240
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Book Description
“Morgan has given an entire generation of black feminists space and language to center their pleasures alongside their politics.” —Janet Mock, New York Times bestselling author of Redefining Realness “All that and then some, Chickenheads informs and educates, confronts and charms, raises the bar high by getting down low, and, to steal my favorite Joan Morgan phrase, bounced me out of the room.” —Marlon James, Man Booker Prize–winning author of A Brief History of Seven Killings Still fresh, funny, and irreverent after eighteen years, When Chickenheads Come Home to Roost gives voice to the most intimate thoughts of the post-Civil Rights, post-feminist, post-soul generation. Joan Morgan offers a provocative and powerful look into the life of the modern black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, where the deluge of babymothers and babyfathers reminds black women who long for marriage that traditional nuclear families are a reality for less than forty percent of the population, and where black women are forced to make sense of a world where truth is no longer black and white but subtle, intriguing shades of gray.
Author: Charles Lemert
Publisher: Cambridge University Press
ISBN: 0521842662
Category : Social Science
Languages : en
Pages : 216
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Book Description
Durkheim's Ghosts is a fascinating presentation of the tradition of social theory influenced by Emile Durkheim's thinking on the social foundations of knowledge. From Saussure and Levi-Strauss to Foucault, Bourdieu and Derrida, today's criticisms of modern politics and culture owe an important, if unacknowledged, debt to Durkheim. These engaging and innovative essays by leading sociologist Charles Lemert bring together his writings on the contributions of French social theory past and present. Rather than merely interpret the theories, Lemert uses them to explore the futures of sociology, social theory, and culture studies. Durkheim's Ghosts offers the reader original insights into Durkheim's legacy and the wider French traditions for the cultural and social sciences. Of special note is the book's new and exciting theory of culture and semiotics. Provocative, scholarly, imaginative and ambitious this book will be invaluable to anyone interested in social theory, culture, and intellectual history of modern times.
Author: G. Andrew Stuckey
Publisher: Hong Kong University Press
ISBN: 9888390813
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discourse on film arising from the films themselves. Such a discourse, in turn, outlines the boundaries of the possible for film in China as aesthetic or sociopolitical practice. Metacinema also draws our attention to the presence of the audience, people actively responding to a film. In elucidating the affective responses elicited by the metacinematic mode in the viewers, Stuckey argues that metacinema reflects ways of being in the world that audiences may take up for themselves. The films studied in this book are drawn across the full spectrum of Chinese films made in mainland China, Hong Kong, and Taiwan during the 1990s and 2000s, from award-winning conceptual art films to popular crowd pleasers, blockbusters to low-budget productions, and documentary-style social realist exposé projects to studio assembly-line investments. The recurrence of the metacinematic across this broad range of works is indicative of its relevance to Chinese films today, and the analysis of these diverse examples allows us to gauge the cultural, social, and aesthetic implications of Chinese cinemas as a whole. “Stuckey surveys a broad swath of contemporary Chinese cinema, from popular blockbusters to elite art films, around the theme of metacinema, yielding new insights into both previously neglected films and those already acknowledged as contemporary classics. The result is a fascinating dive into the growing and diversifying cinema culture of China today.” —Jason McGrath, University of Minnesota “Stuckey’s brilliant work, Metacinema in Contemporary Chinese Film, offers insightful close analyses of films by key directors from the PRC (Jiang Wen, Lou Ye, Jia Zhangke, and Li Yu), Hong Kong (Peter Chan), and Taiwan (Tsai Ming-liang). This clearly written book is essential reading for scholars and students of Chinese cinemas. Stuckey’s study of genre and metacinema makes it a must-read for anyone interested in cinema.” —Michelle Bloom, University of California, Riverside
Author: United States. Congress. House. Committee on Banking, Finance, and Urban Affairs. Subcommittee on Domestic Monetary Policy
Publisher:
ISBN:
Category : Business enterprises
Languages : en
Pages : 300
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Book Description
