The Paris Conservatoire and the Contest Solos for Bassoon PDF Download
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Author: Kristine Klopfenstein Fletcher
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
Author: Kristine Klopfenstein Fletcher
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Kristine Klopfenstein Fletcher
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Kristine Klopfenstein Fletcher
Publisher:
ISBN:
Category : Bassoon music
Languages : en
Pages : 388
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Book Description
Author: James R. Briscoe
Publisher: A-R Editions, Inc.
ISBN: 0895798107
Category : Music
Languages : en
Pages : 73
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Book Description
The Paris Conservatoire's rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection of morceaux de concours and other pieces written in a similar style, representing some of the most influential oboists and composers associated with the Conservatoire.
Author: James R. Briscoe
Publisher: A-R Editions, Inc.
ISBN: 0895797372
Category : Bassoon and piano music
Languages : en
Pages : 32
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Book Description
Pieces composed for sight-reading examinations at the Paris Conservatoire.
Author: Christin Schillinger
Publisher: Indiana University Press
ISBN: 0253018234
Category : Music
Languages : en
Pages : 172
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Book Description
Withheld by leading pedagogues in an effort to control competition, the art of reed making in the early 20th century has been shrouded in secrecy, producing a generation of performers without reed making fluency. While tenets of past decades remain in modern pedagogy, Christin Schillinger details the historical pedagogical trends of bassoon reed making to examine the impact different methods have had on the practice of reed making and performance today. Schillinger traces the pedagogy of reed making from the earliest known publication addressing bassoon pedagogy in 1687 through the publication of Julius Weissenborn's Praktische Fagott-Schule and concludes with an in-depth look at contemporary methodologies developed by Louis Skinner, Don Christlieb, Norman Herzberg, and Lewis Hugh Cooper. Aimed at practitioners and pedagogues of the bassoon, this book provides a deeper understanding of the history and technique surrounding reed-making craft and instruction.
Author: Kathleen Roberta Cook
Publisher:
ISBN:
Category : Flute music
Languages : en
Pages : 390
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Book Description
Author: Mark C. Ely
Publisher: Oxford University Press
ISBN: 0199887039
Category : Music
Languages : en
Pages : 749
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Book Description
Wind Talk for Woodwinds provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for woodwind instruments found in school instrumental programs. With thorough coverage of the most common woodwind instruments - flute, oboe, clarinet, saxophone, and bassoon - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching woodwind instruments (articles, websites, audio recordings). Without question, Wind Talk for Woodwinds stands alone as an invaluable resource for woodwinds!
Author: James B. Kopp
Publisher: Yale University Press
ISBN: 030018364X
Category : Music
Languages : en
Pages : 360
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Book Description
This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description].
Author: Laila Storch
Publisher: Indiana University Press
ISBN: 0253032687
Category : Biography & Autobiography
Languages : en
Pages : 626
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Book Description
Laila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques. In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.
