Author: Richard Niessen
Publisher:
ISBN: 9783959052030
Category : Alphabets
Languages : en
Pages : 345
Book Description
"The Palace of Typographic Masonry is dedicated to the splendour and diversity of the graphic languages. Founded by Dutch graphic designer Richard Niessen, this imaginary building serves as a speculative platform for the variety, poetry and digressions of graphic design. The Palace presents the craft in an interdisciplinary cultural historical context and posits a new theory for the profession. Join us on a tour that takes you past more than 360 Palace 'exhibits'. A progress through nine stages: the departments of Sign, Symbol and Ornament; Construction, Poetics and Play; Order, Craft and Practice. Philosopher and writer Dirk van Weelden will serve you as your guide, offering his reflections on the items on display and introducing you to the people we meet when we enter a room"--Publisher's website.
The Palace of Typographic Masonry
Author: Richard Niessen
Publisher:
ISBN: 9783959052030
Category : Alphabets
Languages : en
Pages : 345
Book Description
"The Palace of Typographic Masonry is dedicated to the splendour and diversity of the graphic languages. Founded by Dutch graphic designer Richard Niessen, this imaginary building serves as a speculative platform for the variety, poetry and digressions of graphic design. The Palace presents the craft in an interdisciplinary cultural historical context and posits a new theory for the profession. Join us on a tour that takes you past more than 360 Palace 'exhibits'. A progress through nine stages: the departments of Sign, Symbol and Ornament; Construction, Poetics and Play; Order, Craft and Practice. Philosopher and writer Dirk van Weelden will serve you as your guide, offering his reflections on the items on display and introducing you to the people we meet when we enter a room"--Publisher's website.
Publisher:
ISBN: 9783959052030
Category : Alphabets
Languages : en
Pages : 345
Book Description
"The Palace of Typographic Masonry is dedicated to the splendour and diversity of the graphic languages. Founded by Dutch graphic designer Richard Niessen, this imaginary building serves as a speculative platform for the variety, poetry and digressions of graphic design. The Palace presents the craft in an interdisciplinary cultural historical context and posits a new theory for the profession. Join us on a tour that takes you past more than 360 Palace 'exhibits'. A progress through nine stages: the departments of Sign, Symbol and Ornament; Construction, Poetics and Play; Order, Craft and Practice. Philosopher and writer Dirk van Weelden will serve you as your guide, offering his reflections on the items on display and introducing you to the people we meet when we enter a room"--Publisher's website.
Bruno Munari: Square, Circle, Triangle
Author: Bruno Munari
Publisher: Princeton Architectural Press
ISBN: 9781616894122
Category : Design
Languages : en
Pages : 0
Book Description
In the early 1960s Italian design legend Bruno Munari published his visual case studies on shapes: Circle, Square, and, a decade later, Triangle. Using examples from ancient Greece and Egypt, as well as works by Buckminster Fuller, Le Corbusier, and Alvar Aalto, Munari invests the three shapes with specific qualities: the circle relates to the divine, the square signifies safety and enclosure, and the triangle provides a key connective form for designers. One of the great designers of the twentieth century, Munari contributed to the fields of painting, sculpture, design, and photography while teaching throughout his seventy-year career. After World War II he began to focus on book design, creating children's books known for their simplicity and playfulness.
Publisher: Princeton Architectural Press
ISBN: 9781616894122
Category : Design
Languages : en
Pages : 0
Book Description
In the early 1960s Italian design legend Bruno Munari published his visual case studies on shapes: Circle, Square, and, a decade later, Triangle. Using examples from ancient Greece and Egypt, as well as works by Buckminster Fuller, Le Corbusier, and Alvar Aalto, Munari invests the three shapes with specific qualities: the circle relates to the divine, the square signifies safety and enclosure, and the triangle provides a key connective form for designers. One of the great designers of the twentieth century, Munari contributed to the fields of painting, sculpture, design, and photography while teaching throughout his seventy-year career. After World War II he began to focus on book design, creating children's books known for their simplicity and playfulness.
Against Architecture
Author: Denis Hollier
Publisher: MIT Press
ISBN: 9780262581134
Category : Philosophy
Languages : en
Pages : 236
Book Description
Over the past 30 years the writings of Georges Bataille have had a profound influence on French intellectual thought, informing the work of Foucault, Derrida, and Barthes, among others. Against Architecture offers the first serious interpretation of this challenging thinker, spelling out the profoundly original and radical nature of Bataille's work.
Publisher: MIT Press
ISBN: 9780262581134
Category : Philosophy
Languages : en
Pages : 236
Book Description
Over the past 30 years the writings of Georges Bataille have had a profound influence on French intellectual thought, informing the work of Foucault, Derrida, and Barthes, among others. Against Architecture offers the first serious interpretation of this challenging thinker, spelling out the profoundly original and radical nature of Bataille's work.
Diagramming the Big Idea
Author: Michael T. Swisher
Publisher: Routledge
ISBN: 1136245448
Category : Architecture
Languages : en
Pages : 258
Book Description
As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In the second edition of Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas. With accessible, step-by-step exercises that interweave full color diagrams, drawings and virtual models, the authors clearly show you how to compose meaningful and useful diagrams. As you follow the development of the four project groups drawn from the authors’ teaching, you will become familiar with architectural composition concepts such as proportion, site, form, hierarchy and spatial construction. In addition, description and demonstration essays extend concepts to show you more examples of the methods used in the projects. Whether preparing for a desk critique, or any time when a fundamental insight can help to resolve a design problem, this new and expanded edition is your essential studio resource.
Publisher: Routledge
ISBN: 1136245448
Category : Architecture
Languages : en
Pages : 258
Book Description
As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In the second edition of Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas. With accessible, step-by-step exercises that interweave full color diagrams, drawings and virtual models, the authors clearly show you how to compose meaningful and useful diagrams. As you follow the development of the four project groups drawn from the authors’ teaching, you will become familiar with architectural composition concepts such as proportion, site, form, hierarchy and spatial construction. In addition, description and demonstration essays extend concepts to show you more examples of the methods used in the projects. Whether preparing for a desk critique, or any time when a fundamental insight can help to resolve a design problem, this new and expanded edition is your essential studio resource.
Signs and Symbols
Author: Adrian Frutiger
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.
Inside FAO. A truly global forum
Author: Food and Agriculture Organization of the United Nations
Publisher: Food & Agriculture Org.
ISBN: 9251314802
Category : Photography
Languages : en
Pages : 192
Book Description
This book showcases the archeology, history and works of art of FAO’s headquarters in Rome, through spectacular photographs and informative texts, and reveals the places where world leaders and worldwide experts meet to fight world hunger.
Publisher: Food & Agriculture Org.
ISBN: 9251314802
Category : Photography
Languages : en
Pages : 192
Book Description
This book showcases the archeology, history and works of art of FAO’s headquarters in Rome, through spectacular photographs and informative texts, and reveals the places where world leaders and worldwide experts meet to fight world hunger.
Building in France, Building in Iron, Building in Ferroconcrete
Author: Sigfried Giedion
Publisher: Getty Publications
ISBN: 0892363193
Category : Architecture
Languages : en
Pages : 250
Book Description
With Building in France, Building in Iron, Building in Ferroconcretre (1928)—published now for the first time in English—Sigfried Giedion positioned himself as an eloquent advocate of modern architecture. This was the first book to exalt Le Corbusier as the artistic champion of the new movement. It also spelled out many of the tenets of Modernism that are now regarded as myths, among them the impoverishment of nineteenth-century architectural thinking and practice, the contrasting vigor of engineering innovations, and the notion of Modernism as technologically preordained.
Publisher: Getty Publications
ISBN: 0892363193
Category : Architecture
Languages : en
Pages : 250
Book Description
With Building in France, Building in Iron, Building in Ferroconcretre (1928)—published now for the first time in English—Sigfried Giedion positioned himself as an eloquent advocate of modern architecture. This was the first book to exalt Le Corbusier as the artistic champion of the new movement. It also spelled out many of the tenets of Modernism that are now regarded as myths, among them the impoverishment of nineteenth-century architectural thinking and practice, the contrasting vigor of engineering innovations, and the notion of Modernism as technologically preordained.
Binding Space: The Book as Spatial Practice
Author: Marian Macken
Publisher: Routledge
ISBN: 135126642X
Category : Architecture
Languages : en
Pages : 435
Book Description
Books orient, intrigue, provoke and direct the reader while editing, interpreting, encapsulating, constructing and revealing architectural representation. Binding Space: The Book as Spatial Practice explores the role of the book form within the realm of architectural representation. It proposes the book itself as another three-dimensional, complementary architectural representation with a generational and propositional role within the design process. Artists’ books in particular – that is, a book made as an original work of art, with an artist, designer or architect as author – have certain qualities and characteristics, quite different from the conventional presentation and documentation of architecture. Paginal sequentiality, the structure and objecthood of the book, and the act of reading create possibilities for the book as a site for architectural imagining and discourse. In this way, the form of the book affects how the architectural work is conceived, constructed and read. In five main sections, Binding Space examines the relationships between the drawing, the building and the book. It proposes thinking through the book as a form of spatial practice, one in which the book is cast as object, outcome, process and tool. Through the book, we read spatial practice anew.
Publisher: Routledge
ISBN: 135126642X
Category : Architecture
Languages : en
Pages : 435
Book Description
Books orient, intrigue, provoke and direct the reader while editing, interpreting, encapsulating, constructing and revealing architectural representation. Binding Space: The Book as Spatial Practice explores the role of the book form within the realm of architectural representation. It proposes the book itself as another three-dimensional, complementary architectural representation with a generational and propositional role within the design process. Artists’ books in particular – that is, a book made as an original work of art, with an artist, designer or architect as author – have certain qualities and characteristics, quite different from the conventional presentation and documentation of architecture. Paginal sequentiality, the structure and objecthood of the book, and the act of reading create possibilities for the book as a site for architectural imagining and discourse. In this way, the form of the book affects how the architectural work is conceived, constructed and read. In five main sections, Binding Space examines the relationships between the drawing, the building and the book. It proposes thinking through the book as a form of spatial practice, one in which the book is cast as object, outcome, process and tool. Through the book, we read spatial practice anew.
Style-Architecture and Building-Art
Author: Hermann Muthesius
Publisher: Getty Publications
ISBN: 0892362820
Category : Architecture
Languages : en
Pages : 144
Book Description
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
Publisher: Getty Publications
ISBN: 0892362820
Category : Architecture
Languages : en
Pages : 144
Book Description
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
Design, Writing, Research
Author: Ellen Lupton
Publisher: Princeton Architectural Press
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
This anthology turns a critical eye on advertising, newspapers, commercial photography.
Publisher: Princeton Architectural Press
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
This anthology turns a critical eye on advertising, newspapers, commercial photography.