The Oxford Companion to Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Oxford Companion to Music PDF full book. Access full book title The Oxford Companion to Music by Percy Alfred Scholes. Download full books in PDF and EPUB format.
Author: Percy Alfred Scholes
Publisher:
ISBN:
Category :
Languages : en
Pages : 1091
Get Book Here
Book Description
Author: Percy Alfred Scholes
Publisher:
ISBN:
Category :
Languages : en
Pages : 1091
Get Book Here
Book Description
Author: Peter Gammond
Publisher: Oxford, [England] ; Toronto : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 794
Get Book Here
Book Description
One-volume guide to popular music that includes biographical entries.
Author: Percy A. Scholes
Publisher: London : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 1462
Get Book Here
Book Description
Comprehensive reference book provides definitions of musical terms, biographies, and synopses of opera plots among its entries.
Author: Sumanth Gopinath
Publisher: Oxford University Press
ISBN: 0195375726
Category : Music
Languages : en
Pages : 561
Get Book Here
Book Description
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.
Author: Mark Doffman
Publisher: Oxford University Press
ISBN: 0190947292
Category : Music
Languages : en
Pages : 617
Get Book Here
Book Description
Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.
Author: Roger Mantie
Publisher: Oxford University Press
ISBN: 0190244704
Category : Music
Languages : en
Pages : 697
Get Book Here
Book Description
The Oxford Handbook of Music Making and Leisure presents myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. Looking beyond the obvious, this handbook asks readers to consider anew, "What might we see when we think of music making as leisure?"
Author: Alison Latham
Publisher:
ISBN: 9780199579037
Category : Music
Languages : en
Pages : 1434
Get Book Here
Book Description
This work replaces both the single-volume Oxford Companion to Music first published in 1938, and the subsequent two-volume New Oxford Companion to Music, published in 1983.
Author: Phil Hardy
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 1258
Get Book Here
Book Description
The Faber Companion to 20th Century Popular Music has established itself as the classic reference work in this area. From ABBA to ZZ Top, through Noel Coward, The Skatalites and The Stone Roses, this book covers the major players in the vast history of popular music in the twentieth century. With over 2,500 entries and covering bebop to western swing by way of psychedelic rock, Hardy's companion maps out a cultural history of the century that is both entertaining and informative.
Author: Blake Howe
Publisher: Oxford Handbooks
ISBN: 0199331448
Category : Music
Languages : en
Pages : 953
Get Book Here
Book Description
Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
Author: Sheila Whiteley
Publisher: Oxford University Press
ISBN: 0199321280
Category : Music
Languages : en
Pages : 721
Get Book Here
Book Description
This work, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities, and identities in a virtual world.
