The Oxford Book of Modern Australian Verse PDF Download
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Author: Peter Porter
Publisher: Oxford University Press, USA
ISBN:
Category : Fiction
Languages : en
Pages : 316
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Book Description
The noted Australian poet Peter Porter has produced an anthology of modern Australian poetry commencing in 1945. Almost 130 are represented from the great names of the 1950s and 1960s to the youngest generation of Australian poets.
Author: Peter Porter
Publisher: Oxford University Press, USA
ISBN:
Category : Fiction
Languages : en
Pages : 316
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Book Description
The noted Australian poet Peter Porter has produced an anthology of modern Australian poetry commencing in 1945. Almost 130 are represented from the great names of the 1950s and 1960s to the youngest generation of Australian poets.
Author: Les A. Murray
Publisher: Oxford University Press, USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
An extensive survey of Australian poetry from the earliest days of European settlement to the mid-1980s.
Author: Percival Serle
Publisher:
ISBN:
Category : Australian poetry
Languages : en
Pages : 264
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Book Description
Author: Peter Pierce
Publisher: Cambridge University Press
ISBN: 052188165X
Category : Literary Criticism
Languages : en
Pages : 623
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Book Description
Draws on scholarship from leading figures in the field and spans Australian literary history from colonial origins, indigenous and migrant literatures, as well as representations of Asia and the Pacific and the role of literary culture in modern Australian society.
Author: John Thompson
Publisher: Harmondworth, Penguin Books
ISBN:
Category : Australian poetry
Languages : en
Pages : 328
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Book Description
Author: Jeremy Noel-Tod
Publisher:
ISBN: 0199640254
Category : Literary Criticism
Languages : en
Pages : 727
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Book Description
This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.
Author: Bessie Graham
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 662
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Book Description
Author: Dinah Birch
Publisher: Oxford University Press, USA
ISBN: 0192806874
Category : Literary Collections
Languages : en
Pages : 1184
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Book Description
Written by a team of more than 150 contributors working under the direction of Dinah Birch, and ranging in influence from Homer to the Mahabharata, this guide provides the reader with a comprehensive coverage of all aspects of English literature.
Author: Neil Roberts
Publisher: John Wiley & Sons
ISBN: 9781405113618
Category : Literary Criticism
Languages : en
Pages : 652
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Book Description
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.
Author: John Kinsella
Publisher: Rodopi
ISBN: 9401209383
Category :
Languages : en
Pages : 580
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Book Description
These volumes present John Kinsella’s uncollected critical writings and personal reflections from the early 1990s to the present. Included are extended pieces of memoir written in the Western Australian wheatbelt and the Cambridge fens, as well as acute essays and commentaries on the nature and genesis of personal and public poetics. Pivotal are a sense of place and how we write out of it; pastoral’s relevance to contemporary poetry; how we evaluate and critique (post)colonial creativity and intrusion into Indigenous spaces; and engaged analysis of activism and responsibility in poetry and literary discourse. The author is well-known for saying he is preeminently an “anarchist, vegan, pacifist” – not stock epithets, but the raison d’être behind his work. The collection moves from overviews of contemporary Australian poetry to studies of such writers as Randolph Stow, Ouyang Yu, Charmaine Papertalk–Green, Lionel Fogarty, Les Murray, Peter Porter, Dorothy Hewett, Judith Wright, Alamgir Hashmi, Patrick Lane, Robert Sullivan, C.K. Stead, and J.H. Prynne, and on to numerous book reviews of poetry, fiction, and non-fiction, originally published in newspapers and journals from around the world. There are also searching reflections on visual artists (Sidney Nolan, Karl Wiebke, Shaun Atkinson) and wide-ranging opinion pieces and editorials. In counterpoint are conversations with other writers (Rosanna Warren, Rod Mengham, Alvin Pang, and Tracy Ryan) and explorations of schooling, being struck by lightning, ‘international regionalism’, hybridity, and experimental poetry. This two-volume argosy has been brought together by scholar and editor Gordon Collier, who has allowed the original versions to speak with their unique informal–formal ductus. Kinsella’s interest is in the ethics of space and how we use it. His considerations of the wheatbelt through Wagner and Dante (and rewritings of these), and, in Thoreauvian vein, his ‘place’ at Jam Tree Gully on the edge of Western Australia’s Avon Valley form a web of affirmation and anxiety: it is space he feels both part of and outside, em¬braced in its every magnitude but felt to be stolen land, whose restitution needs articulating in literature and in real time. Beneath it all is a celebration of the natural world – every plant, animal, rock, sentinel peak, and grain of sand – and a commitment to an ecological poetics.
