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Author: John Rainolds
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 228
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Book Description
Author: John Rainolds
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 228
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Tanya Pollard
Publisher: John Wiley & Sons
ISBN: 0470752963
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
Shakespeare’s Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.
Author: John Rainolds
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 190
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Book Description
Author: Dutton Cook
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 410
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Book Description
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 0470998911
Category : Literary Criticism
Languages : en
Pages : 648
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Book Description
This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
Author: Kate Aughterson
Publisher: Routledge
ISBN: 1134810008
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
Renaissance Woman: A Sourcebook is an invaluable collection of accounts of women and femininity in early modern England. The volume is divided thematically into nine sections, each with an accessible introduction, notes on sources and an annotated bibliography. The sections are: * Theology * Biology * Conduct * Sexuality and Motherhood * Politics and Law * Education * Work * Writing and Speaking * Feminism Renaissance Woman: A Sourcebook brings together sources ranging from medical documents and political pamphlets to sermons and the Bible, as well as literary sources. Providing a historical context to issues of gender in the Renasissance, it will be essential reading for students of the period, gender studies and cultural history.
Author: Kate Aughterson
Publisher: Psychology Press
ISBN: 0415120454
Category : Electronic books
Languages : en
Pages : 346
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Book Description
This book contains a collection of critically informed accounts of women and femininity in early modern England. The work is divided thematically into nine sections, each with an accessible introduction and notes.
Author: Travis Curtright
Publisher: Rowman & Littlefield
ISBN: 1611479398
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
Author: Charles Harold Herford
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
